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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96533A it is the complementary color #69ACC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96533A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #96533A: #9B5335, #AC6548, #BD775B, #CE896E and #DF9B81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96533A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #96533A: #96533A, #854127, #742F14, #631D01 and #520B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

Complementary color

CMYK 47 / 13 / 0 / 23

HEX #69ACC5

RGB 105 172 197

HSL 196.3, 0.44%, 0.59%

LAB 66.93, -14.56, -19.39

 

CMYK 0 / 46 / 66 / 39

HEX #9B5335

RGB 155 83 53

HSL 17.65, 0.49%, 0.41%

LAB 43.38, 27.17, 30.53

 

CMYK 0 / 41 / 58 / 33

HEX #AC6548

RGB 172 101 72

HSL 17.4, 0.41%, 0.48%

LAB 50.15, 25.7, 28.55

 

CMYK 0 / 37 / 52 / 26

HEX #BD775B

RGB 189 119 91

HSL 17.14, 0.43%, 0.55%

LAB 56.85, 24.42, 26.8

 

CMYK 0 / 33 / 47 / 19

HEX #CE896E

RGB 206 137 110

HSL 16.88, 0.49%, 0.62%

LAB 63.46, 23.29, 25.25

 

CMYK 0 / 30 / 42 / 13

HEX #DF9B81

RGB 223 155 129

HSL 16.6, 0.59%, 0.69%

LAB 69.98, 22.3, 23.84

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 0 / 51 / 71 / 48

HEX #854127

RGB 133 65 39

HSL 16.6, 0.55%, 0.34%

LAB 35.82, 26.99, 28.86

 

CMYK 0 / 59 / 83 / 55

HEX #742F14

RGB 116 47 20

HSL 16.88, 0.71%, 0.27%

LAB 28.89, 28.73, 31.22

 

CMYK 0 / 71 / 99 / 61

HEX #631D01

RGB 99 29 1

HSL 17.14, 0.98%, 0.2%

LAB 22.07, 30.37, 32.09

 

CMYK 0 / 87 / 100 / 68

HEX #520B00

RGB 82 11 0

HSL 8.05, 1%, 0.16%

LAB 15.66, 31.44, 24.1

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 0 / 35 / 61 / 41

HEX #96623A

RGB 150 98 58

HSL 26.09, 0.44%, 0.41%

LAB 46.34, 16.85, 31.1

 

CMYK 0 / 25 / 61 / 41

HEX #96713A

RGB 150 113 58

HSL 35.87, 0.44%, 0.41%

LAB 50.22, 8.2, 35.69

 

CMYK 0 / 14 / 61 / 41

HEX #96813A

RGB 150 129 58

HSL 46.3, 0.44%, 0.41%

LAB 54.54, -0.88, 40.65

 

CMYK 0 / 4 / 61 / 41

HEX #96903A

RGB 150 144 58

HSL 56.09, 0.44%, 0.41%

LAB 58.73, -9.12, 45.3

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 0 / 45 / 61 / 21

HEX #C96F4E

RGB 201 111 78

HSL 16.1, 0.53%, 0.55%

LAB 56.42, 32.55, 33.85

 

CMYK 0 / 45 / 62 / 1

HEX #FC8B61

RGB 252 139 97

HSL 16.26, 0.96%, 0.68%

LAB 69.49, 39.24, 41.16

 

CMYK 0 / 44 / 60 / 81

HEX #301B13

RGB 48 27 19

HSL 16.55, 0.43%, 0.13%

LAB 12.35, 9.3, 9.75

 

CMYK 0 / 44 / 62 / 61

HEX #633726

RGB 99 55 38

HSL 16.72, 0.45%, 0.27%

LAB 28.18, 17.76, 19.04

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 29 / 0 / 61 / 41

HEX #6B963A

RGB 107 150 58

HSL 88.04, 0.44%, 0.41%

LAB 57.31, -30.29, 42.84

 

CMYK 61 / 53 / 0 / 41

HEX #3A4696

RGB 58 70 150

HSL 232.17, 0.44%, 0.41%

LAB 32.88, 20.86, -45.58

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 61 / 0 / 45 / 41

HEX #3A9653

RGB 58 150 83

HSL 136.3, 0.44%, 0.41%

LAB 55.42, -42.45, 27.41

 

CMYK 45 / 61 / 0 / 41

HEX #533A96

RGB 83 58 150

HSL 256.3, 0.44%, 0.41%

LAB 31.96, 33.84, -46.96

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 29 / 0 / 61 / 41

HEX #6B963A

RGB 107 150 58

HSL 88.04, 0.44%, 0.41%

LAB 57.31, -30.29, 42.84

 

CMYK 61 / 16 / 0 / 41

HEX #3A7E96

RGB 58 126 150

HSL 195.65, 0.44%, 0.41%

LAB 49.52, -13.98, -19.38

 

CMYK 33 / 61 / 0 / 41

HEX #653A96

RGB 101 58 150

HSL 268.04, 0.44%, 0.41%

LAB 33.97, 38.09, -43.61

 

CMYK 0 / 45 / 61 / 41

HEX #96533A

RGB 150 83 58

HSL 16.3, 0.44%, 0.41%

LAB 42.73, 25.42, 26.69

 

CMYK 47 / 0 / 61 / 41

HEX #50963A

RGB 80 150 58

HSL 105.65, 0.44%, 0.41%

LAB 55.91, -39.89, 40.88

 

CMYK 61 / 16 / 0 / 41

HEX #3A7E96

RGB 58 126 150

HSL 195.65, 0.44%, 0.41%

LAB 49.52, -13.98, -19.38

 

CMYK 14 / 61 / 0 / 41

HEX #813A96

RGB 129 58 150

HSL 286.3, 0.44%, 0.41%

LAB 37.65, 45.22, -37.52

 

Description

Color code: HEX #96533A | qconv.com Color code: HEX #96533A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 83 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 83 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 61 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 61% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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