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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65D5E6 it is the complementary color #9A2A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65D5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65D5E6 shade: #6AD5E1, #7BE7F4, #8CF9FF, #9DFFFF and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65D5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65D5E6 shade: #65D5E6, #54C3D3, #43B1C0, #329FAD and #218D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65D5E6 shade: #65D5E6, #65B2E6, #658FE6, #656DE6 and #8065E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65D5E6 shade: #65D5E6, #65B2E6, #658FE6, #656DE6 and #6565E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65D5E6 shade matches the following richer shades: #65D5E6 and #57DFF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65D5E6 shade: #65D5E6, #73CAD7, #82BFC9, #90B5BA and #9FAAAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65D5E6 shade: #65E6B0, #65E6D2, #65D7E6, #65B4E6 and #6592E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65D5E6 shade: #22BED6, #42CBE0, #65D5E6, #88DEEB and #ACE8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65D5E6 shade: #65D5E6, #8E65E6 and #E6C165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65D5E6 shade: #65D5E6, #E665D7 and #D7E665

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65D5E6 shade: #65D5E6, #8E65E6, #E67465 and #BDE665

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65D5E6 shade: #65D5E6, #B465E6, #E67465 and #96E665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

Complementary color

CMYK 0 / 73 / 84 / 40

HEX #9A2A19

RGB 154 42 25

HSL 7.91, 0.72%, 0.35%

LAB 35.19, 45.45, 37.1

 

CMYK 53 / 5 / 0 / 12

HEX #6AD5E1

RGB 106 213 225

HSL 186.05, 0.66%, 0.65%

LAB 79.66, -27.53, -15.36

 

CMYK 50 / 5 / 0 / 4

HEX #7BE7F4

RGB 123 231 244

HSL 186.45, 0.85%, 0.72%

LAB 85.95, -27.72, -15.93

 

CMYK 45 / 2 / 0 / 0

HEX #8CF9FF

RGB 140 249 255

HSL 183.13, 1%, 0.77%

LAB 91.93, -29.86, -12.66

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 60 / 8 / 0 / 17

HEX #54C3D3

RGB 84 195 211

HSL 187.56, 0.59%, 0.58%

LAB 73.3, -26.76, -17.49

 

CMYK 65 / 8 / 0 / 25

HEX #43B1C0

RGB 67 177 192

HSL 187.2, 0.5%, 0.51%

LAB 66.86, -26.24, -16.86

 

CMYK 71 / 8 / 0 / 32

HEX #329FAD

RGB 50 159 173

HSL 186.83, 0.55%, 0.44%

LAB 60.33, -25.51, -16.16

 

CMYK 79 / 8 / 0 / 40

HEX #218D9A

RGB 33 141 154

HSL 186.45, 0.65%, 0.37%

LAB 53.71, -24.5, -15.38

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 56 / 23 / 0 / 10

HEX #65B2E6

RGB 101 178 230

HSL 204.19, 0.72%, 0.65%

LAB 69.7, -9.07, -33.29

 

CMYK 56 / 38 / 0 / 10

HEX #658FE6

RGB 101 143 230

HSL 220.47, 0.72%, 0.65%

LAB 60, 10.83, -48.48

 

CMYK 56 / 53 / 0 / 10

HEX #656DE6

RGB 101 109 230

HSL 236.28, 0.72%, 0.65%

LAB 51.17, 31.33, -62.59

 

CMYK 44 / 56 / 0 / 10

HEX #8065E6

RGB 128 101 230

HSL 252.56, 0.72%, 0.65%

LAB 51.39, 41.57, -62.13

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 56 / 23 / 0 / 10

HEX #65B2E6

RGB 101 178 230

HSL 204.19, 0.72%, 0.65%

LAB 69.7, -9.07, -33.29

 

CMYK 56 / 38 / 0 / 10

HEX #658FE6

RGB 101 143 230

HSL 220.47, 0.72%, 0.65%

LAB 60, 10.83, -48.48

 

CMYK 56 / 53 / 0 / 10

HEX #656DE6

RGB 101 109 230

HSL 236.28, 0.72%, 0.65%

LAB 51.17, 31.33, -62.59

 

CMYK 56 / 56 / 0 / 10

HEX #6565E6

RGB 101 101 230

HSL 240, 0.72%, 0.65%

LAB 49.24, 36.16, -65.72

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 64 / 9 / 0 / 4

HEX #57DFF4

RGB 87 223 244

HSL 188.03, 0.88%, 0.65%

LAB 82.56, -30.42, -21.16

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 47 / 6 / 0 / 16

HEX #73CAD7

RGB 115 202 215

HSL 187.8, 0.56%, 0.65%

LAB 76.55, -22.82, -14.64

 

CMYK 35 / 5 / 0 / 21

HEX #82BFC9

RGB 130 191 201

HSL 188.45, 0.4%, 0.65%

LAB 73.69, -17.03, -11.27

 

CMYK 23 / 3 / 0 / 27

HEX #90B5BA

RGB 144 181 186

HSL 187.14, 0.23%, 0.65%

LAB 71.23, -11.27, -6.65

 

CMYK 8 / 1 / 0 / 33

HEX #9FAAAC

RGB 159 170 172

HSL 189.23, 0.07%, 0.65%

LAB 68.82, -3.45, -2.37

 

CMYK 56 / 0 / 23 / 10

HEX #65E6B0

RGB 101 230 176

HSL 154.88, 0.72%, 0.65%

LAB 83.18, -48.16, 15.72

 

CMYK 56 / 0 / 9 / 10

HEX #65E6D2

RGB 101 230 210

HSL 170.7, 0.72%, 0.65%

LAB 83.97, -40.37, -1.02

 

CMYK 56 / 7 / 0 / 10

HEX #65D7E6

RGB 101 215 230

HSL 186.98, 0.72%, 0.65%

LAB 80.22, -28.12, -17.21

 

CMYK 56 / 22 / 0 / 10

HEX #65B4E6

RGB 101 180 230

HSL 203.26, 0.72%, 0.65%

LAB 70.26, -10.15, -32.42

 

CMYK 56 / 37 / 0 / 10

HEX #6592E6

RGB 101 146 230

HSL 219.07, 0.72%, 0.65%

LAB 60.81, 9.06, -47.19

 

CMYK 84 / 11 / 0 / 16

HEX #22BED6

RGB 34 190 214

HSL 188, 0.73%, 0.49%

LAB 70.89, -29.56, -22.88

 

CMYK 71 / 9 / 0 / 12

HEX #42CBE0

RGB 66 203 224

HSL 187.97, 0.72%, 0.57%

LAB 75.61, -29.59, -21.07

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 42 / 6 / 0 / 8

HEX #88DEEB

RGB 136 222 235

HSL 187.88, 0.71%, 0.73%

LAB 83.69, -22.69, -14.52

 

CMYK 29 / 4 / 0 / 5

HEX #ACE8F1

RGB 172 232 241

HSL 187.83, 0.71%, 0.81%

LAB 88.37, -16.82, -10.51

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 38 / 56 / 0 / 10

HEX #8E65E6

RGB 142 101 230

HSL 259.07, 0.72%, 0.65%

LAB 52.7, 44.67, -59.96

 

CMYK 0 / 16 / 56 / 10

HEX #E6C165

RGB 230 193 101

HSL 42.79, 0.72%, 0.65%

LAB 79.56, 2.36, 50.59

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 0 / 56 / 7 / 10

HEX #E665D7

RGB 230 101 215

HSL 306.98, 0.72%, 0.65%

LAB 62.54, 63.89, -35.26

 

CMYK 7 / 0 / 56 / 10

HEX #D7E665

RGB 215 230 101

HSL 66.98, 0.72%, 0.65%

LAB 87.96, -22.37, 59.93

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 38 / 56 / 0 / 10

HEX #8E65E6

RGB 142 101 230

HSL 259.07, 0.72%, 0.65%

LAB 52.7, 44.67, -59.96

 

CMYK 0 / 50 / 56 / 10

HEX #E67465

RGB 230 116 101

HSL 6.98, 0.72%, 0.65%

LAB 61.87, 42.83, 28.77

 

CMYK 18 / 0 / 56 / 10

HEX #BDE665

RGB 189 230 101

HSL 79.07, 0.72%, 0.65%

LAB 86.18, -32.47, 57.44

 

CMYK 56 / 7 / 0 / 10

HEX #65D5E6

RGB 101 213 230

HSL 187.91, 0.72%, 0.65%

LAB 79.65, -27.14, -18.07

 

CMYK 22 / 56 / 0 / 10

HEX #B465E6

RGB 180 101 230

HSL 276.74, 0.72%, 0.65%

LAB 56.81, 53.75, -53.16

 

CMYK 0 / 50 / 56 / 10

HEX #E67465

RGB 230 116 101

HSL 6.98, 0.72%, 0.65%

LAB 61.87, 42.83, 28.77

 

CMYK 35 / 0 / 56 / 10

HEX #96E665

RGB 150 230 101

HSL 97.21, 0.72%, 0.65%

LAB 83.97, -46.43, 54.32

 

Description

Color code: HEX #65D5E6 | qconv.com Color code: HEX #65D5E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 213 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 213 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 7 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 7% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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