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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 27 / 21 it is the complementary color CMYK 0 / 67 / 35 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 27 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 0 / 27 / 21: CMYK 53 / 0 / 29 / 21, CMYK 49 / 0 / 26 / 14, CMYK 46 / 0 / 24 / 7, CMYK 43 / 0 / 22 / 0 and CMYK 36 / 0 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 27 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 0 / 27 / 21: CMYK 56 / 0 / 27 / 21, CMYK 61 / 0 / 30 / 28, CMYK 67 / 0 / 34 / 35, CMYK 74 / 0 / 39 / 42 and CMYK 84 / 0 / 45 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

Complementary color

CMYK 0 / 67 / 35 / 35

HEX #A6366C

RGB 166 54 108

HSL 331.07, 0.51%, 0.43%

LAB 40.94, 50.72, -6.09

 

CMYK 53 / 0 / 29 / 21

HEX #5EC98E

RGB 94 201 142

HSL 146.92, 0.5%, 0.58%

LAB 73.61, -44.38, 20.32

 

CMYK 49 / 0 / 26 / 14

HEX #6FDBA1

RGB 111 219 161

HSL 147.78, 0.6%, 0.65%

LAB 79.96, -44.26, 19.14

 

CMYK 46 / 0 / 24 / 7

HEX #80EDB4

RGB 128 237 180

HSL 148.62, 0.75%, 0.72%

LAB 86.23, -44.08, 18.06

 

CMYK 43 / 0 / 22 / 0

HEX #91FFC7

RGB 145 255 199

HSL 149.45, 1%, 0.78%

LAB 92.43, -43.88, 17.04

 

CMYK 36 / 0 / 15 / 0

HEX #A2FFDA

RGB 162 255 218

HSL 156.13, 1%, 0.82%

LAB 93.56, -35.59, 8.99

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 61 / 0 / 30 / 28

HEX #48B780

RGB 72 183 128

HSL 150.27, 0.44%, 0.5%

LAB 67.13, -44.49, 18.79

 

CMYK 67 / 0 / 34 / 35

HEX #37A56D

RGB 55 165 109

HSL 149.45, 0.5%, 0.43%

LAB 60.63, -44.28, 20.17

 

CMYK 74 / 0 / 39 / 42

HEX #26935A

RGB 38 147 90

HSL 148.62, 0.59%, 0.36%

LAB 54.05, -43.79, 21.7

 

CMYK 84 / 0 / 45 / 49

HEX #158147

RGB 21 129 71

HSL 147.78, 0.72%, 0.29%

LAB 47.38, -42.84, 23.41

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 56 / 0 / 18 / 21

HEX #59C9A5

RGB 89 201 165

HSL 160.71, 0.51%, 0.57%

LAB 73.94, -40.58, 8.43

 

CMYK 56 / 0 / 8 / 21

HEX #59C9B8

RGB 89 201 184

HSL 170.89, 0.51%, 0.57%

LAB 74.42, -35.99, -1.15

 

CMYK 56 / 1 / 0 / 21

HEX #59C7C9

RGB 89 199 201

HSL 181.07, 0.51%, 0.57%

LAB 74.31, -30.59, -10.52

 

CMYK 56 / 10 / 0 / 21

HEX #59B4C9

RGB 89 180 201

HSL 191.25, 0.51%, 0.57%

LAB 68.74, -21.14, -18.91

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 56 / 0 / 27 / 1

HEX #70FCB8

RGB 112 252 184

HSL 150.86, 0.96%, 0.71%

LAB 90.1, -53.33, 21.3

 

CMYK 56 / 0 / 27 / 81

HEX #153023

RGB 21 48 35

HSL 151.11, 0.39%, 0.14%

LAB 17.44, -14.14, 5.19

 

CMYK 56 / 0 / 27 / 61

HEX #2C6348

RGB 44 99 72

HSL 150.55, 0.38%, 0.28%

LAB 37.71, -25.27, 9.92

 

CMYK 56 / 0 / 27 / 41

HEX #42966E

RGB 66 150 110

HSL 151.43, 0.39%, 0.42%

LAB 56.18, -35.25, 13.56

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 56 / 40 / 0 / 21

HEX #5979C9

RGB 89 121 201

HSL 222.86, 0.51%, 0.57%

LAB 51.85, 12.17, -45.12

 

CMYK 0 / 49 / 56 / 21

HEX #C96659

RGB 201 102 89

HSL 6.96, 0.51%, 0.57%

LAB 54.7, 38.1, 25.46

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 27 / 56 / 0 / 21

HEX #9359C9

RGB 147 89 201

HSL 271.07, 0.51%, 0.57%

LAB 48.96, 45.17, -49.44

 

CMYK 0 / 27 / 56 / 21

HEX #C99359

RGB 201 147 89

HSL 31.07, 0.51%, 0.57%

LAB 64.97, 13.85, 38.41

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 56 / 40 / 0 / 21

HEX #5979C9

RGB 89 121 201

HSL 222.86, 0.51%, 0.57%

LAB 51.85, 12.17, -45.12

 

CMYK 0 / 56 / 29 / 21

HEX #C9598F

RGB 201 89 143

HSL 331.07, 0.51%, 0.57%

LAB 53.54, 50.31, -7.93

 

CMYK 0 / 16 / 56 / 21

HEX #C9A959

RGB 201 169 89

HSL 42.86, 0.51%, 0.57%

LAB 70.54, 1.94, 45.1

 

CMYK 56 / 0 / 27 / 21

HEX #59C993

RGB 89 201 147

HSL 151.07, 0.51%, 0.57%

LAB 73.55, -44.52, 17.54

 

CMYK 55 / 56 / 0 / 21

HEX #5B59C9

RGB 91 89 201

HSL 241.07, 0.51%, 0.57%

LAB 43.63, 32.36, -58.29

 

CMYK 0 / 56 / 29 / 21

HEX #C9598F

RGB 201 89 143

HSL 331.07, 0.51%, 0.57%

LAB 53.54, 50.31, -7.93

 

CMYK 1 / 0 / 56 / 21

HEX #C7C959

RGB 199 201 89

HSL 61.07, 0.51%, 0.57%

LAB 78.83, -15.5, 54.64

 

Description

Color code: CMYK 56 / 0 / 27 / 21 | qconv.com Color code: CMYK 56 / 0 / 27 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 201 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 201 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 27 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 27% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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