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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97DEBC it is the complementary color #682143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97DEBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97DEBC shade: #9CDEB7, #ADF0CA, #BEFFDD, #CFFFF0 and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97DEBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97DEBC shade: #97DEBC, #86CCA9, #75BA96, #64A883 and #539670

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97DEBC shade: #96DEBC, #96DEA8, #98DE96, #ABDE96 and #BEDE96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97DEBC shade: #96DEBC, #96DECF, #96DADE, #96C6DE and #96B3DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97DEBC shade matches the following richer shades: #96DEBC, #8BE9BC and #80F4BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97DEBC shade: #96DEBC, #A1D3BB, #ADC8BB, #B8BDBA and #C3B1BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97DEBC shade: #98DE96, #96DEA8, #96DEBB, #96DECE and #96DADE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97DEBC shade: #58CA93, #77D4A7, #96DEBC, #B6E8D0 and #D5F2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97DEBC shade: #97DEBC, #96ABDE and #DE9F96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97DEBC shade: #97DEBC, #BB96DE and #DEBB96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97DEBC shade: #97DEBC, #96ABDE, #DE96B9 and #DECA96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97DEBC shade: #97DEBC, #9896DE, #DE96B9 and #DDDE96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 15 / 13

HEX #97DEBC

RGB 151 222 188

HSL 151.27, 0.52%, 0.73%

LAB 83.15, -29.32, 9.67

 

Complementary color

CMYK 0 / 68 / 36 / 59

HEX #682143

RGB 104 33 67

HSL 331.27, 0.52%, 0.27%

LAB 25.06, 35.21, -4.38

 

CMYK 30 / 0 / 18 / 13

HEX #9CDEB7

RGB 156 222 183

HSL 144.55, 0.5%, 0.74%

LAB 83.3, -28.8, 12.55

 

CMYK 28 / 0 / 16 / 6

HEX #ADF0CA

RGB 173 240 202

HSL 145.97, 0.69%, 0.81%

LAB 89.61, -28.57, 11.7

 

CMYK 25 / 0 / 13 / 0

HEX #BEFFDD

RGB 190 255 221

HSL 148.62, 1%, 0.87%

LAB 95.03, -26.94, 9.73

 

CMYK 19 / 0 / 6 / 0

HEX #CFFFF0

RGB 207 255 240

HSL 161.25, 1%, 0.91%

LAB 96.44, -18.11, 2.12

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 32 / 0 / 15 / 13

HEX #97DEBC

RGB 151 222 188

HSL 151.27, 0.52%, 0.73%

LAB 83.15, -29.32, 9.67

 

CMYK 34 / 0 / 17 / 20

HEX #86CCA9

RGB 134 204 169

HSL 150, 0.41%, 0.66%

LAB 76.75, -29.56, 10.53

 

CMYK 37 / 0 / 19 / 27

HEX #75BA96

RGB 117 186 150

HSL 148.7, 0.33%, 0.59%

LAB 70.25, -29.82, 11.46

 

CMYK 40 / 0 / 22 / 34

HEX #64A883

RGB 100 168 131

HSL 147.35, 0.28%, 0.53%

LAB 63.63, -30.08, 12.45

 

CMYK 45 / 0 / 25 / 41

HEX #539670

RGB 83 150 112

HSL 145.97, 0.29%, 0.46%

LAB 56.9, -30.33, 13.53

 

CMYK 32 / 0 / 15 / 13

HEX #96DEBC

RGB 150 222 188

HSL 151.67, 0.52%, 0.73%

LAB 83.1, -29.62, 9.59

 

CMYK 32 / 0 / 24 / 13

HEX #96DEA8

RGB 150 222 168

HSL 135, 0.52%, 0.73%

LAB 82.68, -33.43, 19.5

 

CMYK 32 / 0 / 32 / 13

HEX #98DE96

RGB 152 222 150

HSL 118.33, 0.52%, 0.73%

LAB 82.44, -35.86, 28.55

 

CMYK 23 / 0 / 32 / 13

HEX #ABDE96

RGB 171 222 150

HSL 102.5, 0.52%, 0.73%

LAB 83.5, -29.53, 30.14

 

CMYK 14 / 0 / 32 / 13

HEX #BEDE96

RGB 190 222 150

HSL 86.67, 0.52%, 0.73%

LAB 84.69, -22.8, 31.94

 

CMYK 32 / 0 / 15 / 13

HEX #96DEBC

RGB 150 222 188

HSL 151.67, 0.52%, 0.73%

LAB 83.1, -29.62, 9.59

 

CMYK 32 / 0 / 7 / 13

HEX #96DECF

RGB 150 222 207

HSL 167.5, 0.52%, 0.73%

LAB 83.56, -25.63, 0.2

 

CMYK 32 / 2 / 0 / 13

HEX #96DADE

RGB 150 218 222

HSL 183.33, 0.52%, 0.73%

LAB 82.86, -20.26, -8.79

 

CMYK 32 / 11 / 0 / 13

HEX #96C6DE

RGB 150 198 222

HSL 200, 0.52%, 0.73%

LAB 77.37, -10.01, -17.01

 

CMYK 32 / 19 / 0 / 13

HEX #96B3DE

RGB 150 179 222

HSL 215.83, 0.52%, 0.73%

LAB 72.23, 0.19, -24.82

 

CMYK 32 / 0 / 15 / 13

HEX #96DEBC

RGB 150 222 188

HSL 151.67, 0.52%, 0.73%

LAB 83.1, -29.62, 9.59

 

CMYK 40 / 0 / 19 / 9

HEX #8BE9BC

RGB 139 233 188

HSL 151.28, 0.68%, 0.73%

LAB 85.7, -37.84, 13.22

 

CMYK 48 / 0 / 23 / 4

HEX #80F4BD

RGB 128 244 189

HSL 151.55, 0.84%, 0.73%

LAB 88.43, -45.33, 16.48

 

CMYK 32 / 0 / 15 / 13

HEX #96DEBC

RGB 150 222 188

HSL 151.67, 0.52%, 0.73%

LAB 83.1, -29.62, 9.59

 

CMYK 24 / 0 / 11 / 17

HEX #A1D3BB

RGB 161 211 187

HSL 151.2, 0.36%, 0.73%

LAB 80.6, -21.11, 6.61

 

CMYK 14 / 0 / 7 / 22

HEX #ADC8BB

RGB 173 200 187

HSL 151.11, 0.2%, 0.73%

LAB 78.33, -11.62, 3.44

 

CMYK 3 / 0 / 2 / 26

HEX #B8BDBA

RGB 184 189 186

HSL 144, 0.04%, 0.73%

LAB 76.15, -2.29, 0.9

 

CMYK 0 / 9 / 5 / 24

HEX #C3B1BA

RGB 195 177 186

HSL 330, 0.13%, 0.73%

LAB 73.93, 8.02, -2.24

 

CMYK 32 / 0 / 32 / 13

HEX #98DE96

RGB 152 222 150

HSL 118.33, 0.52%, 0.73%

LAB 82.44, -35.86, 28.55

 

CMYK 32 / 0 / 24 / 13

HEX #96DEA8

RGB 150 222 168

HSL 135, 0.52%, 0.73%

LAB 82.68, -33.43, 19.5

 

CMYK 32 / 0 / 16 / 13

HEX #96DEBB

RGB 150 222 187

HSL 150.83, 0.52%, 0.73%

LAB 83.08, -29.82, 10.08

 

CMYK 32 / 0 / 7 / 13

HEX #96DECE

RGB 150 222 206

HSL 166.67, 0.52%, 0.73%

LAB 83.54, -25.85, 0.7

 

CMYK 32 / 2 / 0 / 13

HEX #96DADE

RGB 150 218 222

HSL 183.33, 0.52%, 0.73%

LAB 82.86, -20.26, -8.79

 

CMYK 56 / 0 / 27 / 21

HEX #58CA93

RGB 88 202 147

HSL 151.05, 0.52%, 0.57%

LAB 73.82, -45.17, 17.91

 

CMYK 44 / 0 / 21 / 17

HEX #77D4A7

RGB 119 212 167

HSL 150.97, 0.52%, 0.65%

LAB 78.34, -37.91, 13.76

 

CMYK 32 / 0 / 15 / 13

HEX #96DEBC

RGB 150 222 188

HSL 151.67, 0.52%, 0.73%

LAB 83.1, -29.62, 9.59

 

CMYK 22 / 0 / 10 / 9

HEX #B6E8D0

RGB 182 232 208

HSL 151.2, 0.52%, 0.81%

LAB 88.07, -20.78, 6.43

 

CMYK 12 / 0 / 6 / 5

HEX #D5F2E4

RGB 213 242 228

HSL 151.03, 0.53%, 0.89%

LAB 93.12, -12.06, 3.55

 

CMYK 32 / 0 / 15 / 13

HEX #97DEBC

RGB 151 222 188

HSL 151.27, 0.52%, 0.73%

LAB 83.15, -29.32, 9.67

 

CMYK 32 / 23 / 0 / 13

HEX #96ABDE

RGB 150 171 222

HSL 222.5, 0.52%, 0.73%

LAB 70.09, 4.61, -28.09

 

CMYK 0 / 28 / 32 / 13

HEX #DE9F96

RGB 222 159 150

HSL 7.5, 0.52%, 0.73%

LAB 71.23, 22.24, 14.01

 

CMYK 32 / 0 / 15 / 13

HEX #97DEBC

RGB 151 222 188

HSL 151.27, 0.52%, 0.73%

LAB 83.15, -29.32, 9.67

 

CMYK 16 / 32 / 0 / 13

HEX #BB96DE

RGB 187 150 222

HSL 270.83, 0.52%, 0.73%

LAB 67.76, 27.45, -31.44

 

CMYK 0 / 16 / 32 / 13

HEX #DEBB96

RGB 222 187 150

HSL 30.83, 0.52%, 0.73%

LAB 78.04, 7.25, 23.42

 

CMYK 32 / 0 / 15 / 13

HEX #97DEBC

RGB 151 222 188

HSL 151.27, 0.52%, 0.73%

LAB 83.15, -29.32, 9.67

 

CMYK 32 / 23 / 0 / 13

HEX #96ABDE

RGB 150 171 222

HSL 222.5, 0.52%, 0.73%

LAB 70.09, 4.61, -28.09

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 0 / 9 / 32 / 13

HEX #DECA96

RGB 222 202 150

HSL 43.33, 0.52%, 0.73%

LAB 81.82, -0.62, 28.55

 

CMYK 32 / 0 / 15 / 13

HEX #97DEBC

RGB 151 222 188

HSL 151.27, 0.52%, 0.73%

LAB 83.15, -29.32, 9.67

 

CMYK 32 / 32 / 0 / 13

HEX #9896DE

RGB 152 150 222

HSL 241.67, 0.52%, 0.73%

LAB 64.77, 17.05, -36.32

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 0 / 0 / 32 / 13

HEX #DDDE96

RGB 221 222 150

HSL 60.83, 0.52%, 0.73%

LAB 86.91, -11.23, 35.28

 

Description

Color code: HEX #97DEBC | qconv.com Color code: HEX #97DEBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 222 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 222 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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