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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97EB5F it is the complementary color #6814A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97EB5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97EB5F shade: #9CEB5A, #ADFD6D, #BEFF80, #CFFF93 and #E0FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97EB5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97EB5F shade: #97EB5F, #86D94C, #75C739, #64B526 and #53A313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97EB5F shade: #98EB60, #BDEB60, #E3EB60, #EBCE60 and #EBA960

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97EB5F shade: #98EB60, #72EB60, #60EB74, #60EB99 and #60EBBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97EB5F shade matches the following richer shades: #98EB60 and #95FA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97EB5F shade: #98EB60, #9BDD6F, #9ECE7D, #A0C08B and #A3B29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97EB5F shade: #E2EB60, #BDEB60, #98EB60, #73EB60 and #60EB73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97EB5F shade: #69DE1B, #80E73B, #98EB60, #B0F085 and #C8F4AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97EB5F shade: #97EB5F, #60EBD0 and #EB60D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97EB5F shade: #97EB5F, #6098EB and #EB6098

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97EB5F shade: #97EB5F, #60EBD0, #B460EB and #EB607C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97EB5F shade: #97EB5F, #60DDEB, #B460EB and #EB6E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 60 / 8

HEX #97EB5F

RGB 151 235 95

HSL 96, 0.78%, 0.65%

LAB 85.41, -48.77, 58.61

 

Complementary color

CMYK 35 / 88 / 0 / 37

HEX #6814A0

RGB 104 20 160

HSL 276, 0.78%, 0.35%

LAB 29.37, 57.39, -57.15

 

CMYK 34 / 0 / 62 / 8

HEX #9CEB5A

RGB 156 235 90

HSL 92.69, 0.78%, 0.64%

LAB 85.62, -47.54, 61.02

 

CMYK 32 / 0 / 57 / 1

HEX #ADFD6D

RGB 173 253 109

HSL 93.33, 0.97%, 0.71%

LAB 91.79, -47.66, 60.12

 

CMYK 25 / 0 / 50 / 0

HEX #BEFF80

RGB 190 255 128

HSL 90.71, 1%, 0.75%

LAB 93.46, -40.79, 53.8

 

CMYK 19 / 0 / 42 / 0

HEX #CFFF93

RGB 207 255 147

HSL 86.67, 1%, 0.79%

LAB 94.69, -32.67, 46.59

 

CMYK 12 / 0 / 35 / 0

HEX #E0FFA6

RGB 224 255 166

HSL 80.9, 1%, 0.83%

LAB 96.05, -24.27, 39.29

 

CMYK 36 / 0 / 60 / 8

HEX #97EB5F

RGB 151 235 95

HSL 96, 0.78%, 0.65%

LAB 85.41, -48.77, 58.61

 

CMYK 38 / 0 / 65 / 15

HEX #86D94C

RGB 134 217 76

HSL 95.32, 0.65%, 0.57%

LAB 79.17, -48.6, 59.42

 

CMYK 41 / 0 / 71 / 22

HEX #75C739

RGB 117 199 57

HSL 94.65, 0.56%, 0.5%

LAB 72.84, -48.29, 59.91

 

CMYK 45 / 0 / 79 / 29

HEX #64B526

RGB 100 181 38

HSL 93.99, 0.65%, 0.43%

LAB 66.44, -47.75, 59.81

 

CMYK 49 / 0 / 88 / 36

HEX #53A313

RGB 83 163 19

HSL 93.33, 0.79%, 0.36%

LAB 59.96, -46.92, 58.63

 

CMYK 35 / 0 / 59 / 8

HEX #98EB60

RGB 152 235 96

HSL 95.83, 0.78%, 0.65%

LAB 85.47, -48.35, 58.26

 

CMYK 20 / 0 / 59 / 8

HEX #BDEB60

RGB 189 235 96

HSL 79.86, 0.78%, 0.65%

LAB 87.52, -35.18, 61.12

 

CMYK 3 / 0 / 59 / 8

HEX #E3EB60

RGB 227 235 96

HSL 63.45, 0.78%, 0.65%

LAB 90.13, -20.38, 64.74

 

CMYK 0 / 12 / 59 / 8

HEX #EBCE60

RGB 235 206 96

HSL 47.48, 0.78%, 0.65%

LAB 83.26, -2.66, 57.3

 

CMYK 0 / 28 / 59 / 8

HEX #EBA960

RGB 235 169 96

HSL 31.51, 0.78%, 0.65%

LAB 74.11, 16.7, 46.73

 

CMYK 35 / 0 / 59 / 8

HEX #98EB60

RGB 152 235 96

HSL 95.83, 0.78%, 0.65%

LAB 85.47, -48.35, 58.26

 

CMYK 51 / 0 / 59 / 8

HEX #72EB60

RGB 114 235 96

HSL 112.23, 0.78%, 0.65%

LAB 83.88, -59.75, 56.03

 

CMYK 59 / 0 / 51 / 8

HEX #60EB74

RGB 96 235 116

HSL 128.63, 0.78%, 0.65%

LAB 83.53, -61.68, 46.37

 

CMYK 59 / 0 / 35 / 8

HEX #60EB99

RGB 96 235 153

HSL 144.6, 0.78%, 0.65%

LAB 84.07, -55.77, 28.81

 

CMYK 59 / 0 / 19 / 8

HEX #60EBBF

RGB 96 235 191

HSL 161.01, 0.78%, 0.65%

LAB 84.83, -47.99, 10.19

 

CMYK 35 / 0 / 59 / 8

HEX #98EB60

RGB 152 235 96

HSL 95.83, 0.78%, 0.65%

LAB 85.47, -48.35, 58.26

 

CMYK 40 / 0 / 67 / 2

HEX #95FA52

RGB 149 250 82

HSL 96.07, 0.94%, 0.65%

LAB 89.57, -56.57, 68.33

 

CMYK 35 / 0 / 59 / 8

HEX #98EB60

RGB 152 235 96

HSL 95.83, 0.78%, 0.65%

LAB 85.47, -48.35, 58.26

 

CMYK 30 / 0 / 50 / 13

HEX #9BDD6F

RGB 155 221 111

HSL 96, 0.62%, 0.65%

LAB 81.75, -39.74, 47.11

 

CMYK 23 / 0 / 39 / 19

HEX #9ECE7D

RGB 158 206 125

HSL 95.56, 0.45%, 0.65%

LAB 77.81, -30.06, 35.31

 

CMYK 17 / 0 / 28 / 25

HEX #A0C08B

RGB 160 192 139

HSL 96.23, 0.3%, 0.65%

LAB 74.21, -20.49, 23.26

 

CMYK 8 / 0 / 13 / 30

HEX #A3B29A

RGB 163 178 154

HSL 97.5, 0.13%, 0.65%

LAB 70.84, -9.71, 10.51

 

CMYK 4 / 0 / 59 / 8

HEX #E2EB60

RGB 226 235 96

HSL 63.88, 0.78%, 0.65%

LAB 90.06, -20.78, 64.64

 

CMYK 20 / 0 / 59 / 8

HEX #BDEB60

RGB 189 235 96

HSL 79.86, 0.78%, 0.65%

LAB 87.52, -35.18, 61.12

 

CMYK 35 / 0 / 59 / 8

HEX #98EB60

RGB 152 235 96

HSL 95.83, 0.78%, 0.65%

LAB 85.47, -48.35, 58.26

 

CMYK 51 / 0 / 59 / 8

HEX #73EB60

RGB 115 235 96

HSL 111.8, 0.78%, 0.65%

LAB 83.92, -59.48, 56.08

 

CMYK 59 / 0 / 51 / 8

HEX #60EB73

RGB 96 235 115

HSL 128.2, 0.78%, 0.65%

LAB 83.52, -61.82, 46.83

 

CMYK 53 / 0 / 88 / 13

HEX #69DE1B

RGB 105 222 27

HSL 96, 0.78%, 0.49%

LAB 79.23, -62.11, 73.89

 

CMYK 45 / 0 / 74 / 9

HEX #80E73B

RGB 128 231 59

HSL 95.93, 0.78%, 0.57%

LAB 82.94, -57.28, 69.41

 

CMYK 35 / 0 / 59 / 8

HEX #98EB60

RGB 152 235 96

HSL 95.83, 0.78%, 0.65%

LAB 85.47, -48.35, 58.26

 

CMYK 27 / 0 / 45 / 6

HEX #B0F085

RGB 176 240 133

HSL 95.89, 0.78%, 0.73%

LAB 88.56, -38.39, 45.24

 

CMYK 18 / 0 / 30 / 4

HEX #C8F4AA

RGB 200 244 170

HSL 95.68, 0.77%, 0.81%

LAB 91.63, -27, 31.16

 

CMYK 36 / 0 / 60 / 8

HEX #97EB5F

RGB 151 235 95

HSL 96, 0.78%, 0.65%

LAB 85.41, -48.77, 58.61

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD0

RGB 96 235 208

HSL 168.35, 0.78%, 0.65%

LAB 85.23, -44, 1.85

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 36 / 0 / 60 / 8

HEX #97EB5F

RGB 151 235 95

HSL 96, 0.78%, 0.65%

LAB 85.41, -48.77, 58.61

 

CMYK 59 / 35 / 0 / 8

HEX #6098EB

RGB 96 152 235

HSL 215.83, 0.78%, 0.65%

LAB 62.46, 6.17, -47.38

 

CMYK 0 / 59 / 35 / 8

HEX #EB6098

RGB 235 96 152

HSL 335.83, 0.78%, 0.65%

LAB 60.15, 58.86, -2.83

 

CMYK 36 / 0 / 60 / 8

HEX #97EB5F

RGB 151 235 95

HSL 96, 0.78%, 0.65%

LAB 85.41, -48.77, 58.61

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD0

RGB 96 235 208

HSL 168.35, 0.78%, 0.65%

LAB 85.23, -44, 1.85

 

CMYK 23 / 59 / 0 / 8

HEX #B460EB

RGB 180 96 235

HSL 276.26, 0.78%, 0.65%

LAB 56.16, 57.33, -56.99

 

CMYK 0 / 59 / 47 / 8

HEX #EB607C

RGB 235 96 124

HSL 347.91, 0.78%, 0.65%

LAB 59.42, 56, 12.4

 

CMYK 36 / 0 / 60 / 8

HEX #97EB5F

RGB 151 235 95

HSL 96, 0.78%, 0.65%

LAB 85.41, -48.77, 58.61

 

CMYK 59 / 6 / 0 / 8

HEX #60DDEB

RGB 96 221 235

HSL 186.04, 0.78%, 0.65%

LAB 81.95, -30.54, -17.29

 

CMYK 23 / 59 / 0 / 8

HEX #B460EB

RGB 180 96 235

HSL 276.26, 0.78%, 0.65%

LAB 56.16, 57.33, -56.99

 

CMYK 0 / 53 / 59 / 8

HEX #EB6E60

RGB 235 110 96

HSL 6.04, 0.78%, 0.65%

LAB 61.36, 47.24, 31.06

 

Description

Color code: HEX #97EB5F | qconv.com Color code: HEX #97EB5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 235 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 235 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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