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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 48 / 0 / 0 it is the complementary color CMYK 61 / 0 / 100 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 48 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 48 / 0 / 0: CMYK 15 / 47 / 0 / 2, CMYK 10 / 41 / 0 / 0, CMYK 4 / 34 / 0 / 0, CMYK 0 / 27 / 0 / 0 and CMYK 0 / 20 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 48 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 48 / 0 / 0: CMYK 19 / 48 / 0 / 0, CMYK 19 / 51 / 0 / 7, CMYK 20 / 55 / 0 / 15, CMYK 21 / 60 / 0 / 22 and CMYK 22 / 66 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

Complementary color

CMYK 61 / 0 / 100 / 52

HEX #307A00

RGB 48 122 0

HSL 96.39, 1%, 0.24%

LAB 45.01, -42.23, 49.29

 

CMYK 15 / 47 / 0 / 2

HEX #D485FA

RGB 212 133 250

HSL 280.51, 0.92%, 0.75%

LAB 67.78, 49.89, -46.62

 

CMYK 10 / 41 / 0 / 0

HEX #E597FF

RGB 229 151 255

HSL 285, 1%, 0.8%

LAB 73.55, 46.29, -40.17

 

CMYK 4 / 34 / 0 / 0

HEX #F6A9FF

RGB 246 169 255

HSL 293.72, 1%, 0.83%

LAB 79.15, 41.93, -31.36

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 19 / 51 / 0 / 7

HEX #BE73EC

RGB 190 115 236

HSL 277.19, 0.76%, 0.69%

LAB 61.01, 50.4, -49.74

 

CMYK 20 / 55 / 0 / 15

HEX #AD61D9

RGB 173 97 217

HSL 278, 0.61%, 0.62%

LAB 54.49, 51.19, -49.57

 

CMYK 21 / 60 / 0 / 22

HEX #9C4FC6

RGB 156 79 198

HSL 278.82, 0.51%, 0.54%

LAB 47.93, 51.91, -49.3

 

CMYK 22 / 66 / 0 / 30

HEX #8B3DB3

RGB 139 61 179

HSL 279.66, 0.49%, 0.47%

LAB 41.34, 52.45, -48.88

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 11 / 48 / 0 / 0

HEX #E284FF

RGB 226 132 255

HSL 285.85, 1%, 0.76%

LAB 69.39, 55.21, -46.7

 

CMYK 4 / 48 / 0 / 0

HEX #F684FF

RGB 246 132 255

HSL 295.61, 1%, 0.76%

LAB 71.77, 60.63, -42.81

 

CMYK 0 / 48 / 5 / 0

HEX #FF84F2

RGB 255 132 242

HSL 306.34, 1%, 0.76%

LAB 72.34, 60.89, -34.74

 

CMYK 0 / 48 / 13 / 0

HEX #FF84DE

RGB 255 132 222

HSL 316.1, 1%, 0.76%

LAB 71.58, 57.7, -24.93

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 20 / 47 / 0 / 80

HEX #291B33

RGB 41 27 51

HSL 275, 0.31%, 0.15%

LAB 12.57, 12.64, -13.22

 

CMYK 19 / 48 / 0 / 60

HEX #533566

RGB 83 53 102

HSL 276.73, 0.32%, 0.3%

LAB 27.69, 23.6, -23.7

 

CMYK 19 / 48 / 0 / 40

HEX #7C5099

RGB 124 80 153

HSL 276.16, 0.31%, 0.46%

LAB 41.72, 32.52, -32.92

 

CMYK 19 / 48 / 0 / 20

HEX #A66ACC

RGB 166 106 204

HSL 276.73, 0.49%, 0.61%

LAB 54.84, 41.69, -41.69

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 0 / 48 / 38 / 0

HEX #FF849D

RGB 255 132 157

HSL 347.8, 1%, 0.76%

LAB 69.61, 49.1, 8.38

 

CMYK 48 / 0 / 38 / 0

HEX #84FF9D

RGB 132 255 157

HSL 132.2, 1%, 0.76%

LAB 91.17, -54.69, 36.45

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 0 / 19 / 48 / 0

HEX #FFCE84

RGB 255 206 132

HSL 36.1, 1%, 0.76%

LAB 85.54, 8.37, 43.19

 

CMYK 48 / 0 / 19 / 0

HEX #84FFCE

RGB 132 255 206

HSL 156.1, 1%, 0.76%

LAB 92.08, -45.66, 12.89

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 0 / 48 / 38 / 0

HEX #FF849D

RGB 255 132 157

HSL 347.8, 1%, 0.76%

LAB 69.61, 49.1, 8.38

 

CMYK 29 / 0 / 48 / 0

HEX #B5FF84

RGB 181 255 132

HSL 96.1, 1%, 0.76%

LAB 93.02, -43.43, 51.29

 

CMYK 48 / 0 / 10 / 0

HEX #84FFE6

RGB 132 255 230

HSL 167.8, 1%, 0.76%

LAB 92.64, -40.4, 1.31

 

CMYK 19 / 48 / 0 / 0

HEX #CF85FF

RGB 207 133 255

HSL 276.39, 1%, 0.76%

LAB 67.47, 49.59, -49.87

 

CMYK 0 / 44 / 48 / 0

HEX #FF9084

RGB 255 144 132

HSL 5.85, 1%, 0.76%

LAB 71.47, 40.59, 24.87

 

CMYK 29 / 0 / 48 / 0

HEX #B5FF84

RGB 181 255 132

HSL 96.1, 1%, 0.76%

LAB 93.02, -43.43, 51.29

 

CMYK 48 / 5 / 0 / 0

HEX #84F2FF

RGB 132 242 255

HSL 186.34, 1%, 0.76%

LAB 89.69, -28.26, -16.05

 

Description

Color code: CMYK 19 / 48 / 0 / 0 | qconv.com Color code: CMYK 19 / 48 / 0 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 133 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 133 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 48 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 48% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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