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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968554 it is the complementary color #697AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #968554: #9B854F, #AC9762, #BDA975, #CEBB88 and #DFCD9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #968554: #968554, #857341, #74612E, #634F1B and #523D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

Complementary color

CMYK 39 / 29 / 0 / 33

HEX #697AAB

RGB 105 122 171

HSL 224.55, 0.28%, 0.54%

LAB 51.68, 6.34, -28.08

 

CMYK 0 / 14 / 49 / 39

HEX #9B854F

RGB 155 133 79

HSL 42.63, 0.32%, 0.46%

LAB 56.39, 0.95, 32.07

 

CMYK 0 / 12 / 43 / 33

HEX #AC9762

RGB 172 151 98

HSL 42.97, 0.31%, 0.53%

LAB 63.17, 0.28, 30.75

 

CMYK 0 / 11 / 38 / 26

HEX #BDA975

RGB 189 169 117

HSL 43.33, 0.35%, 0.6%

LAB 69.81, -0.29, 29.5

 

CMYK 0 / 9 / 34 / 19

HEX #CEBB88

RGB 206 187 136

HSL 43.71, 0.42%, 0.67%

LAB 76.34, -0.76, 28.32

 

CMYK 0 / 8 / 30 / 13

HEX #DFCD9B

RGB 223 205 155

HSL 44.12, 0.52%, 0.74%

LAB 82.76, -1.17, 27.21

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 0 / 14 / 51 / 48

HEX #857341

RGB 133 115 65

HSL 44.12, 0.34%, 0.39%

LAB 49.04, 0.01, 30.09

 

CMYK 0 / 16 / 60 / 55

HEX #74612E

RGB 116 97 46

HSL 43.71, 0.43%, 0.32%

LAB 41.94, 0.89, 31.47

 

CMYK 0 / 20 / 73 / 61

HEX #634F1B

RGB 99 79 27

HSL 43.33, 0.57%, 0.25%

LAB 34.65, 2.08, 32.73

 

CMYK 0 / 26 / 90 / 68

HEX #523D08

RGB 82 61 8

HSL 42.97, 0.82%, 0.18%

LAB 27.15, 3.71, 33.23

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 0 / 5 / 44 / 41

HEX #968F54

RGB 150 143 84

HSL 53.64, 0.28%, 0.46%

LAB 58.76, -6.21, 32.24

 

CMYK 3 / 0 / 44 / 41

HEX #919654

RGB 145 150 84

HSL 64.55, 0.28%, 0.46%

LAB 60.31, -12.1, 34.09

 

CMYK 11 / 0 / 44 / 41

HEX #869654

RGB 134 150 84

HSL 74.55, 0.28%, 0.46%

LAB 59.45, -16.67, 32.83

 

CMYK 18 / 0 / 44 / 41

HEX #7B9654

RGB 123 150 84

HSL 84.55, 0.28%, 0.46%

LAB 58.66, -21.11, 31.67

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 0 / 11 / 44 / 21

HEX #C9B271

RGB 201 178 113

HSL 44.32, 0.45%, 0.62%

LAB 73.19, -0.63, 36.18

 

CMYK 0 / 12 / 44 / 1

HEX #FCDF8D

RGB 252 223 141

HSL 44.32, 0.95%, 0.77%

LAB 89.58, -0.68, 43.74

 

CMYK 0 / 10 / 44 / 81

HEX #302B1B

RGB 48 43 27

HSL 45.71, 0.28%, 0.15%

LAB 17.62, -0.71, 11.26

 

CMYK 0 / 11 / 44 / 61

HEX #635837

RGB 99 88 55

HSL 45, 0.29%, 0.3%

LAB 37.68, -0.76, 20.76

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 41 / 0 / 44 / 41

HEX #589654

RGB 88 150 84

HSL 116.36, 0.28%, 0.46%

LAB 56.61, -33.88, 28.64

 

CMYK 29 / 44 / 0 / 41

HEX #6A5496

RGB 106 84 150

HSL 260, 0.28%, 0.46%

LAB 40.58, 24, -33.05

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 44 / 0 / 12 / 41

HEX #549684

RGB 84 150 132

HSL 163.64, 0.28%, 0.46%

LAB 57.43, -25.55, 2.94

 

CMYK 12 / 44 / 0 / 41

HEX #845496

RGB 132 84 150

HSL 283.64, 0.28%, 0.46%

LAB 43.43, 31.98, -28.38

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 41 / 0 / 44 / 41

HEX #589654

RGB 88 150 84

HSL 116.36, 0.28%, 0.46%

LAB 56.61, -33.88, 28.64

 

CMYK 44 / 33 / 0 / 41

HEX #546596

RGB 84 101 150

HSL 224.55, 0.28%, 0.46%

LAB 43.35, 7.06, -28.83

 

CMYK 3 / 44 / 0 / 41

HEX #915496

RGB 145 84 150

HSL 295.45, 0.28%, 0.46%

LAB 45.03, 36.08, -25.77

 

CMYK 0 / 11 / 44 / 41

HEX #968554

RGB 150 133 84

HSL 44.55, 0.28%, 0.46%

LAB 55.99, -0.68, 28.73

 

CMYK 44 / 0 / 34 / 41

HEX #549663

RGB 84 150 99

HSL 133.64, 0.28%, 0.46%

LAB 56.68, -32.6, 20.51

 

CMYK 44 / 33 / 0 / 41

HEX #546596

RGB 84 101 150

HSL 224.55, 0.28%, 0.46%

LAB 43.35, 7.06, -28.83

 

CMYK 0 / 44 / 11 / 41

HEX #965486

RGB 150 84 134

HSL 314.55, 0.28%, 0.46%

LAB 45.01, 34.69, -16.14

 

Description

Color code: HEX #968554 | qconv.com Color code: HEX #968554 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 133 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 133 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 44 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 44% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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