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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685515 it is the complementary color #97AAEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685515 shade: #6D5510, #7E6723, #8F7936, #A08B49 and #B19D5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685515 shade: #685515, #574302, #463100, #351F00 and #240D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685515 shade: #6A5716, #6A4016, #6A2916 and #6A1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685515 shade: #6A5716, #666A16, #506A16, #396A16 and #226A16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685515 shade matches the following richer shades: #6A5716, #745C0B and #7E6201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685515 shade: #6A5716, #605120, #554B2A, #4B4635 and #41403F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685515 shade: #6A2916, #6A4016, #6A5616, #676A16 and #516A16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685515 shade: #251F08, #483B0F, #6A5716, #8C731D and #AE8F24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685515 shade: #685515, #186A16 and #35166A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685515 shade: #685515, #166A56 and #56166A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685515 shade: #685515, #186A16, #16296A and #67166A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685515 shade: #685515, #166A2C, #16296A and #6A1653

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

Complementary color

CMYK 35 / 27 / 0 / 8

HEX #97AAEA

RGB 151 170 234

HSL 226.27, 0.66%, 0.75%

LAB 70.36, 8.54, -34.23

 

CMYK 0 / 22 / 85 / 57

HEX #6D5510

RGB 109 85 16

HSL 44.52, 0.74%, 0.25%

LAB 37.45, 2.84, 40.56

 

CMYK 0 / 18 / 72 / 51

HEX #7E6723

RGB 126 103 35

HSL 44.84, 0.57%, 0.32%

LAB 44.6, 1.32, 40.19

 

CMYK 0 / 15 / 62 / 44

HEX #8F7936

RGB 143 121 54

HSL 45.17, 0.45%, 0.39%

LAB 51.59, 0.15, 39.11

 

CMYK 0 / 13 / 54 / 37

HEX #A08B49

RGB 160 139 73

HSL 45.52, 0.37%, 0.46%

LAB 58.43, -0.76, 37.83

 

CMYK 0 / 11 / 48 / 31

HEX #B19D5C

RGB 177 157 92

HSL 45.88, 0.35%, 0.53%

LAB 65.15, -1.5, 36.52

 

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

CMYK 0 / 23 / 98 / 66

HEX #574302

RGB 87 67 2

HSL 45.88, 0.96%, 0.17%

LAB 29.53, 2.29, 37.88

 

CMYK 0 / 30 / 100 / 73

HEX #463100

RGB 70 49 0

HSL 42, 1%, 0.14%

LAB 21.94, 4.76, 30.9

 

CMYK 0 / 42 / 100 / 79

HEX #351F00

RGB 53 31 0

HSL 35.09, 1%, 0.1%

LAB 14.04, 7.58, 20.89

 

CMYK 0 / 64 / 100 / 86

HEX #240D00

RGB 36 13 0

HSL 21.67, 1%, 0.07%

LAB 5.99, 9.87, 9.15

 

CMYK 0 / 18 / 79 / 58

HEX #6A5716

RGB 106 87 22

HSL 46.43, 0.66%, 0.25%

LAB 37.73, 0.41, 38.36

 

CMYK 0 / 40 / 79 / 58

HEX #6A4016

RGB 106 64 22

HSL 30, 0.66%, 0.25%

LAB 31.32, 14.44, 32.08

 

CMYK 0 / 61 / 79 / 58

HEX #6A2916

RGB 106 41 22

HSL 13.57, 0.66%, 0.25%

LAB 25.89, 27.85, 26.45

 

CMYK 0 / 79 / 79 / 58

HEX #6A1616

RGB 106 22 22

HSL 0, 0.66%, 0.25%

LAB 22.64, 36.61, 22.91

 

CMYK 0 / 18 / 79 / 58

HEX #6A5716

RGB 106 87 22

HSL 46.43, 0.66%, 0.25%

LAB 37.73, 0.41, 38.36

 

CMYK 4 / 0 / 79 / 58

HEX #666A16

RGB 102 106 22

HSL 62.86, 0.66%, 0.25%

LAB 43.05, -12.51, 43.22

 

CMYK 25 / 0 / 79 / 58

HEX #506A16

RGB 80 106 22

HSL 78.57, 0.66%, 0.25%

LAB 41.33, -22.58, 40.99

 

CMYK 46 / 0 / 79 / 58

HEX #396A16

RGB 57 106 22

HSL 95, 0.66%, 0.25%

LAB 39.97, -31.83, 39.22

 

CMYK 68 / 0 / 79 / 58

HEX #226A16

RGB 34 106 22

HSL 111.43, 0.66%, 0.25%

LAB 39.08, -38.79, 38.04

 

CMYK 0 / 18 / 79 / 58

HEX #6A5716

RGB 106 87 22

HSL 46.43, 0.66%, 0.25%

LAB 37.73, 0.41, 38.36

 

CMYK 0 / 21 / 91 / 55

HEX #745C0B

RGB 116 92 11

HSL 46.29, 0.83%, 0.25%

LAB 40.23, 1.95, 44.8

 

CMYK 0 / 22 / 99 / 51

HEX #7E6201

RGB 126 98 1

HSL 46.56, 0.98%, 0.25%

LAB 43.02, 3.06, 50

 

CMYK 0 / 18 / 79 / 58

HEX #6A5716

RGB 106 87 22

HSL 46.43, 0.66%, 0.25%

LAB 37.73, 0.41, 38.36

 

CMYK 0 / 16 / 67 / 62

HEX #605120

RGB 96 81 32

HSL 45.94, 0.5%, 0.25%

LAB 34.96, -0.26, 30.41

 

CMYK 0 / 12 / 51 / 67

HEX #554B2A

RGB 85 75 42

HSL 46.05, 0.34%, 0.25%

LAB 32.1, -1, 21.12

 

CMYK 0 / 7 / 29 / 71

HEX #4B4635

RGB 75 70 53

HSL 46.36, 0.17%, 0.25%

LAB 29.75, -1.08, 11.03

 

CMYK 0 / 2 / 3 / 75

HEX #41403F

RGB 65 64 63

HSL 30, 0.02%, 0.25%

LAB 27.16, 0.2, 0.76

 

CMYK 0 / 61 / 79 / 58

HEX #6A2916

RGB 106 41 22

HSL 13.57, 0.66%, 0.25%

LAB 25.89, 27.85, 26.45

 

CMYK 0 / 40 / 79 / 58

HEX #6A4016

RGB 106 64 22

HSL 30, 0.66%, 0.25%

LAB 31.32, 14.44, 32.08

 

CMYK 0 / 19 / 79 / 58

HEX #6A5616

RGB 106 86 22

HSL 45.71, 0.66%, 0.25%

LAB 37.44, 1.01, 38.08

 

CMYK 3 / 0 / 79 / 58

HEX #676A16

RGB 103 106 22

HSL 62.14, 0.66%, 0.25%

LAB 43.14, -12.04, 43.33

 

CMYK 24 / 0 / 79 / 58

HEX #516A16

RGB 81 106 22

HSL 77.86, 0.66%, 0.25%

LAB 41.4, -22.14, 41.08

 

CMYK 0 / 16 / 78 / 85

HEX #251F08

RGB 37 31 8

HSL 47.59, 0.64%, 0.09%

LAB 11.9, -0.77, 14.36

 

CMYK 0 / 18 / 79 / 72

HEX #483B0F

RGB 72 59 15

HSL 46.32, 0.66%, 0.17%

LAB 25.38, 0.1, 28.11

 

CMYK 0 / 18 / 79 / 58

HEX #6A5716

RGB 106 87 22

HSL 46.43, 0.66%, 0.25%

LAB 37.73, 0.41, 38.36

 

CMYK 0 / 18 / 79 / 45

HEX #8C731D

RGB 140 115 29

HSL 46.49, 0.66%, 0.33%

LAB 49.41, 0.71, 47.89

 

CMYK 0 / 18 / 79 / 32

HEX #AE8F24

RGB 174 143 36

HSL 46.52, 0.66%, 0.41%

LAB 60.58, 1, 56.92

 

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

CMYK 77 / 0 / 79 / 58

HEX #186A16

RGB 24 106 22

HSL 118.57, 0.66%, 0.25%

LAB 38.83, -40.9, 37.7

 

CMYK 50 / 79 / 0 / 58

HEX #35166A

RGB 53 22 106

HSL 262.14, 0.66%, 0.25%

LAB 17.33, 35.29, -43.16

 

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

CMYK 79 / 0 / 19 / 58

HEX #166A56

RGB 22 106 86

HSL 165.71, 0.66%, 0.25%

LAB 39.83, -29.45, 4.32

 

CMYK 19 / 79 / 0 / 58

HEX #56166A

RGB 86 22 106

HSL 285.71, 0.66%, 0.25%

LAB 22.28, 41.83, -34.89

 

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

CMYK 77 / 0 / 79 / 58

HEX #186A16

RGB 24 106 22

HSL 118.57, 0.66%, 0.25%

LAB 38.83, -40.9, 37.7

 

CMYK 79 / 61 / 0 / 58

HEX #16296A

RGB 22 41 106

HSL 226.43, 0.66%, 0.25%

LAB 19.21, 18.07, -40.18

 

CMYK 3 / 79 / 0 / 58

HEX #67166A

RGB 103 22 106

HSL 297.86, 0.66%, 0.25%

LAB 25.25, 45.62, -29.95

 

CMYK 0 / 18 / 80 / 59

HEX #685515

RGB 104 85 21

HSL 46.27, 0.66%, 0.25%

LAB 36.92, 0.58, 37.92

 

CMYK 79 / 0 / 58 / 58

HEX #166A2C

RGB 22 106 44

HSL 135.71, 0.66%, 0.25%

LAB 39, -38.67, 27.65

 

CMYK 79 / 61 / 0 / 58

HEX #16296A

RGB 22 41 106

HSL 226.43, 0.66%, 0.25%

LAB 19.21, 18.07, -40.18

 

CMYK 0 / 79 / 22 / 58

HEX #6A1653

RGB 106 22 83

HSL 316.43, 0.66%, 0.25%

LAB 24.52, 42.55, -15.93

 

Description

Color code: HEX #685515 | qconv.com Color code: HEX #685515 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 85 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 85 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 80 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 80% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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