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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97AAEA it is the complementary color #685515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97AAEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97AAEA shade: #9CAAE5, #ADBCF8, #BECEFF, #CFE0FF and #E0F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97AAEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97AAEA shade: #97AAEA, #8698D7, #7586C4, #6474B1 and #53629E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97AAEA shade: #95A8E9, #9995E9, #AF95E9, #C695E9 and #DD95E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97AAEA shade: #95A8E9 and #9595E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97AAEA shade matches the following richer shades: #95A8E9, #8BA3F4 and #819DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97AAEA shade: #95A8E9, #9FAEDF, #AAB4D5, #B4B9CA and #BEBFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97AAEA shade: #95D6E9, #95BFE9, #95A9E9, #9895E9 and #AE95E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97AAEA shade: #5170DB, #738CE2, #95A8E9, #B7C4F0 and #DAE0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97AAEA shade: #97AAEA, #E795E9 and #CAE995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97AAEA shade: #97AAEA, #E995A9 and #A9E995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97AAEA shade: #97AAEA, #E795E9, #E9D695 and #98E995

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97AAEA shade: #97AAEA, #E995D3, #E9D695 and #95E9AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

Complementary color

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

CMYK 32 / 26 / 0 / 10

HEX #9CAAE5

RGB 156 170 229

HSL 228.49, 0.58%, 0.75%

LAB 70.51, 8.65, -31.25

 

CMYK 30 / 24 / 0 / 3

HEX #ADBCF8

RGB 173 188 248

HSL 228, 0.84%, 0.83%

LAB 77.06, 8.25, -31.35

 

CMYK 25 / 19 / 0 / 0

HEX #BECEFF

RGB 190 206 255

HSL 225.23, 1%, 0.87%

LAB 83.08, 5.07, -25.76

 

CMYK 19 / 12 / 0 / 0

HEX #CFE0FF

RGB 207 224 255

HSL 218.75, 1%, 0.91%

LAB 88.83, 0.64, -16.95

 

CMYK 12 / 5 / 0 / 0

HEX #E0F2FF

RGB 224 242 255

HSL 205.16, 1%, 0.94%

LAB 94.56, -3.39, -8.27

 

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

CMYK 38 / 29 / 0 / 16

HEX #8698D7

RGB 134 152 215

HSL 226.67, 0.5%, 0.68%

LAB 63.7, 9.05, -34.21

 

CMYK 40 / 32 / 0 / 23

HEX #7586C4

RGB 117 134 196

HSL 227.09, 0.4%, 0.61%

LAB 56.9, 9.63, -34.22

 

CMYK 44 / 34 / 0 / 31

HEX #6474B1

RGB 100 116 177

HSL 227.53, 0.33%, 0.54%

LAB 49.95, 10.32, -34.29

 

CMYK 47 / 38 / 0 / 38

HEX #53629E

RGB 83 98 158

HSL 228, 0.31%, 0.47%

LAB 42.83, 11.16, -34.42

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E9

RGB 149 168 233

HSL 226.43, 0.66%, 0.75%

LAB 69.67, 8.86, -34.78

 

CMYK 34 / 36 / 0 / 9

HEX #9995E9

RGB 153 149 233

HSL 242.86, 0.66%, 0.75%

LAB 65.08, 20.76, -41.91

 

CMYK 25 / 36 / 0 / 9

HEX #AF95E9

RGB 175 149 233

HSL 258.57, 0.66%, 0.75%

LAB 66.89, 26.93, -38.94

 

CMYK 15 / 36 / 0 / 9

HEX #C695E9

RGB 198 149 233

HSL 275, 0.66%, 0.75%

LAB 69.03, 33.72, -35.45

 

CMYK 5 / 36 / 0 / 9

HEX #DD95E9

RGB 221 149 233

HSL 291.43, 0.66%, 0.75%

LAB 71.39, 40.69, -31.62

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E9

RGB 149 168 233

HSL 226.43, 0.66%, 0.75%

LAB 69.67, 8.86, -34.78

 

CMYK 36 / 36 / 0 / 9

HEX #9595E9

RGB 149 149 233

HSL 240, 0.66%, 0.75%

LAB 64.78, 19.68, -42.4

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E9

RGB 149 168 233

HSL 226.43, 0.66%, 0.75%

LAB 69.67, 8.86, -34.78

 

CMYK 43 / 33 / 0 / 4

HEX #8BA3F4

RGB 139 163 244

HSL 226.29, 0.83%, 0.75%

LAB 68.18, 12.09, -43.15

 

CMYK 49 / 38 / 0 / 0

HEX #819DFE

RGB 129 157 254

HSL 226.56, 0.98%, 0.75%

LAB 66.47, 16.06, -51.33

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E9

RGB 149 168 233

HSL 226.43, 0.66%, 0.75%

LAB 69.67, 8.86, -34.78

 

CMYK 29 / 22 / 0 / 13

HEX #9FAEDF

RGB 159 174 223

HSL 225.94, 0.5%, 0.75%

LAB 71.54, 5.8, -26.37

 

CMYK 20 / 15 / 0 / 16

HEX #AAB4D5

RGB 170 180 213

HSL 226.05, 0.34%, 0.75%

LAB 73.54, 3.48, -17.79

 

CMYK 11 / 8 / 0 / 21

HEX #B4B9CA

RGB 180 185 202

HSL 226.36, 0.17%, 0.75%

LAB 75.24, 1.63, -9.17

 

CMYK 1 / 1 / 0 / 25

HEX #BEBFC0

RGB 190 191 192

HSL 210, 0.02%, 0.75%

LAB 77.29, -0.16, -0.63

 

CMYK 36 / 8 / 0 / 9

HEX #95D6E9

RGB 149 214 233

HSL 193.57, 0.66%, 0.75%

LAB 82.04, -15.88, -15.88

 

CMYK 36 / 18 / 0 / 9

HEX #95BFE9

RGB 149 191 233

HSL 210, 0.66%, 0.75%

LAB 75.78, -3.81, -25.36

 

CMYK 36 / 27 / 0 / 9

HEX #95A9E9

RGB 149 169 233

HSL 225.71, 0.66%, 0.75%

LAB 69.93, 8.3, -34.37

 

CMYK 35 / 36 / 0 / 9

HEX #9895E9

RGB 152 149 233

HSL 242.14, 0.66%, 0.75%

LAB 65.01, 20.48, -42.03

 

CMYK 25 / 36 / 0 / 9

HEX #AE95E9

RGB 174 149 233

HSL 257.86, 0.66%, 0.75%

LAB 66.81, 26.65, -39.08

 

CMYK 63 / 49 / 0 / 14

HEX #5170DB

RGB 81 112 219

HSL 226.52, 0.66%, 0.59%

LAB 50.04, 22.22, -58.27

 

CMYK 49 / 38 / 0 / 11

HEX #738CE2

RGB 115 140 226

HSL 226.49, 0.66%, 0.67%

LAB 59.79, 14.41, -46.54

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E9

RGB 149 168 233

HSL 226.43, 0.66%, 0.75%

LAB 69.67, 8.86, -34.78

 

CMYK 24 / 18 / 0 / 6

HEX #B7C4F0

RGB 183 196 240

HSL 226.32, 0.66%, 0.83%

LAB 79.52, 4.92, -23.22

 

CMYK 12 / 9 / 0 / 3

HEX #DAE0F7

RGB 218 224 247

HSL 227.59, 0.64%, 0.91%

LAB 89.36, 2.4, -11.87

 

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

CMYK 1 / 36 / 0 / 9

HEX #E795E9

RGB 231 149 233

HSL 298.57, 0.66%, 0.75%

LAB 72.47, 43.75, -29.85

 

CMYK 13 / 0 / 36 / 9

HEX #CAE995

RGB 202 233 149

HSL 82.14, 0.66%, 0.75%

LAB 88.45, -23.88, 37.54

 

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

CMYK 0 / 36 / 27 / 9

HEX #E995A9

RGB 233 149 169

HSL 345.71, 0.66%, 0.75%

LAB 70.65, 34.16, 2.82

 

CMYK 27 / 0 / 36 / 9

HEX #A9E995

RGB 169 233 149

HSL 105.71, 0.66%, 0.75%

LAB 86.45, -35.47, 34.54

 

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

CMYK 1 / 36 / 0 / 9

HEX #E795E9

RGB 231 149 233

HSL 298.57, 0.66%, 0.75%

LAB 72.47, 43.75, -29.85

 

CMYK 0 / 8 / 36 / 9

HEX #E9D695

RGB 233 214 149

HSL 46.43, 0.66%, 0.75%

LAB 85.8, -2.67, 34.51

 

CMYK 35 / 0 / 36 / 9

HEX #98E995

RGB 152 233 149

HSL 117.86, 0.66%, 0.75%

LAB 85.57, -40.96, 33.22

 

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

CMYK 0 / 36 / 9 / 9

HEX #E995D3

RGB 233 149 211

HSL 315.71, 0.66%, 0.75%

LAB 71.91, 40.53, -18.61

 

CMYK 0 / 8 / 36 / 9

HEX #E9D695

RGB 233 214 149

HSL 46.43, 0.66%, 0.75%

LAB 85.8, -2.67, 34.51

 

CMYK 36 / 0 / 26 / 9

HEX #95E9AC

RGB 149 233 172

HSL 136.43, 0.66%, 0.75%

LAB 85.83, -38.06, 21.78

 

Description

Color code: HEX #97AAEA | qconv.com Color code: HEX #97AAEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 170 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 170 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 27 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 27% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - 墨田区薬剤師会 休日処方箋対応薬局
Link: http://www.sumiyaku.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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