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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB60D0 it is the complementary color #149F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB60D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB60D0 shade: #F060CB, #FF72DE, #FF84F1, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB60D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB60D0 shade: #EB60D0, #DA4EBD, #C93CAA, #B82A97 and #A71884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB60D0 shade: #EB60D0, #EB60AA, #EB6085 and #EB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB60D0 shade: #EB60D0, #E060EB, #BB60EB, #9560EB and #7060EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB60D0 shade matches the following richer shades: #EB60D0 and #F951D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB60D0 shade: #EB60D0, #DC6EC7, #CE7DBE, #C08BB5 and #B199AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB60D0 shade: #BA60EB, #DF60EB, #EB60D1, #EB60AC and #EB6087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB60D0 shade: #DD1BB7, #E63BC5, #EB60D0, #EF84DB and #F4A9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB60D0 shade: #EB60D0, #EB9560 and #60EBCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB60D0 shade: #EB60D0, #D1EB60 and #60D1EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB60D0 shade: #EB60D0, #EB9560, #60EB79 and #60B5EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB60D0 shade: #EB60D0, #EBBF60, #60EB79 and #608CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

Complementary color

CMYK 87 / 0 / 70 / 38

HEX #149F2F

RGB 20 159 47

HSL 131.65, 0.78%, 0.35%

LAB 57.22, -56.68, 46.71

 

CMYK 0 / 60 / 15 / 6

HEX #F060CB

RGB 240 96 203

HSL 315.42, 0.83%, 0.66%

LAB 62.68, 66.9, -28.17

 

CMYK 0 / 55 / 13 / 0

HEX #FF72DE

RGB 255 114 222

HSL 314.04, 1%, 0.72%

LAB 68.44, 66.01, -29.76

 

CMYK 0 / 48 / 5 / 0

HEX #FF84F1

RGB 255 132 241

HSL 306.83, 1%, 0.76%

LAB 72.3, 60.73, -34.25

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 64 / 13 / 15

HEX #DA4EBD

RGB 218 78 189

HSL 312.43, 0.65%, 0.58%

LAB 56.12, 66.4, -30.61

 

CMYK 0 / 70 / 15 / 21

HEX #C93CAA

RGB 201 60 170

HSL 313.19, 0.57%, 0.51%

LAB 50.16, 66.11, -29.02

 

CMYK 0 / 77 / 18 / 28

HEX #B82A97

RGB 184 42 151

HSL 313.94, 0.63%, 0.44%

LAB 44.35, 65.2, -26.98

 

CMYK 0 / 86 / 21 / 35

HEX #A71884

RGB 167 24 132

HSL 314.69, 0.75%, 0.37%

LAB 38.79, 63.36, -24.28

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 59 / 28 / 8

HEX #EB60AA

RGB 235 96 170

HSL 328.06, 0.78%, 0.65%

LAB 60.72, 61.02, -12.39

 

CMYK 0 / 59 / 43 / 8

HEX #EB6085

RGB 235 96 133

HSL 344.03, 0.78%, 0.65%

LAB 59.64, 56.86, 7.46

 

CMYK 0 / 59 / 59 / 8

HEX #EB6060

RGB 235 96 96

HSL 0, 0.78%, 0.65%

LAB 58.86, 53.76, 27.84

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 5 / 59 / 0 / 8

HEX #E060EB

RGB 224 96 235

HSL 295.25, 0.78%, 0.65%

LAB 61.84, 67.91, -47.61

 

CMYK 20 / 59 / 0 / 8

HEX #BB60EB

RGB 187 96 235

HSL 279.28, 0.78%, 0.65%

LAB 57.01, 58.99, -55.58

 

CMYK 37 / 59 / 0 / 8

HEX #9560EB

RGB 149 96 235

HSL 262.88, 0.78%, 0.65%

LAB 52.68, 50.25, -62.76

 

CMYK 52 / 59 / 0 / 8

HEX #7060EB

RGB 112 96 235

HSL 246.91, 0.78%, 0.65%

LAB 49.26, 42.69, -68.45

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 67 / 13 / 2

HEX #F951D9

RGB 249 81 217

HSL 311.43, 0.93%, 0.65%

LAB 62.54, 76.96, -36.18

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 50 / 10 / 14

HEX #DC6EC7

RGB 220 110 199

HSL 311.45, 0.61%, 0.65%

LAB 62.08, 54.32, -27.07

 

CMYK 0 / 39 / 8 / 19

HEX #CE7DBE

RGB 206 125 190

HSL 311.85, 0.45%, 0.65%

LAB 62.93, 40.86, -20.82

 

CMYK 0 / 28 / 6 / 25

HEX #C08BB5

RGB 192 139 181

HSL 312.45, 0.3%, 0.65%

LAB 64.17, 26.98, -14.01

 

CMYK 0 / 14 / 3 / 31

HEX #B199AC

RGB 177 153 172

HSL 312.5, 0.13%, 0.65%

LAB 65.83, 12.25, -6.61

 

CMYK 21 / 59 / 0 / 8

HEX #BA60EB

RGB 186 96 235

HSL 278.85, 0.78%, 0.65%

LAB 56.88, 58.75, -55.79

 

CMYK 5 / 59 / 0 / 8

HEX #DF60EB

RGB 223 96 235

HSL 294.82, 0.78%, 0.65%

LAB 61.7, 67.67, -47.84

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D1

RGB 235 96 209

HSL 311.22, 0.78%, 0.65%

LAB 62.2, 66.45, -32.37

 

CMYK 0 / 59 / 27 / 8

HEX #EB60AC

RGB 235 96 172

HSL 327.19, 0.78%, 0.65%

LAB 60.79, 61.27, -13.44

 

CMYK 0 / 59 / 43 / 8

HEX #EB6087

RGB 235 96 135

HSL 343.17, 0.78%, 0.65%

LAB 59.69, 57.05, 6.37

 

CMYK 0 / 88 / 17 / 13

HEX #DD1BB7

RGB 221 27 183

HSL 311.75, 0.78%, 0.49%

LAB 51.35, 80.46, -34.52

 

CMYK 0 / 74 / 14 / 10

HEX #E63BC5

RGB 230 59 197

HSL 311.58, 0.77%, 0.57%

LAB 56.07, 76.95, -35.14

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 45 / 8 / 6

HEX #EF84DB

RGB 239 132 219

HSL 311.21, 0.77%, 0.73%

LAB 69.45, 52.44, -26.72

 

CMYK 0 / 31 / 6 / 4

HEX #F4A9E5

RGB 244 169 229

HSL 312, 0.77%, 0.81%

LAB 78.03, 36.65, -19.06

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 37 / 59 / 8

HEX #EB9560

RGB 235 149 96

HSL 22.88, 0.78%, 0.65%

LAB 69.47, 27.32, 41.16

 

CMYK 59 / 0 / 13 / 8

HEX #60EBCD

RGB 96 235 205

HSL 167.05, 0.78%, 0.65%

LAB 85.15, -44.73, 3.32

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 11 / 0 / 59 / 8

HEX #D1EB60

RGB 209 235 96

HSL 71.22, 0.78%, 0.65%

LAB 88.84, -27.5, 62.95

 

CMYK 59 / 11 / 0 / 8

HEX #60D1EB

RGB 96 209 235

HSL 191.22, 0.78%, 0.65%

LAB 78.51, -24.68, -22.49

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 37 / 59 / 8

HEX #EB9560

RGB 235 149 96

HSL 22.88, 0.78%, 0.65%

LAB 69.47, 27.32, 41.16

 

CMYK 59 / 0 / 49 / 8

HEX #60EB79

RGB 96 235 121

HSL 130.79, 0.78%, 0.65%

LAB 83.59, -60.99, 44.07

 

CMYK 59 / 23 / 0 / 8

HEX #60B5EB

RGB 96 181 235

HSL 203.31, 0.78%, 0.65%

LAB 70.55, -10.14, -34.72

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D0

RGB 235 96 208

HSL 311.65, 0.78%, 0.65%

LAB 62.15, 66.3, -31.87

 

CMYK 0 / 19 / 59 / 8

HEX #EBBF60

RGB 235 191 96

HSL 41.01, 0.78%, 0.65%

LAB 79.48, 5.1, 53

 

CMYK 59 / 0 / 49 / 8

HEX #60EB79

RGB 96 235 121

HSL 130.79, 0.78%, 0.65%

LAB 83.59, -60.99, 44.07

 

CMYK 59 / 40 / 0 / 8

HEX #608CEB

RGB 96 140 235

HSL 221.01, 0.78%, 0.65%

LAB 59.2, 13.24, -52.55

 

Description

Color code: HEX #EB60D0 | qconv.com Color code: HEX #EB60D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 96 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 96 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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