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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982557 it is the complementary color #67DAA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982557 shade: #9D2552, #AE3765, #BF4978, #D05B8B and #E16D9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982557 shade: #982557, #871344, #760131, #65001E and #54000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982557 shade: #982557, #982538 and #982525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982557 shade: #982557, #982576, #982595, #7C2598 and #5D2598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982557 shade matches the following richer shades: #982557, #A71655 and #B60653

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982557 shade: #982557, #893459, #79435B, #6A535D and #5B625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982557 shade: #982596, #982577, #982559, #98253A and #982E25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982557 shade: #551531, #771D44, #982557, #B92D6A and #D03F7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982557 shade: #982557, #987B25 and #258798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982557 shade: #982557, #599825 and #255998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982557 shade: #982557, #987B25, #259864 and #254298

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982557 shade: #982557, #929825, #259864 and #2B2598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

Complementary color

CMYK 53 / 0 / 23 / 15

HEX #67DAA8

RGB 103 218 168

HSL 153.91, 0.61%, 0.63%

LAB 79.53, -44.29, 14.81

 

CMYK 0 / 76 / 48 / 38

HEX #9D2552

RGB 157 37 82

HSL 337.5, 0.62%, 0.38%

LAB 36.18, 51.69, 3.19

 

CMYK 0 / 68 / 42 / 32

HEX #AE3765

RGB 174 55 101

HSL 336.81, 0.52%, 0.45%

LAB 42.26, 51.96, 0.38

 

CMYK 0 / 62 / 37 / 25

HEX #BF4978

RGB 191 73 120

HSL 336.1, 0.48%, 0.52%

LAB 48.51, 51.68, -1.81

 

CMYK 0 / 56 / 33 / 18

HEX #D05B8B

RGB 208 91 139

HSL 335.38, 0.55%, 0.59%

LAB 54.82, 51.11, -3.55

 

CMYK 0 / 52 / 30 / 12

HEX #E16D9E

RGB 225 109 158

HSL 334.66, 0.66%, 0.65%

LAB 61.14, 50.4, -5

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 86 / 50 / 47

HEX #871344

RGB 135 19 68

HSL 334.66, 0.75%, 0.3%

LAB 29.5, 49.51, 2.17

 

CMYK 0 / 99 / 58 / 54

HEX #760131

RGB 118 1 49

HSL 335.38, 0.98%, 0.23%

LAB 23.98, 47.11, 6.75

 

CMYK 0 / 100 / 70 / 60

HEX #65001E

RGB 101 0 30

HSL 342.18, 1%, 0.2%

LAB 19.48, 41.66, 13.38

 

CMYK 0 / 100 / 87 / 67

HEX #54000B

RGB 84 0 11

HSL 352.14, 1%, 0.16%

LAB 15, 36.08, 18.87

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 76 / 63 / 40

HEX #982538

RGB 152 37 56

HSL 350.09, 0.61%, 0.37%

LAB 34.57, 48.12, 17.6

 

CMYK 0 / 76 / 76 / 40

HEX #982525

RGB 152 37 37

HSL 0, 0.61%, 0.37%

LAB 34.26, 47.09, 29.17

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 76 / 2 / 40

HEX #982595

RGB 152 37 149

HSL 301.57, 0.61%, 0.37%

LAB 38.14, 59.16, -35.91

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 39 / 76 / 0 / 40

HEX #5D2598

RGB 93 37 152

HSL 269.22, 0.61%, 0.37%

LAB 29.2, 47.66, -52.6

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 87 / 49 / 35

HEX #A71655

RGB 167 22 85

HSL 333.93, 0.77%, 0.37%

LAB 36.83, 58.7, 2.45

 

CMYK 0 / 97 / 54 / 29

HEX #B60653

RGB 182 6 83

HSL 333.75, 0.94%, 0.37%

LAB 39.07, 64.5, 7.36

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 62 / 35 / 46

HEX #893459

RGB 137 52 89

HSL 333.88, 0.45%, 0.37%

LAB 34.99, 40.09, -3.46

 

CMYK 0 / 45 / 25 / 53

HEX #79435B

RGB 121 67 91

HSL 333.33, 0.29%, 0.37%

LAB 35.66, 26.61, -4.02

 

CMYK 0 / 22 / 12 / 58

HEX #6A535D

RGB 106 83 93

HSL 333.91, 0.12%, 0.37%

LAB 37.92, 11.36, -2.16

 

CMYK 7 / 0 / 3 / 62

HEX #5B625F

RGB 91 98 95

HSL 154.29, 0.04%, 0.37%

LAB 40.87, -3.36, 0.76

 

CMYK 0 / 76 / 1 / 40

HEX #982596

RGB 152 37 150

HSL 301.04, 0.61%, 0.37%

LAB 38.2, 59.32, -36.43

 

CMYK 0 / 76 / 22 / 40

HEX #982577

RGB 152 37 119

HSL 317.22, 0.61%, 0.37%

LAB 36.61, 54.6, -19.78

 

CMYK 0 / 76 / 41 / 40

HEX #982559

RGB 152 37 89

HSL 332.87, 0.61%, 0.37%

LAB 35.44, 50.94, -2.51

 

CMYK 0 / 76 / 62 / 40

HEX #98253A

RGB 152 37 58

HSL 349.04, 0.61%, 0.37%

LAB 34.61, 48.25, 16.37

 

CMYK 0 / 70 / 76 / 40

HEX #982E25

RGB 152 46 37

HSL 4.7, 0.61%, 0.37%

LAB 35.52, 43.6, 30.58

 

CMYK 0 / 75 / 42 / 67

HEX #551531

RGB 85 21 49

HSL 333.75, 0.6%, 0.21%

LAB 18.75, 32, -1.7

 

CMYK 0 / 76 / 43 / 53

HEX #771D44

RGB 119 29 68

HSL 334, 0.61%, 0.29%

LAB 27.35, 41.82, -1.36

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 76 / 43 / 27

HEX #B92D6A

RGB 185 45 106

HSL 333.86, 0.61%, 0.45%

LAB 43.11, 59.25, -1.26

 

CMYK 0 / 70 / 39 / 18

HEX #D03F7E

RGB 208 63 126

HSL 333.93, 0.61%, 0.53%

LAB 50.06, 61.47, -2.82

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 19 / 76 / 40

HEX #987B25

RGB 152 123 37

HSL 44.87, 0.61%, 0.37%

LAB 52.92, 2.12, 48.55

 

CMYK 76 / 11 / 0 / 40

HEX #258798

RGB 37 135 152

HSL 188.87, 0.61%, 0.37%

LAB 51.82, -21.58, -17.09

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 41 / 0 / 76 / 40

HEX #599825

RGB 89 152 37

HSL 92.87, 0.61%, 0.37%

LAB 56.8, -39.54, 50.72

 

CMYK 76 / 41 / 0 / 40

HEX #255998

RGB 37 89 152

HSL 212.87, 0.61%, 0.37%

LAB 37.49, 5.5, -39.45

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 19 / 76 / 40

HEX #987B25

RGB 152 123 37

HSL 44.87, 0.61%, 0.37%

LAB 52.92, 2.12, 48.55

 

CMYK 76 / 0 / 34 / 40

HEX #259864

RGB 37 152 100

HSL 152.87, 0.61%, 0.37%

LAB 55.86, -43.85, 18.59

 

CMYK 76 / 57 / 0 / 40

HEX #254298

RGB 37 66 152

HSL 224.87, 0.61%, 0.37%

LAB 30.78, 20.91, -50.26

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 4 / 0 / 76 / 40

HEX #929825

RGB 146 152 37

HSL 63.13, 0.61%, 0.37%

LAB 60.52, -16.37, 55.58

 

CMYK 76 / 0 / 34 / 40

HEX #259864

RGB 37 152 100

HSL 152.87, 0.61%, 0.37%

LAB 55.86, -43.85, 18.59

 

CMYK 72 / 76 / 0 / 40

HEX #2B2598

RGB 43 37 152

HSL 243.13, 0.61%, 0.37%

LAB 24.01, 40.32, -61.32

 

Description

Color code: HEX #982557 | qconv.com Color code: HEX #982557 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 37 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 37 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 43 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 43% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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