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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9694A8 it is the complementary color #696B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9694A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9694A8 shade: #9B94A3, #ACA6B6, #BDB8C9, #CECADC and #DFDCEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9694A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9694A8 shade: #9694A8, #858295, #747082, #635E6F and #524C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9694A8 shade: #9694A8, #9C94A8, #A194A8, #A694A8 and #A894A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9694A8 shade: #9694A8 and #9494A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9694A8 shade matches the following richer shades: #9694A8, #8A85B7, #7D75C7, #7165D7 and #6456E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9694A8 shade: #9694A8, #A3A498, #AFB488, #BCC379 and #C9D369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9694A8 shade: #949DA8, #9498A8, #9694A8, #9C94A8 and #A194A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9694A8 shade: #6B6981, #807E95, #9694A8, #ADABBA and #C3C2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9694A8 shade: #9694A8, #A894A2 and #9AA894

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9694A8 shade: #9694A8, #A89694 and #94A896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9694A8 shade: #9694A8, #A894A2, #A6A894 and #94A89A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9694A8 shade: #9694A8, #A8949C, #A6A894 and #94A8A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

Complementary color

CMYK 2 / 0 / 19 / 58

HEX #696B57

RGB 105 107 87

HSL 66, 0.1%, 0.38%

LAB 44.53, -4.58, 10.97

 

CMYK 5 / 9 / 0 / 36

HEX #9B94A3

RGB 155 148 163

HSL 268, 0.08%, 0.61%

LAB 62.33, 5.49, -6.95

 

CMYK 5 / 9 / 0 / 29

HEX #ACA6B6

RGB 172 166 182

HSL 262.5, 0.1%, 0.68%

LAB 69.05, 5.23, -7.45

 

CMYK 6 / 8 / 0 / 21

HEX #BDB8C9

RGB 189 184 201

HSL 257.65, 0.14%, 0.75%

LAB 75.65, 4.98, -7.95

 

CMYK 6 / 8 / 0 / 14

HEX #CECADC

RGB 206 202 220

HSL 253.33, 0.2%, 0.83%

LAB 82.13, 4.75, -8.43

 

CMYK 7 / 8 / 0 / 6

HEX #DFDCEF

RGB 223 220 239

HSL 249.47, 0.37%, 0.9%

LAB 88.5, 4.53, -8.91

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 11 / 13 / 0 / 42

HEX #858295

RGB 133 130 149

HSL 249.47, 0.08%, 0.55%

LAB 55.2, 5.05, -9.77

 

CMYK 11 / 14 / 0 / 49

HEX #747082

RGB 116 112 130

HSL 253.33, 0.07%, 0.47%

LAB 48.15, 5.35, -9.34

 

CMYK 11 / 15 / 0 / 56

HEX #635E6F

RGB 99 94 111

HSL 257.65, 0.08%, 0.4%

LAB 40.91, 5.67, -8.91

 

CMYK 11 / 17 / 0 / 64

HEX #524C5C

RGB 82 76 92

HSL 262.5, 0.1%, 0.33%

LAB 33.43, 6.04, -8.48

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 7 / 12 / 0 / 34

HEX #9C94A8

RGB 156 148 168

HSL 264, 0.1%, 0.62%

LAB 62.57, 6.86, -9.41

 

CMYK 4 / 12 / 0 / 34

HEX #A194A8

RGB 161 148 168

HSL 279, 0.1%, 0.62%

LAB 63, 8.61, -8.73

 

CMYK 1 / 12 / 0 / 34

HEX #A694A8

RGB 166 148 168

HSL 294, 0.1%, 0.62%

LAB 63.44, 10.38, -8.03

 

CMYK 0 / 12 / 2 / 34

HEX #A894A4

RGB 168 148 164

HSL 312, 0.1%, 0.62%

LAB 63.5, 10.32, -5.67

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 12 / 12 / 0 / 34

HEX #9494A8

RGB 148 148 168

HSL 240, 0.1%, 0.62%

LAB 61.91, 4.1, -10.46

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 25 / 27 / 0 / 28

HEX #8A85B7

RGB 138 133 183

HSL 246, 0.26%, 0.62%

LAB 57.65, 12.89, -25.54

 

CMYK 37 / 41 / 0 / 22

HEX #7D75C7

RGB 125 117 199

HSL 245.85, 0.42%, 0.62%

LAB 53.17, 22.74, -41.74

 

CMYK 47 / 53 / 0 / 16

HEX #7165D7

RGB 113 101 215

HSL 246.32, 0.59%, 0.62%

LAB 49.16, 33.98, -57.31

 

CMYK 57 / 63 / 0 / 9

HEX #6456E7

RGB 100 86 231

HSL 245.79, 0.75%, 0.62%

LAB 45.82, 45.15, -71.84

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 1 / 0 / 7 / 36

HEX #A3A498

RGB 163 164 152

HSL 65, 0.06%, 0.62%

LAB 66.98, -2.57, 6.09

 

CMYK 3 / 0 / 24 / 29

HEX #AFB488

RGB 175 180 136

HSL 66.82, 0.23%, 0.62%

LAB 71.92, -9.18, 21.92

 

CMYK 4 / 0 / 38 / 24

HEX #BCC379

RGB 188 195 121

HSL 65.68, 0.38%, 0.62%

LAB 76.74, -13.82, 36.38

 

CMYK 5 / 0 / 50 / 17

HEX #C9D369

RGB 201 211 105

HSL 65.66, 0.55%, 0.62%

LAB 81.85, -18.33, 50.79

 

CMYK 12 / 7 / 0 / 34

HEX #949DA8

RGB 148 157 168

HSL 213, 0.1%, 0.62%

LAB 64.35, -0.93, -6.83

 

CMYK 12 / 10 / 0 / 34

HEX #9498A8

RGB 148 152 168

HSL 228, 0.1%, 0.62%

LAB 62.99, 1.86, -8.85

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 7 / 12 / 0 / 34

HEX #9C94A8

RGB 156 148 168

HSL 264, 0.1%, 0.62%

LAB 62.57, 6.86, -9.41

 

CMYK 4 / 12 / 0 / 34

HEX #A194A8

RGB 161 148 168

HSL 279, 0.1%, 0.62%

LAB 63, 8.61, -8.73

 

CMYK 17 / 19 / 0 / 49

HEX #6B6981

RGB 107 105 129

HSL 245, 0.1%, 0.46%

LAB 45.38, 6.1, -13

 

CMYK 14 / 15 / 0 / 42

HEX #807E95

RGB 128 126 149

HSL 245.22, 0.1%, 0.54%

LAB 53.69, 5.63, -12.08

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 7 / 8 / 0 / 27

HEX #ADABBA

RGB 173 171 186

HSL 248, 0.1%, 0.7%

LAB 70.56, 3.63, -7.42

 

CMYK 5 / 5 / 0 / 20

HEX #C3C2CD

RGB 195 194 205

HSL 245.45, 0.1%, 0.78%

LAB 78.81, 2.42, -5.38

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 0 / 12 / 4 / 34

HEX #A894A2

RGB 168 148 162

HSL 318, 0.1%, 0.62%

LAB 63.44, 9.94, -4.62

 

CMYK 8 / 0 / 12 / 34

HEX #9AA894

RGB 154 168 148

HSL 102, 0.1%, 0.62%

LAB 67.29, -8.73, 8.66

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 0 / 11 / 12 / 34

HEX #A89694

RGB 168 150 148

HSL 6, 0.1%, 0.62%

LAB 63.57, 6.3, 3.48

 

CMYK 12 / 0 / 11 / 34

HEX #94A896

RGB 148 168 150

HSL 126, 0.1%, 0.62%

LAB 66.9, -10.52, 6.95

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 0 / 12 / 4 / 34

HEX #A894A2

RGB 168 148 162

HSL 318, 0.1%, 0.62%

LAB 63.44, 9.94, -4.62

 

CMYK 1 / 0 / 12 / 34

HEX #A6A894

RGB 166 168 148

HSL 66, 0.1%, 0.62%

LAB 68.2, -4.32, 10.09

 

CMYK 12 / 0 / 8 / 34

HEX #94A89A

RGB 148 168 154

HSL 138, 0.1%, 0.62%

LAB 67, -9.76, 4.87

 

CMYK 11 / 12 / 0 / 34

HEX #9694A8

RGB 150 148 168

HSL 246, 0.1%, 0.62%

LAB 62.08, 4.79, -10.21

 

CMYK 0 / 12 / 7 / 34

HEX #A8949C

RGB 168 148 156

HSL 336, 0.1%, 0.62%

LAB 63.26, 8.84, -1.49

 

CMYK 1 / 0 / 12 / 34

HEX #A6A894

RGB 166 168 148

HSL 66, 0.1%, 0.62%

LAB 68.2, -4.32, 10.09

 

CMYK 12 / 0 / 5 / 34

HEX #94A8A0

RGB 148 168 160

HSL 156, 0.1%, 0.62%

LAB 67.16, -8.58, 1.76

 

Description

Color code: HEX #9694A8 | qconv.com Color code: HEX #9694A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 148 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 148 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 12 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 12% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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