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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97BB1C it is the complementary color #6844E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97BB1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97BB1C shade: #9CBB17, #ADCD2A, #BEDF3D, #CFF150 and #E0FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97BB1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97BB1C shade: #97BB1C, #86A909, #759700, #648500 and #537300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97BB1C shade: #96BA1C, #BAB31C, #BA891C, #BA5E1C and #BA331C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97BB1C shade: #96BA1C, #6CBA1C, #41BA1C, #1CBA21 and #1CBA4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97BB1C shade matches the following richer shades: #96BA1C and #A0CC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97BB1C shade: #96BA1C, #8DA92D, #84983F, #7A8650 and #717561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97BB1C shade: #BA881C, #BAB21C, #98BA1C, #6EBA1C and #43BA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97BB1C shade: #5D7311, #799616, #96BA1C, #B3DE22 and #C0E345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97BB1C shade: #97BB1C, #1CBA5E and #9D1CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97BB1C shade: #97BB1C, #1C98BA and #BA1C98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97BB1C shade: #97BB1C, #1CBA5E, #3E1CBA and #BA1C78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97BB1C shade: #97BB1C, #1CBA8D, #3E1CBA and #BA1C49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 85 / 27

HEX #97BB1C

RGB 151 187 28

HSL 73.58, 0.74%, 0.42%

LAB 71.01, -31.83, 67.58

 

Complementary color

CMYK 54 / 70 / 0 / 11

HEX #6844E3

RGB 104 68 227

HSL 253.58, 0.74%, 0.58%

LAB 42.19, 54.5, -75.49

 

CMYK 17 / 0 / 88 / 27

HEX #9CBB17

RGB 156 187 23

HSL 71.34, 0.78%, 0.41%

LAB 71.33, -29.92, 69.03

 

CMYK 16 / 0 / 80 / 20

HEX #ADCD2A

RGB 173 205 42

HSL 71.78, 0.66%, 0.48%

LAB 77.71, -30.83, 70.48

 

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

CMYK 14 / 0 / 67 / 5

HEX #CFF150

RGB 207 241 80

HSL 72.67, 0.85%, 0.63%

LAB 90.21, -32.16, 70.74

 

CMYK 12 / 0 / 61 / 0

HEX #E0FF63

RGB 224 255 99

HSL 71.92, 1%, 0.69%

LAB 95.27, -30.79, 69.03

 

CMYK 19 / 0 / 85 / 27

HEX #97BB1C

RGB 151 187 28

HSL 73.58, 0.74%, 0.42%

LAB 71.01, -31.83, 67.58

 

CMYK 21 / 0 / 95 / 34

HEX #86A909

RGB 134 169 9

HSL 73.13, 0.9%, 0.35%

LAB 64.53, -30.8, 65.15

 

CMYK 23 / 0 / 100 / 41

HEX #759700

RGB 117 151 0

HSL 73.51, 1%, 0.3%

LAB 57.96, -29.52, 60.85

 

CMYK 25 / 0 / 100 / 48

HEX #648500

RGB 100 133 0

HSL 74.89, 1%, 0.26%

LAB 51.25, -28.07, 55.26

 

CMYK 28 / 0 / 100 / 55

HEX #537300

RGB 83 115 0

HSL 76.7, 1%, 0.23%

LAB 44.38, -26.6, 49.54

 

CMYK 19 / 0 / 85 / 27

HEX #96BA1C

RGB 150 186 28

HSL 73.67, 0.74%, 0.42%

LAB 70.65, -31.77, 67.25

 

CMYK 0 / 4 / 85 / 27

HEX #BAB31C

RGB 186 179 28

HSL 57.34, 0.74%, 0.42%

LAB 71.39, -13, 68.97

 

CMYK 0 / 26 / 85 / 27

HEX #BA891C

RGB 186 137 28

HSL 41.39, 0.74%, 0.42%

LAB 60.26, 9.45, 59.71

 

CMYK 0 / 49 / 85 / 27

HEX #BA5E1C

RGB 186 94 28

HSL 25.06, 0.74%, 0.42%

LAB 50.13, 33, 51.13

 

CMYK 0 / 73 / 85 / 27

HEX #BA331C

RGB 186 51 28

HSL 8.73, 0.74%, 0.42%

LAB 42.6, 52.75, 44.6

 

CMYK 19 / 0 / 85 / 27

HEX #96BA1C

RGB 150 186 28

HSL 73.67, 0.74%, 0.42%

LAB 70.65, -31.77, 67.25

 

CMYK 42 / 0 / 85 / 27

HEX #6CBA1C

RGB 108 186 28

HSL 89.62, 0.74%, 0.42%

LAB 68.31, -47.57, 64.31

 

CMYK 65 / 0 / 85 / 27

HEX #41BA1C

RGB 65 186 28

HSL 105.95, 0.74%, 0.42%

LAB 66.77, -59.62, 62.36

 

CMYK 85 / 0 / 82 / 27

HEX #1CBA21

RGB 28 186 33

HSL 121.9, 0.74%, 0.42%

LAB 66.12, -65.17, 60.25

 

CMYK 85 / 0 / 59 / 27

HEX #1CBA4C

RGB 28 186 76

HSL 138.23, 0.74%, 0.42%

LAB 66.43, -61.22, 44.29

 

CMYK 19 / 0 / 85 / 27

HEX #96BA1C

RGB 150 186 28

HSL 73.67, 0.74%, 0.42%

LAB 70.65, -31.77, 67.25

 

CMYK 22 / 0 / 95 / 20

HEX #A0CC0B

RGB 160 204 11

HSL 73.68, 0.9%, 0.42%

LAB 76.49, -36.38, 75.02

 

CMYK 19 / 0 / 85 / 27

HEX #96BA1C

RGB 150 186 28

HSL 73.67, 0.74%, 0.42%

LAB 70.65, -31.77, 67.25

 

CMYK 17 / 0 / 73 / 34

HEX #8DA92D

RGB 141 169 45

HSL 73.55, 0.58%, 0.42%

LAB 65.14, -26.66, 57.06

 

CMYK 13 / 0 / 59 / 40

HEX #84983F

RGB 132 152 63

HSL 73.48, 0.41%, 0.42%

LAB 59.64, -20.7, 43.57

 

CMYK 9 / 0 / 40 / 47

HEX #7A8650

RGB 122 134 80

HSL 73.33, 0.25%, 0.42%

LAB 53.78, -13.64, 27.61

 

CMYK 3 / 0 / 17 / 54

HEX #717561

RGB 113 117 97

HSL 72, 0.09%, 0.42%

LAB 48.38, -5.34, 10.54

 

CMYK 0 / 27 / 85 / 27

HEX #BA881C

RGB 186 136 28

HSL 41.01, 0.74%, 0.42%

LAB 60.01, 10.01, 59.49

 

CMYK 0 / 4 / 85 / 27

HEX #BAB21C

RGB 186 178 28

HSL 56.96, 0.74%, 0.42%

LAB 71.12, -12.49, 68.74

 

CMYK 18 / 0 / 85 / 27

HEX #98BA1C

RGB 152 186 28

HSL 72.91, 0.74%, 0.42%

LAB 70.79, -30.95, 67.42

 

CMYK 41 / 0 / 85 / 27

HEX #6EBA1C

RGB 110 186 28

HSL 88.86, 0.74%, 0.42%

LAB 68.4, -46.89, 64.43

 

CMYK 64 / 0 / 85 / 27

HEX #43BA1C

RGB 67 186 28

HSL 105.19, 0.74%, 0.42%

LAB 66.82, -59.18, 62.43

 

CMYK 19 / 0 / 85 / 55

HEX #5D7311

RGB 93 115 17

HSL 73.47, 0.74%, 0.26%

LAB 45.12, -21.68, 46.44

 

CMYK 19 / 0 / 85 / 41

HEX #799616

RGB 121 150 22

HSL 73.59, 0.74%, 0.34%

LAB 57.98, -26.83, 57.05

 

CMYK 19 / 0 / 85 / 27

HEX #96BA1C

RGB 150 186 28

HSL 73.67, 0.74%, 0.42%

LAB 70.65, -31.77, 67.25

 

CMYK 19 / 0 / 85 / 13

HEX #B3DE22

RGB 179 222 34

HSL 73.72, 0.74%, 0.5%

LAB 82.88, -36.52, 77.06

 

CMYK 15 / 0 / 70 / 11

HEX #C0E345

RGB 192 227 69

HSL 73.29, 0.74%, 0.58%

LAB 85.29, -32.21, 69.47

 

CMYK 19 / 0 / 85 / 27

HEX #97BB1C

RGB 151 187 28

HSL 73.58, 0.74%, 0.42%

LAB 71.01, -31.83, 67.58

 

CMYK 85 / 0 / 49 / 27

HEX #1CBA5E

RGB 28 186 94

HSL 145.06, 0.74%, 0.42%

LAB 66.65, -58.57, 35.84

 

CMYK 16 / 85 / 0 / 27

HEX #9D1CBA

RGB 157 28 186

HSL 288.99, 0.74%, 0.42%

LAB 40.48, 68.95, -54.26

 

CMYK 19 / 0 / 85 / 27

HEX #97BB1C

RGB 151 187 28

HSL 73.58, 0.74%, 0.42%

LAB 71.01, -31.83, 67.58

 

CMYK 85 / 18 / 0 / 27

HEX #1C98BA

RGB 28 152 186

HSL 192.91, 0.74%, 0.42%

LAB 58.27, -19.94, -26.69

 

CMYK 0 / 85 / 18 / 27

HEX #BA1C98

RGB 186 28 152

HSL 312.91, 0.74%, 0.42%

LAB 43.56, 69.22, -28.78

 

CMYK 19 / 0 / 85 / 27

HEX #97BB1C

RGB 151 187 28

HSL 73.58, 0.74%, 0.42%

LAB 71.01, -31.83, 67.58

 

CMYK 85 / 0 / 49 / 27

HEX #1CBA5E

RGB 28 186 94

HSL 145.06, 0.74%, 0.42%

LAB 66.65, -58.57, 35.84

 

CMYK 67 / 85 / 0 / 27

HEX #3E1CBA

RGB 62 28 186

HSL 252.91, 0.74%, 0.42%

LAB 27.84, 56.62, -75.45

 

CMYK 0 / 85 / 35 / 27

HEX #BA1C78

RGB 186 28 120

HSL 325.06, 0.74%, 0.42%

LAB 42.19, 65.44, -11.31

 

CMYK 19 / 0 / 85 / 27

HEX #97BB1C

RGB 151 187 28

HSL 73.58, 0.74%, 0.42%

LAB 71.01, -31.83, 67.58

 

CMYK 85 / 0 / 24 / 27

HEX #1CBA8D

RGB 28 186 141

HSL 162.91, 0.74%, 0.42%

LAB 67.49, -49, 12.11

 

CMYK 67 / 85 / 0 / 27

HEX #3E1CBA

RGB 62 28 186

HSL 252.91, 0.74%, 0.42%

LAB 27.84, 56.62, -75.45

 

CMYK 0 / 85 / 61 / 27

HEX #BA1C49

RGB 186 28 73

HSL 342.91, 0.74%, 0.42%

LAB 40.82, 61.48, 16.27

 

Description

Color code: HEX #97BB1C | qconv.com Color code: HEX #97BB1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 187 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 187 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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