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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96E668 it is the complementary color #691997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96E668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96E668 shade: #9BE663, #ACF876, #BDFF89, #CEFF9C and #DFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96E668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96E668 shade: #96E668, #85D455, #74C242, #63B02F and #529E1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96E668 shade: #94E665, #B7E665, #DAE665, #E6D065 and #E6AD65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96E668 shade: #94E665, #72E665, #65E67C, #65E69F and #65E6C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96E668 shade matches the following richer shades: #94E665 and #91F457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96E668 shade: #94E665, #98D874, #9CC982, #A0BB91 and #A4AC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96E668 shade: #D9E665, #B7E665, #95E665, #72E665 and #65E67B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96E668 shade: #64D623, #7CE042, #94E665, #ADEC89 and #C6F2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96E668 shade: #96E668, #65E6D1 and #E665C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96E668 shade: #96E668, #6595E6 and #E66595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96E668 shade: #96E668, #65E6D1, #B765E6 and #E6657B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96E668 shade: #96E668, #65D5E6, #B765E6 and #E67765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 55 / 10

HEX #96E668

RGB 150 230 104

HSL 98.1, 0.72%, 0.65%

LAB 84.01, -46.12, 53

 

Complementary color

CMYK 30 / 83 / 0 / 41

HEX #691997

RGB 105 25 151

HSL 278.1, 0.72%, 0.35%

LAB 29.24, 54.13, -51.85

 

CMYK 33 / 0 / 57 / 10

HEX #9BE663

RGB 155 230 99

HSL 94.35, 0.72%, 0.65%

LAB 84.21, -44.94, 55.54

 

CMYK 31 / 0 / 52 / 3

HEX #ACF876

RGB 172 248 118

HSL 95.08, 0.9%, 0.72%

LAB 90.42, -44.97, 54.5

 

CMYK 26 / 0 / 46 / 0

HEX #BDFF89

RGB 189 255 137

HSL 93.56, 1%, 0.77%

LAB 93.51, -40.14, 49.65

 

CMYK 19 / 0 / 39 / 0

HEX #CEFF9C

RGB 206 255 156

HSL 89.7, 1%, 0.81%

LAB 94.76, -31.93, 42.3

 

CMYK 13 / 0 / 31 / 0

HEX #DFFFAF

RGB 223 255 175

HSL 84, 1%, 0.84%

LAB 96.12, -23.46, 34.92

 

CMYK 35 / 0 / 55 / 10

HEX #96E668

RGB 150 230 104

HSL 98.1, 0.72%, 0.65%

LAB 84.01, -46.12, 53

 

CMYK 37 / 0 / 60 / 17

HEX #85D455

RGB 133 212 85

HSL 97.32, 0.6%, 0.58%

LAB 77.71, -46.05, 54.02

 

CMYK 40 / 0 / 66 / 24

HEX #74C242

RGB 116 194 66

HSL 96.56, 0.51%, 0.51%

LAB 71.34, -45.87, 54.85

 

CMYK 44 / 0 / 73 / 31

HEX #63B02F

RGB 99 176 47

HSL 95.81, 0.58%, 0.44%

LAB 64.89, -45.51, 55.29

 

CMYK 48 / 0 / 82 / 38

HEX #529E1C

RGB 82 158 28

HSL 95.08, 0.7%, 0.36%

LAB 58.35, -44.88, 54.97

 

CMYK 36 / 0 / 56 / 10

HEX #94E665

RGB 148 230 101

HSL 98.14, 0.72%, 0.65%

LAB 83.88, -47.09, 54.18

 

CMYK 20 / 0 / 56 / 10

HEX #B7E665

RGB 183 230 101

HSL 81.86, 0.72%, 0.65%

LAB 85.81, -34.72, 56.91

 

CMYK 5 / 0 / 56 / 10

HEX #DAE665

RGB 218 230 101

HSL 65.58, 0.72%, 0.65%

LAB 88.18, -21.18, 60.24

 

CMYK 0 / 10 / 56 / 10

HEX #E6D065

RGB 230 208 101

HSL 49.77, 0.72%, 0.65%

LAB 83.38, -5.38, 55.03

 

CMYK 0 / 25 / 56 / 10

HEX #E6AD65

RGB 230 173 101

HSL 33.49, 0.72%, 0.65%

LAB 74.6, 12.9, 44.69

 

CMYK 36 / 0 / 56 / 10

HEX #94E665

RGB 148 230 101

HSL 98.14, 0.72%, 0.65%

LAB 83.88, -47.09, 54.18

 

CMYK 50 / 0 / 56 / 10

HEX #72E665

RGB 114 230 101

HSL 113.95, 0.72%, 0.65%

LAB 82.44, -57.31, 52.14

 

CMYK 56 / 0 / 46 / 10

HEX #65E67C

RGB 101 230 124

HSL 130.7, 0.72%, 0.65%

LAB 82.28, -57.55, 41

 

CMYK 56 / 0 / 31 / 10

HEX #65E69F

RGB 101 230 159

HSL 146.98, 0.72%, 0.65%

LAB 82.84, -51.59, 24.09

 

CMYK 56 / 0 / 16 / 10

HEX #65E6C1

RGB 101 230 193

HSL 162.79, 0.72%, 0.65%

LAB 83.55, -44.41, 7.34

 

CMYK 36 / 0 / 56 / 10

HEX #94E665

RGB 148 230 101

HSL 98.14, 0.72%, 0.65%

LAB 83.88, -47.09, 54.18

 

CMYK 41 / 0 / 64 / 4

HEX #91F457

RGB 145 244 87

HSL 97.83, 0.88%, 0.65%

LAB 87.68, -55.07, 64.34

 

CMYK 36 / 0 / 56 / 10

HEX #94E665

RGB 148 230 101

HSL 98.14, 0.72%, 0.65%

LAB 83.88, -47.09, 54.18

 

CMYK 30 / 0 / 46 / 15

HEX #98D874

RGB 152 216 116

HSL 98.4, 0.56%, 0.65%

LAB 80.21, -37.95, 42.77

 

CMYK 22 / 0 / 35 / 21

HEX #9CC982

RGB 156 201 130

HSL 98.03, 0.4%, 0.65%

LAB 76.35, -27.69, 30.8

 

CMYK 14 / 0 / 22 / 27

HEX #A0BB91

RGB 160 187 145

HSL 98.57, 0.24%, 0.65%

LAB 72.93, -17, 18.29

 

CMYK 5 / 0 / 8 / 33

HEX #A4AC9F

RGB 164 172 159

HSL 96.92, 0.07%, 0.65%

LAB 69.4, -5.26, 5.71

 

CMYK 6 / 0 / 56 / 10

HEX #D9E665

RGB 217 230 101

HSL 66.05, 0.72%, 0.65%

LAB 88.11, -21.58, 60.14

 

CMYK 20 / 0 / 56 / 10

HEX #B7E665

RGB 183 230 101

HSL 81.86, 0.72%, 0.65%

LAB 85.81, -34.72, 56.91

 

CMYK 35 / 0 / 56 / 10

HEX #95E665

RGB 149 230 101

HSL 97.67, 0.72%, 0.65%

LAB 83.93, -46.76, 54.25

 

CMYK 50 / 0 / 56 / 10

HEX #72E665

RGB 114 230 101

HSL 113.95, 0.72%, 0.65%

LAB 82.44, -57.31, 52.14

 

CMYK 56 / 0 / 47 / 10

HEX #65E67B

RGB 101 230 123

HSL 130.23, 0.72%, 0.65%

LAB 82.27, -57.69, 41.47

 

CMYK 53 / 0 / 84 / 16

HEX #64D623

RGB 100 214 35

HSL 98.21, 0.72%, 0.49%

LAB 76.63, -60.35, 69.9

 

CMYK 45 / 0 / 71 / 12

HEX #7CE042

RGB 124 224 66

HSL 97.97, 0.72%, 0.57%

LAB 80.73, -55.35, 64.76

 

CMYK 36 / 0 / 56 / 10

HEX #94E665

RGB 148 230 101

HSL 98.14, 0.72%, 0.65%

LAB 83.88, -47.09, 54.18

 

CMYK 27 / 0 / 42 / 7

HEX #ADEC89

RGB 173 236 137

HSL 98.18, 0.72%, 0.73%

LAB 87.33, -37.12, 41.7

 

CMYK 18 / 0 / 29 / 5

HEX #C6F2AC

RGB 198 242 172

HSL 97.71, 0.73%, 0.81%

LAB 91, -26.45, 29.28

 

CMYK 35 / 0 / 55 / 10

HEX #96E668

RGB 150 230 104

HSL 98.1, 0.72%, 0.65%

LAB 84.01, -46.12, 53

 

CMYK 56 / 0 / 9 / 10

HEX #65E6D1

RGB 101 230 209

HSL 170.23, 0.72%, 0.65%

LAB 83.95, -40.61, -0.53

 

CMYK 0 / 56 / 13 / 10

HEX #E665C8

RGB 230 101 200

HSL 313.95, 0.72%, 0.65%

LAB 61.91, 61.54, -27.77

 

CMYK 35 / 0 / 55 / 10

HEX #96E668

RGB 150 230 104

HSL 98.1, 0.72%, 0.65%

LAB 84.01, -46.12, 53

 

CMYK 56 / 35 / 0 / 10

HEX #6595E6

RGB 101 149 230

HSL 217.67, 0.72%, 0.65%

LAB 61.63, 7.31, -45.9

 

CMYK 0 / 56 / 35 / 10

HEX #E66595

RGB 230 101 149

HSL 337.67, 0.72%, 0.65%

LAB 60.16, 54.71, -1.17

 

CMYK 35 / 0 / 55 / 10

HEX #96E668

RGB 150 230 104

HSL 98.1, 0.72%, 0.65%

LAB 84.01, -46.12, 53

 

CMYK 56 / 0 / 9 / 10

HEX #65E6D1

RGB 101 230 209

HSL 170.23, 0.72%, 0.65%

LAB 83.95, -40.61, -0.53

 

CMYK 20 / 56 / 0 / 10

HEX #B765E6

RGB 183 101 230

HSL 278.14, 0.72%, 0.65%

LAB 57.16, 54.49, -52.57

 

CMYK 0 / 56 / 47 / 10

HEX #E6657B

RGB 230 101 123

HSL 349.77, 0.72%, 0.65%

LAB 59.49, 51.98, 12.96

 

CMYK 35 / 0 / 55 / 10

HEX #96E668

RGB 150 230 104

HSL 98.1, 0.72%, 0.65%

LAB 84.01, -46.12, 53

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 20 / 56 / 0 / 10

HEX #B765E6

RGB 183 101 230

HSL 278.14, 0.72%, 0.65%

LAB 57.16, 54.49, -52.57

 

CMYK 0 / 48 / 56 / 10

HEX #E67765

RGB 230 119 101

HSL 8.37, 0.72%, 0.65%

LAB 62.47, 41.33, 29.54

 

Description

Color code: HEX #96E668 | qconv.com Color code: HEX #96E668 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 230 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 230 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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