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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEDF3D it is the complementary color #4120C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEDF3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEDF3D shade: #C3DF38, #D4F14B, #E5FF5E, #F6FF71 and #FFFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEDF3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEDF3D shade: #BEDF3D, #ADCD2A, #9CBB17, #8BA904 and #7A9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEDF3D shade: #BFE03E, #E0D53E, #E0A93E, #E07E3E and #E0523E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEDF3D shade: #BFE03E, #93E03E, #68E03E, #3EE040 and #3EE06C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEDF3D shade matches the following richer shades: #BFE03E and #C9F22C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEDF3D shade: #BFE03E, #B4CD50, #A9BB62, #9EA974 and #949787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEDF3D shade: #E0AA3E, #E0D53E, #BFE03E, #94E03E and #69E03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEDF3D shade: #91AF1C, #AED222, #BFE03E, #CBE561 and #D6EB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEDF3D shade: #BEDF3D, #3EE07F and #BF3EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEDF3D shade: #BEDF3D, #3EBFE0 and #E03EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEDF3D shade: #BEDF3D, #3EE07F, #5E3EE0 and #E03E9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEDF3D shade: #BEDF3D, #3EE0AF, #5E3EE0 and #E03E6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

Complementary color

CMYK 66 / 84 / 0 / 24

HEX #4120C2

RGB 65 32 194

HSL 252.22, 0.72%, 0.44%

LAB 29.54, 57.52, -77.36

 

CMYK 13 / 0 / 75 / 13

HEX #C3DF38

RGB 195 223 56

HSL 70.06, 0.72%, 0.55%

LAB 84.31, -29.8, 72.95

 

CMYK 12 / 0 / 69 / 5

HEX #D4F14B

RGB 212 241 75

HSL 70.48, 0.86%, 0.62%

LAB 90.51, -30.48, 72.98

 

CMYK 10 / 0 / 63 / 0

HEX #E5FF5E

RGB 229 255 94

HSL 69.69, 1%, 0.68%

LAB 95.57, -29.19, 71.44

 

CMYK 4 / 0 / 56 / 0

HEX #F6FF71

RGB 246 255 113

HSL 63.8, 1%, 0.72%

LAB 96.94, -21.23, 65.47

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

CMYK 16 / 0 / 80 / 20

HEX #ADCD2A

RGB 173 205 42

HSL 71.78, 0.66%, 0.48%

LAB 77.71, -30.83, 70.48

 

CMYK 17 / 0 / 88 / 27

HEX #9CBB17

RGB 156 187 23

HSL 71.34, 0.78%, 0.41%

LAB 71.33, -29.92, 69.03

 

CMYK 18 / 0 / 98 / 34

HEX #8BA904

RGB 139 169 4

HSL 70.91, 0.95%, 0.34%

LAB 64.86, -28.8, 66.2

 

CMYK 19 / 0 / 100 / 41

HEX #7A9700

RGB 122 151 0

HSL 71.52, 1%, 0.3%

LAB 58.29, -27.4, 61.25

 

CMYK 15 / 0 / 72 / 12

HEX #BFE03E

RGB 191 224 62

HSL 72.22, 0.72%, 0.56%

LAB 84.35, -31.58, 70.95

 

CMYK 0 / 5 / 72 / 12

HEX #E0D53E

RGB 224 213 62

HSL 55.93, 0.72%, 0.56%

LAB 83.85, -12.73, 71.34

 

CMYK 0 / 25 / 72 / 12

HEX #E0A93E

RGB 224 169 62

HSL 39.63, 0.72%, 0.56%

LAB 72.61, 10.05, 60.35

 

CMYK 0 / 44 / 72 / 12

HEX #E07E3E

RGB 224 126 62

HSL 23.7, 0.72%, 0.56%

LAB 62.61, 32.95, 50.04

 

CMYK 0 / 63 / 72 / 12

HEX #E0523E

RGB 224 82 62

HSL 7.41, 0.72%, 0.56%

LAB 54.27, 54.22, 40.95

 

CMYK 15 / 0 / 72 / 12

HEX #BFE03E

RGB 191 224 62

HSL 72.22, 0.72%, 0.56%

LAB 84.35, -31.58, 70.95

 

CMYK 34 / 0 / 72 / 12

HEX #93E03E

RGB 147 224 62

HSL 88.52, 0.72%, 0.56%

LAB 81.76, -48.08, 67.55

 

CMYK 54 / 0 / 72 / 12

HEX #68E03E

RGB 104 224 62

HSL 104.44, 0.72%, 0.56%

LAB 79.96, -61.35, 65.15

 

CMYK 72 / 0 / 71 / 12

HEX #3EE040

RGB 62 224 64

HSL 120.74, 0.72%, 0.56%

LAB 78.87, -70.14, 62.98

 

CMYK 72 / 0 / 52 / 12

HEX #3EE06C

RGB 62 224 108

HSL 137.04, 0.72%, 0.56%

LAB 79.28, -65.24, 44.77

 

CMYK 15 / 0 / 72 / 12

HEX #BFE03E

RGB 191 224 62

HSL 72.22, 0.72%, 0.56%

LAB 84.35, -31.58, 70.95

 

CMYK 17 / 0 / 82 / 5

HEX #C9F22C

RGB 201 242 44

HSL 72.42, 0.88%, 0.56%

LAB 89.91, -36.6, 81.4

 

CMYK 15 / 0 / 72 / 12

HEX #BFE03E

RGB 191 224 62

HSL 72.22, 0.72%, 0.56%

LAB 84.35, -31.58, 70.95

 

CMYK 12 / 0 / 61 / 20

HEX #B4CD50

RGB 180 205 80

HSL 72, 0.56%, 0.56%

LAB 78.43, -25.88, 57.75

 

CMYK 10 / 0 / 48 / 27

HEX #A9BB62

RGB 169 187 98

HSL 72.13, 0.4%, 0.56%

LAB 72.8, -19.86, 42.73

 

CMYK 7 / 0 / 31 / 34

HEX #9EA974

RGB 158 169 116

HSL 72.45, 0.24%, 0.56%

LAB 67.21, -12.85, 26.12

 

CMYK 2 / 0 / 11 / 41

HEX #949787

RGB 148 151 135

HSL 71.25, 0.07%, 0.56%

LAB 61.81, -4.07, 8.05

 

CMYK 0 / 24 / 72 / 12

HEX #E0AA3E

RGB 224 170 62

HSL 40, 0.72%, 0.56%

LAB 72.86, 9.52, 60.59

 

CMYK 0 / 5 / 72 / 12

HEX #E0D53E

RGB 224 213 62

HSL 55.93, 0.72%, 0.56%

LAB 83.85, -12.73, 71.34

 

CMYK 15 / 0 / 72 / 12

HEX #BFE03E

RGB 191 224 62

HSL 72.22, 0.72%, 0.56%

LAB 84.35, -31.58, 70.95

 

CMYK 34 / 0 / 72 / 12

HEX #94E03E

RGB 148 224 62

HSL 88.15, 0.72%, 0.56%

LAB 81.81, -47.74, 67.61

 

CMYK 53 / 0 / 72 / 12

HEX #69E03E

RGB 105 224 62

HSL 104.07, 0.72%, 0.56%

LAB 79.99, -61.08, 65.19

 

CMYK 17 / 0 / 84 / 31

HEX #91AF1C

RGB 145 175 28

HSL 72.24, 0.72%, 0.4%

LAB 67.1, -28.63, 64.08

 

CMYK 17 / 0 / 84 / 18

HEX #AED222

RGB 174 210 34

HSL 72.27, 0.72%, 0.48%

LAB 79.16, -33.03, 73.78

 

CMYK 15 / 0 / 72 / 12

HEX #BFE03E

RGB 191 224 62

HSL 72.22, 0.72%, 0.56%

LAB 84.35, -31.58, 70.95

 

CMYK 11 / 0 / 58 / 10

HEX #CBE561

RGB 203 229 97

HSL 71.82, 0.72%, 0.64%

LAB 86.8, -26.94, 60.14

 

CMYK 9 / 0 / 43 / 8

HEX #D6EB85

RGB 214 235 133

HSL 72.35, 0.72%, 0.72%

LAB 89.58, -22.23, 47.03

 

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

CMYK 72 / 0 / 43 / 12

HEX #3EE07F

RGB 62 224 127

HSL 144.07, 0.72%, 0.56%

LAB 79.54, -62.26, 35.82

 

CMYK 15 / 72 / 0 / 12

HEX #BF3EE0

RGB 191 62 224

HSL 287.78, 0.72%, 0.56%

LAB 51.73, 72.04, -57.82

 

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

CMYK 72 / 15 / 0 / 12

HEX #3EBFE0

RGB 62 191 224

HSL 192.22, 0.72%, 0.56%

LAB 72.01, -24.15, -26.57

 

CMYK 0 / 72 / 15 / 12

HEX #E03EBF

RGB 224 62 191

HSL 312.22, 0.72%, 0.56%

LAB 55.13, 73.85, -33.23

 

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

CMYK 72 / 0 / 43 / 12

HEX #3EE07F

RGB 62 224 127

HSL 144.07, 0.72%, 0.56%

LAB 79.54, -62.26, 35.82

 

CMYK 58 / 72 / 0 / 12

HEX #5E3EE0

RGB 94 62 224

HSL 251.85, 0.72%, 0.56%

LAB 39.93, 55.3, -77.53

 

CMYK 0 / 72 / 29 / 12

HEX #E03E9F

RGB 224 62 159

HSL 324.07, 0.72%, 0.56%

LAB 53.81, 69.75, -16.6

 

CMYK 15 / 0 / 73 / 13

HEX #BEDF3D

RGB 190 223 61

HSL 72.22, 0.72%, 0.56%

LAB 84, -31.57, 70.92

 

CMYK 72 / 0 / 22 / 12

HEX #3EE0AF

RGB 62 224 175

HSL 161.85, 0.72%, 0.56%

LAB 80.42, -52.58, 12.23

 

CMYK 58 / 72 / 0 / 12

HEX #5E3EE0

RGB 94 62 224

HSL 251.85, 0.72%, 0.56%

LAB 39.93, 55.3, -77.53

 

CMYK 0 / 72 / 51 / 12

HEX #E03E6E

RGB 224 62 110

HSL 342.22, 0.72%, 0.56%

LAB 52.31, 64.9, 10.43

 

Description

Color code: HEX #BEDF3D | qconv.com Color code: HEX #BEDF3D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 223 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 223 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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