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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #974FFE it is the complementary color #68B001. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #974FFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #974FFE shade: #9C4FF9, #AD61FF, #BE73FF, #CF85FF and #E097FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #974FFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #974FFE shade: #974FFE, #863DEB, #752BD8, #6419C5 and #5307B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #974FFE shade: #964DFE, #C64DFE, #F54DFE, #FE4DD7 and #FE4DA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #974FFE shade: #964DFE, #664DFE and #4D4DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #974FFE shade matches the following richer shades: #964DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #974FFE shade: #964DFE, #995CF0, #9B6AE1, #9E79D3 and #A087C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #974FFE shade: #4D65FE, #654DFE, #944DFE, #C34DFE and #F24DFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #974FFE shade: #6701F8, #7E24FE, #964DFE, #AE76FE and #C79FFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #974FFE shade: #974FFE, #FE4D94 and #4DFE4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #974FFE shade: #974FFE, #FE944D and #4DFE94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #974FFE shade: #974FFE, #FE4D94, #B7FE4D and #4DFEB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #974FFE shade: #974FFE, #FE4D5F, #B7FE4D and #4DFEEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 69 / 0 / 0

HEX #974FFE

RGB 151 79 254

HSL 264.69, 0.99%, 0.65%

LAB 51.07, 63.92, -75.97

 

Complementary color

CMYK 41 / 0 / 99 / 31

HEX #68B001

RGB 104 176 1

HSL 84.69, 0.99%, 0.35%

LAB 64.96, -45.55, 65.78

 

CMYK 37 / 68 / 0 / 2

HEX #9C4FF9

RGB 156 79 249

HSL 267.18, 0.93%, 0.64%

LAB 51.27, 63.62, -72.84

 

CMYK 32 / 62 / 0 / 0

HEX #AD61FF

RGB 173 97 255

HSL 268.86, 1%, 0.69%

LAB 56.74, 59.79, -67.22

 

CMYK 25 / 55 / 0 / 0

HEX #BE73FF

RGB 190 115 255

HSL 272.14, 1%, 0.73%

LAB 62.02, 54.59, -58.64

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 12 / 41 / 0 / 0

HEX #E097FF

RGB 224 151 255

HSL 282.12, 1%, 0.8%

LAB 73.02, 44.85, -41.03

 

CMYK 41 / 69 / 0 / 0

HEX #974FFE

RGB 151 79 254

HSL 264.69, 0.99%, 0.65%

LAB 51.07, 63.92, -75.97

 

CMYK 43 / 74 / 0 / 8

HEX #863DEB

RGB 134 61 235

HSL 265.17, 0.81%, 0.58%

LAB 44.81, 64.53, -75.62

 

CMYK 46 / 80 / 0 / 15

HEX #752BD8

RGB 117 43 216

HSL 265.66, 0.69%, 0.51%

LAB 38.67, 64.67, -74.92

 

CMYK 49 / 87 / 0 / 23

HEX #6419C5

RGB 100 25 197

HSL 266.16, 0.77%, 0.44%

LAB 32.78, 63.98, -73.65

 

CMYK 53 / 96 / 0 / 30

HEX #5307B2

RGB 83 7 178

HSL 266.67, 0.92%, 0.36%

LAB 27.31, 61.89, -71.5

 

CMYK 41 / 70 / 0 / 0

HEX #964DFE

RGB 150 77 254

HSL 264.75, 0.99%, 0.65%

LAB 50.63, 64.67, -76.69

 

CMYK 22 / 70 / 0 / 0

HEX #C64DFE

RGB 198 77 254

HSL 281.02, 0.99%, 0.65%

LAB 56.55, 73.56, -66.8

 

CMYK 4 / 70 / 0 / 0

HEX #F54DFE

RGB 245 77 254

HSL 296.95, 0.99%, 0.65%

LAB 63.24, 83.03, -55.72

 

CMYK 0 / 70 / 15 / 0

HEX #FE4DD7

RGB 254 77 215

HSL 313.22, 0.99%, 0.65%

LAB 62.75, 79.22, -34.67

 

CMYK 0 / 70 / 34 / 0

HEX #FE4DA7

RGB 254 77 167

HSL 329.49, 0.99%, 0.65%

LAB 60.93, 73.38, -10.04

 

CMYK 41 / 70 / 0 / 0

HEX #964DFE

RGB 150 77 254

HSL 264.75, 0.99%, 0.65%

LAB 50.63, 64.67, -76.69

 

CMYK 60 / 70 / 0 / 0

HEX #664DFE

RGB 102 77 254

HSL 248.47, 0.99%, 0.65%

LAB 46.03, 57.31, -84.4

 

CMYK 70 / 70 / 0 / 0

HEX #4D4DFE

RGB 77 77 254

HSL 240, 0.99%, 0.65%

LAB 44.29, 54.4, -87.31

 

CMYK 41 / 70 / 0 / 0

HEX #964DFE

RGB 150 77 254

HSL 264.75, 0.99%, 0.65%

LAB 50.63, 64.67, -76.69

 

CMYK 41 / 70 / 0 / 0

HEX #964DFE

RGB 150 77 254

HSL 264.75, 0.99%, 0.65%

LAB 50.63, 64.67, -76.69

 

CMYK 36 / 62 / 0 / 6

HEX #995CF0

RGB 153 92 240

HSL 264.73, 0.83%, 0.65%

LAB 52.64, 54.47, -65.6

 

CMYK 31 / 53 / 0 / 12

HEX #9B6AE1

RGB 155 106 225

HSL 264.71, 0.66%, 0.65%

LAB 54.78, 43.72, -53.75

 

CMYK 25 / 43 / 0 / 17

HEX #9E79D3

RGB 158 121 211

HSL 264.67, 0.51%, 0.65%

LAB 57.7, 32.66, -41.21

 

CMYK 18 / 31 / 0 / 23

HEX #A087C4

RGB 160 135 196

HSL 264.59, 0.34%, 0.65%

LAB 60.59, 21.72, -28.22

 

CMYK 70 / 60 / 0 / 0

HEX #4D65FE

RGB 77 101 254

HSL 231.86, 0.99%, 0.65%

LAB 49.55, 40.39, -78.7

 

CMYK 60 / 70 / 0 / 0

HEX #654DFE

RGB 101 77 254

HSL 248.14, 0.99%, 0.65%

LAB 45.95, 57.18, -84.53

 

CMYK 42 / 70 / 0 / 0

HEX #944DFE

RGB 148 77 254

HSL 264.07, 0.99%, 0.65%

LAB 50.4, 64.33, -77.06

 

CMYK 23 / 70 / 0 / 0

HEX #C34DFE

RGB 195 77 254

HSL 280, 0.99%, 0.65%

LAB 56.15, 72.98, -67.47

 

CMYK 5 / 70 / 0 / 0

HEX #F24DFE

RGB 242 77 254

HSL 295.93, 0.99%, 0.65%

LAB 62.79, 82.41, -56.46

 

CMYK 58 / 100 / 0 / 3

HEX #6701F8

RGB 103 1 248

HSL 264.78, 0.99%, 0.49%

LAB 37.27, 79.92, -95.5

 

CMYK 50 / 86 / 0 / 0

HEX #7E24FE

RGB 126 36 254

HSL 264.77, 0.99%, 0.57%

LAB 42.54, 76.86, -90.05

 

CMYK 41 / 70 / 0 / 0

HEX #964DFE

RGB 150 77 254

HSL 264.75, 0.99%, 0.65%

LAB 50.63, 64.67, -76.69

 

CMYK 31 / 54 / 0 / 0

HEX #AE76FE

RGB 174 118 254

HSL 264.71, 0.99%, 0.73%

LAB 60.88, 48.93, -60.01

 

CMYK 22 / 38 / 0 / 0

HEX #C79FFF

RGB 199 159 255

HSL 265, 1%, 0.81%

LAB 72.33, 33.37, -42.29

 

CMYK 41 / 69 / 0 / 0

HEX #974FFE

RGB 151 79 254

HSL 264.69, 0.99%, 0.65%

LAB 51.07, 63.92, -75.97

 

CMYK 0 / 70 / 42 / 0

HEX #FE4D94

RGB 254 77 148

HSL 335.93, 0.99%, 0.65%

LAB 60.35, 71.46, 0.15

 

CMYK 70 / 0 / 70 / 0

HEX #4DFE4D

RGB 77 254 77

HSL 120, 0.99%, 0.65%

LAB 88.45, -76, 68.3

 

CMYK 41 / 69 / 0 / 0

HEX #974FFE

RGB 151 79 254

HSL 264.69, 0.99%, 0.65%

LAB 51.07, 63.92, -75.97

 

CMYK 0 / 42 / 70 / 0

HEX #FE944D

RGB 254 148 77

HSL 24.07, 0.99%, 0.65%

LAB 71.41, 34.27, 53.51

 

CMYK 70 / 0 / 42 / 0

HEX #4DFE94

RGB 77 254 148

HSL 144.07, 0.99%, 0.65%

LAB 89.21, -67.13, 38.02

 

CMYK 41 / 69 / 0 / 0

HEX #974FFE

RGB 151 79 254

HSL 264.69, 0.99%, 0.65%

LAB 51.07, 63.92, -75.97

 

CMYK 0 / 70 / 42 / 0

HEX #FE4D94

RGB 254 77 148

HSL 335.93, 0.99%, 0.65%

LAB 60.35, 71.46, 0.15

 

CMYK 28 / 0 / 70 / 0

HEX #B7FE4D

RGB 183 254 77

HSL 84.07, 0.99%, 0.65%

LAB 92.35, -47.08, 73.53

 

CMYK 70 / 0 / 28 / 0

HEX #4DFEB7

RGB 77 254 183

HSL 155.93, 0.99%, 0.65%

LAB 89.8, -60.52, 21.26

 

CMYK 41 / 69 / 0 / 0

HEX #974FFE

RGB 151 79 254

HSL 264.69, 0.99%, 0.65%

LAB 51.07, 63.92, -75.97

 

CMYK 0 / 70 / 63 / 0

HEX #FE4D5F

RGB 254 77 95

HSL 353.9, 0.99%, 0.65%

LAB 59.16, 67.42, 29.44

 

CMYK 28 / 0 / 70 / 0

HEX #B7FE4D

RGB 183 254 77

HSL 84.07, 0.99%, 0.65%

LAB 92.35, -47.08, 73.53

 

CMYK 70 / 0 / 7 / 0

HEX #4DFEEC

RGB 77 254 236

HSL 173.9, 0.99%, 0.65%

LAB 91.02, -48.07, -4.35

 

Description

Color code: HEX #974FFE | qconv.com Color code: HEX #974FFE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 79 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 79 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 69 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 69% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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