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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9760D9 it is the complementary color #689F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9760D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9760D9: #9C60D4, #AD72E7, #BE84FA, #CF96FF and #E0A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9760D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9760D9: #9760D9, #864EC6, #753CB3, #642AA0 and #53188D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

Complementary color

CMYK 35 / 0 / 76 / 38

HEX #689F26

RGB 104 159 38

HSL 87.27, 0.61%, 0.39%

LAB 59.78, -37.09, 53.54

 

CMYK 26 / 55 / 0 / 17

HEX #9C60D4

RGB 156 96 212

HSL 271.03, 0.57%, 0.6%

LAB 52.05, 46.28, -50.74

 

CMYK 25 / 51 / 0 / 9

HEX #AD72E7

RGB 173 114 231

HSL 270.26, 0.71%, 0.68%

LAB 58.68, 45.37, -50.77

 

CMYK 24 / 47 / 0 / 2

HEX #BE84FA

RGB 190 132 250

HSL 269.49, 0.92%, 0.75%

LAB 65.24, 44.49, -50.78

 

CMYK 19 / 41 / 0 / 0

HEX #CF96FF

RGB 207 150 255

HSL 272.57, 1%, 0.79%

LAB 71.08, 40.54, -44.2

 

CMYK 12 / 34 / 0 / 0

HEX #E0A8FF

RGB 224 168 255

HSL 278.62, 1%, 0.83%

LAB 76.72, 35.81, -35.29

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 32 / 61 / 0 / 22

HEX #864EC6

RGB 134 78 198

HSL 268, 0.51%, 0.54%

LAB 45.07, 47.19, -54.02

 

CMYK 35 / 66 / 0 / 30

HEX #753CB3

RGB 117 60 179

HSL 268.74, 0.5%, 0.47%

LAB 38.32, 48.07, -53.9

 

CMYK 38 / 74 / 0 / 37

HEX #642AA0

RGB 100 42 160

HSL 269.49, 0.58%, 0.4%

LAB 31.59, 48.67, -53.56

 

CMYK 41 / 83 / 0 / 45

HEX #53188D

RGB 83 24 141

HSL 270.26, 0.71%, 0.32%

LAB 25, 48.63, -52.74

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 22 / 56 / 0 / 15

HEX #A95ED8

RGB 169 94 216

HSL 276.89, 0.61%, 0.61%

LAB 53.38, 51.5, -50.8

 

CMYK 13 / 56 / 0 / 15

HEX #BD5ED8

RGB 189 94 216

HSL 286.72, 0.61%, 0.61%

LAB 55.87, 56.56, -46.69

 

CMYK 3 / 56 / 0 / 15

HEX #D25ED8

RGB 210 94 216

HSL 297.05, 0.61%, 0.61%

LAB 58.66, 61.94, -42.1

 

CMYK 0 / 56 / 6 / 15

HEX #D85ECA

RGB 216 94 202

HSL 306.89, 0.61%, 0.61%

LAB 58.85, 61.14, -33.81

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 31 / 54 / 0 / 95

HEX #09060D

RGB 9 6 13

HSL 265.71, 0.37%, 0.04%

LAB 1.96, 1.79, -2.47

 

CMYK 30 / 56 / 0 / 75

HEX #2D1C40

RGB 45 28 64

HSL 268.33, 0.39%, 0.18%

LAB 14.17, 17.13, -19.91

 

CMYK 30 / 56 / 0 / 55

HEX #503373

RGB 80 51 115

HSL 267.19, 0.39%, 0.33%

LAB 27.6, 27.34, -32.19

 

CMYK 30 / 56 / 0 / 35

HEX #7449A6

RGB 116 73 166

HSL 267.74, 0.39%, 0.47%

LAB 39.97, 37.5, -43.54

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 0 / 56 / 37 / 15

HEX #D85E89

RGB 216 94 137

HSL 338.85, 0.61%, 0.61%

LAB 56.5, 52.06, 0.22

 

CMYK 56 / 0 / 54 / 15

HEX #5ED864

RGB 94 216 100

HSL 122.95, 0.61%, 0.61%

LAB 77.53, -57.22, 46.6

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 0 / 31 / 56 / 15

HEX #D8955E

RGB 216 149 94

HSL 27.05, 0.61%, 0.61%

LAB 67.2, 19.42, 38.92

 

CMYK 56 / 0 / 31 / 15

HEX #5ED895

RGB 94 216 149

HSL 147.05, 0.61%, 0.61%

LAB 78.26, -49.31, 23

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 0 / 56 / 37 / 15

HEX #D85E89

RGB 216 94 137

HSL 338.85, 0.61%, 0.61%

LAB 56.5, 52.06, 0.22

 

CMYK 25 / 0 / 56 / 15

HEX #A1D85E

RGB 161 216 94

HSL 87.05, 0.61%, 0.61%

LAB 80.46, -37.14, 53.55

 

CMYK 56 / 0 / 20 / 15

HEX #5ED8AD

RGB 94 216 173

HSL 158.85, 0.61%, 0.61%

LAB 78.76, -44.29, 11.03

 

CMYK 30 / 56 / 0 / 15

HEX #9760D9

RGB 151 96 217

HSL 267.27, 0.61%, 0.61%

LAB 51.79, 46.23, -54.03

 

CMYK 0 / 56 / 54 / 15

HEX #D85E64

RGB 216 94 100

HSL 357.05, 0.61%, 0.61%

LAB 55.61, 48.43, 20.69

 

CMYK 25 / 0 / 56 / 15

HEX #A1D85E

RGB 161 216 94

HSL 87.05, 0.61%, 0.61%

LAB 80.46, -37.14, 53.55

 

CMYK 56 / 0 / 3 / 15

HEX #5ED8D2

RGB 94 216 210

HSL 177.05, 0.61%, 0.61%

LAB 79.7, -35.29, -7.34

 

Description

Color code: HEX #9760D9 | qconv.com Color code: HEX #9760D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 96 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 96 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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