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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972575 it is the complementary color #68DA8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972575 shade: #9C2570, #AD3783, #BE4996, #CF5BA9 and #E06DBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972575 shade: #972575, #861362, #75014F, #64003C and #530029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972575 shade: #982576, #982557, #982538 and #982525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972575 shade: #982576, #982595, #7C2598, #5D2598 and #3E2598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972575 shade matches the following richer shades: #982576, #A7167C and #B60682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972575 shade: #982576, #89346F, #794369, #6A5363 and #5B625D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972575 shade: #7B2598, #982596, #982577, #982559 and #98253A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972575 shade: #551542, #771D5C, #982576, #B92D8F and #D03FA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972575 shade: #972575, #985C25 and #25988A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972575 shade: #972575, #779825 and #257798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972575 shade: #972575, #985C25, #259845 and #256098

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972575 shade: #972575, #987F25, #259845 and #253E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 23 / 41

HEX #972575

RGB 151 37 117

HSL 317.89, 0.61%, 0.37%

LAB 36.34, 54.07, -18.96

 

Complementary color

CMYK 52 / 0 / 37 / 15

HEX #68DA8A

RGB 104 218 138

HSL 137.89, 0.61%, 0.63%

LAB 79, -49.83, 29.74

 

CMYK 0 / 76 / 28 / 39

HEX #9C2570

RGB 156 37 112

HSL 322.18, 0.62%, 0.38%

LAB 37.04, 54.71, -14.66

 

CMYK 0 / 68 / 24 / 32

HEX #AD3783

RGB 173 55 131

HSL 321.36, 0.52%, 0.45%

LAB 43.15, 55.26, -16.85

 

CMYK 0 / 62 / 21 / 25

HEX #BE4996

RGB 190 73 150

HSL 320.51, 0.47%, 0.52%

LAB 49.39, 55.22, -18.51

 

CMYK 0 / 56 / 18 / 19

HEX #CF5BA9

RGB 207 91 169

HSL 319.66, 0.55%, 0.58%

LAB 55.7, 54.84, -19.82

 

CMYK 0 / 51 / 16 / 12

HEX #E06DBC

RGB 224 109 188

HSL 318.78, 0.65%, 0.65%

LAB 62.01, 54.27, -20.88

 

CMYK 0 / 75 / 23 / 41

HEX #972575

RGB 151 37 117

HSL 317.89, 0.61%, 0.37%

LAB 36.34, 54.07, -18.96

 

CMYK 0 / 86 / 27 / 47

HEX #861362

RGB 134 19 98

HSL 318.78, 0.75%, 0.3%

LAB 30.44, 52.53, -16.21

 

CMYK 0 / 99 / 32 / 54

HEX #75014F

RGB 117 1 79

HSL 319.66, 0.98%, 0.23%

LAB 24.85, 49.75, -12.55

 

CMYK 0 / 100 / 40 / 61

HEX #64003C

RGB 100 0 60

HSL 324, 1%, 0.2%

LAB 20.19, 43.9, -6.97

 

CMYK 0 / 100 / 51 / 67

HEX #530029

RGB 83 0 41

HSL 330.36, 1%, 0.16%

LAB 15.48, 37.75, -0.8

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 76 / 63 / 40

HEX #982538

RGB 152 37 56

HSL 350.09, 0.61%, 0.37%

LAB 34.57, 48.12, 17.6

 

CMYK 0 / 76 / 76 / 40

HEX #982525

RGB 152 37 37

HSL 0, 0.61%, 0.37%

LAB 34.26, 47.09, 29.17

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 76 / 2 / 40

HEX #982595

RGB 152 37 149

HSL 301.57, 0.61%, 0.37%

LAB 38.14, 59.16, -35.91

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 39 / 76 / 0 / 40

HEX #5D2598

RGB 93 37 152

HSL 269.22, 0.61%, 0.37%

LAB 29.2, 47.66, -52.6

 

CMYK 59 / 76 / 0 / 40

HEX #3E2598

RGB 62 37 152

HSL 253.04, 0.61%, 0.37%

LAB 25.61, 42.63, -58.64

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 87 / 26 / 35

HEX #A7167C

RGB 167 22 124

HSL 317.79, 0.77%, 0.37%

LAB 38.28, 62.75, -20.11

 

CMYK 0 / 97 / 29 / 29

HEX #B60682

RGB 182 6 130

HSL 317.73, 0.94%, 0.37%

LAB 40.71, 68.85, -19.83

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 62 / 19 / 46

HEX #89346F

RGB 137 52 111

HSL 318.35, 0.45%, 0.37%

LAB 35.83, 43.21, -16.17

 

CMYK 0 / 45 / 13 / 53

HEX #794369

RGB 121 67 105

HSL 317.78, 0.29%, 0.37%

LAB 36.17, 28.99, -12.09

 

CMYK 0 / 22 / 7 / 58

HEX #6A5363

RGB 106 83 99

HSL 318.26, 0.12%, 0.37%

LAB 38.11, 12.53, -5.61

 

CMYK 7 / 0 / 5 / 62

HEX #5B625D

RGB 91 98 93

HSL 137.14, 0.04%, 0.37%

LAB 40.82, -3.79, 1.9

 

CMYK 19 / 76 / 0 / 40

HEX #7B2598

RGB 123 37 152

HSL 284.87, 0.61%, 0.37%

LAB 33.57, 53.51, -45.33

 

CMYK 0 / 76 / 1 / 40

HEX #982596

RGB 152 37 150

HSL 301.04, 0.61%, 0.37%

LAB 38.2, 59.32, -36.43

 

CMYK 0 / 76 / 22 / 40

HEX #982577

RGB 152 37 119

HSL 317.22, 0.61%, 0.37%

LAB 36.61, 54.6, -19.78

 

CMYK 0 / 76 / 41 / 40

HEX #982559

RGB 152 37 89

HSL 332.87, 0.61%, 0.37%

LAB 35.44, 50.94, -2.51

 

CMYK 0 / 76 / 62 / 40

HEX #98253A

RGB 152 37 58

HSL 349.04, 0.61%, 0.37%

LAB 34.61, 48.25, 16.37

 

CMYK 0 / 75 / 22 / 67

HEX #551542

RGB 85 21 66

HSL 317.81, 0.6%, 0.21%

LAB 19.48, 34.4, -12.51

 

CMYK 0 / 76 / 23 / 53

HEX #771D5C

RGB 119 29 92

HSL 318, 0.61%, 0.29%

LAB 28.31, 44.89, -15.83

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 76 / 23 / 27

HEX #B92D8F

RGB 185 45 143

HSL 318, 0.61%, 0.45%

LAB 44.48, 63.48, -21.92

 

CMYK 0 / 70 / 21 / 18

HEX #D03FA5

RGB 208 63 165

HSL 317.79, 0.61%, 0.53%

LAB 51.48, 66.11, -23.95

 

CMYK 0 / 75 / 23 / 41

HEX #972575

RGB 151 37 117

HSL 317.89, 0.61%, 0.37%

LAB 36.34, 54.07, -18.96

 

CMYK 0 / 39 / 76 / 40

HEX #985C25

RGB 152 92 37

HSL 28.7, 0.61%, 0.37%

LAB 44.89, 19.86, 40.55

 

CMYK 76 / 0 / 9 / 40

HEX #25988A

RGB 37 152 138

HSL 172.7, 0.61%, 0.37%

LAB 56.77, -34.28, -1.63

 

CMYK 0 / 75 / 23 / 41

HEX #972575

RGB 151 37 117

HSL 317.89, 0.61%, 0.37%

LAB 36.34, 54.07, -18.96

 

CMYK 22 / 0 / 76 / 40

HEX #779825

RGB 119 152 37

HSL 77.22, 0.61%, 0.37%

LAB 58.52, -27.98, 52.98

 

CMYK 76 / 22 / 0 / 40

HEX #257798

RGB 37 119 152

HSL 197.22, 0.61%, 0.37%

LAB 46.78, -12.82, -24.84

 

CMYK 0 / 75 / 23 / 41

HEX #972575

RGB 151 37 117

HSL 317.89, 0.61%, 0.37%

LAB 36.34, 54.07, -18.96

 

CMYK 0 / 39 / 76 / 40

HEX #985C25

RGB 152 92 37

HSL 28.7, 0.61%, 0.37%

LAB 44.89, 19.86, 40.55

 

CMYK 76 / 0 / 55 / 40

HEX #259845

RGB 37 152 69

HSL 136.7, 0.61%, 0.37%

LAB 55.36, -49.54, 34.53

 

CMYK 76 / 37 / 0 / 40

HEX #256098

RGB 37 96 152

HSL 209.22, 0.61%, 0.37%

LAB 39.62, 1.01, -36.06

 

CMYK 0 / 75 / 23 / 41

HEX #972575

RGB 151 37 117

HSL 317.89, 0.61%, 0.37%

LAB 36.34, 54.07, -18.96

 

CMYK 0 / 16 / 76 / 40

HEX #987F25

RGB 152 127 37

HSL 46.96, 0.61%, 0.37%

LAB 54.01, -0.13, 49.6

 

CMYK 76 / 0 / 55 / 40

HEX #259845

RGB 37 152 69

HSL 136.7, 0.61%, 0.37%

LAB 55.36, -49.54, 34.53

 

CMYK 76 / 59 / 0 / 40

HEX #253E98

RGB 37 62 152

HSL 226.96, 0.61%, 0.37%

LAB 29.68, 23.63, -52.04

 

Description

Color code: HEX #972575 | qconv.com Color code: HEX #972575 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 37 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 37 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 23 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 23% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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