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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96524E it is the complementary color #69ADB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96524E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #96524E: #9B5249, #AC645C, #BD766F, #CE8882 and #DF9A95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96524E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #96524E: #96524E, #85403B, #742E28, #631C15 and #520A02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

Complementary color

CMYK 41 / 2 / 0 / 31

HEX #69ADB1

RGB 105 173 177

HSL 183.33, 0.32%, 0.55%

LAB 66.57, -20.44, -8.84

 

CMYK 0 / 47 / 53 / 39

HEX #9B5249

RGB 155 82 73

HSL 6.59, 0.36%, 0.45%

LAB 43.48, 29.33, 18.89

 

CMYK 0 / 42 / 47 / 33

HEX #AC645C

RGB 172 100 92

HSL 6, 0.33%, 0.52%

LAB 50.28, 28.12, 17.11

 

CMYK 0 / 38 / 41 / 26

HEX #BD766F

RGB 189 118 111

HSL 5.38, 0.37%, 0.59%

LAB 57, 27.03, 15.59

 

CMYK 0 / 34 / 37 / 19

HEX #CE8882

RGB 206 136 130

HSL 4.74, 0.44%, 0.66%

LAB 63.62, 26.06, 14.26

 

CMYK 0 / 31 / 33 / 13

HEX #DF9A95

RGB 223 154 149

HSL 4.05, 0.54%, 0.73%

LAB 70.15, 25.18, 13.07

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 0 / 52 / 56 / 48

HEX #85403B

RGB 133 64 59

HSL 4.05, 0.39%, 0.38%

LAB 35.92, 29.06, 16.87

 

CMYK 0 / 60 / 66 / 55

HEX #742E28

RGB 116 46 40

HSL 4.74, 0.49%, 0.31%

LAB 28.95, 30.37, 19.33

 

CMYK 0 / 72 / 79 / 61

HEX #631C15

RGB 99 28 21

HSL 5.38, 0.65%, 0.24%

LAB 22.08, 31.54, 22.52

 

CMYK 0 / 88 / 98 / 68

HEX #520A02

RGB 82 10 2

HSL 6, 0.95%, 0.16%

LAB 15.57, 31.84, 23.17

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 0 / 38 / 48 / 41

HEX #975D4E

RGB 151 93 78

HSL 12.33, 0.32%, 0.45%

LAB 45.58, 21.99, 18.58

 

CMYK 0 / 30 / 48 / 41

HEX #976A4E

RGB 151 106 78

HSL 23.01, 0.32%, 0.45%

LAB 48.81, 14.5, 22.85

 

CMYK 0 / 22 / 48 / 41

HEX #97764E

RGB 151 118 78

HSL 32.88, 0.32%, 0.45%

LAB 51.93, 7.6, 26.9

 

CMYK 0 / 14 / 48 / 41

HEX #97824E

RGB 151 130 78

HSL 42.74, 0.32%, 0.45%

LAB 55.17, 0.79, 30.99

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 0 / 45 / 48 / 21

HEX #C96E69

RGB 201 110 105

HSL 3.13, 0.47%, 0.6%

LAB 56.67, 35.36, 18.86

 

CMYK 0 / 45 / 48 / 1

HEX #FC8A83

RGB 252 138 131

HSL 3.47, 0.95%, 0.75%

LAB 69.83, 42.43, 23.15

 

CMYK 0 / 46 / 48 / 81

HEX #301A19

RGB 48 26 25

HSL 2.61, 0.32%, 0.14%

LAB 12.2, 10.81, 5.34

 

CMYK 0 / 45 / 48 / 61

HEX #633633

RGB 99 54 51

HSL 3.75, 0.32%, 0.29%

LAB 28.19, 19.71, 10.68

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 12 / 0 / 48 / 41

HEX #85974E

RGB 133 151 78

HSL 74.79, 0.32%, 0.45%

LAB 59.59, -18.29, 36.11

 

CMYK 48 / 32 / 0 / 41

HEX #4E6797

RGB 78 103 151

HSL 219.45, 0.32%, 0.45%

LAB 43.59, 4.54, -29.09

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 48 / 0 / 46 / 41

HEX #4E9751

RGB 78 151 81

HSL 122.47, 0.32%, 0.45%

LAB 56.43, -37.91, 29.92

 

CMYK 46 / 48 / 0 / 41

HEX #514E97

RGB 81 78 151

HSL 242.47, 0.32%, 0.45%

LAB 36.8, 21.15, -39.79

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 12 / 0 / 48 / 41

HEX #85974E

RGB 133 151 78

HSL 74.79, 0.32%, 0.45%

LAB 59.59, -18.29, 36.11

 

CMYK 48 / 3 / 0 / 41

HEX #4E9397

RGB 78 147 151

HSL 183.29, 0.32%, 0.45%

LAB 56.8, -20.63, -8.87

 

CMYK 36 / 48 / 0 / 41

HEX #604E97

RGB 96 78 151

HSL 254.79, 0.32%, 0.45%

LAB 38.15, 25.11, -37.58

 

CMYK 0 / 45 / 48 / 41

HEX #96524E

RGB 150 82 78

HSL 3.33, 0.32%, 0.45%

LAB 42.87, 27.81, 14.91

 

CMYK 26 / 0 / 48 / 41

HEX #6F974E

RGB 111 151 78

HSL 92.88, 0.32%, 0.45%

LAB 58.1, -27.04, 33.94

 

CMYK 48 / 3 / 0 / 41

HEX #4E9397

RGB 78 147 151

HSL 183.29, 0.32%, 0.45%

LAB 56.8, -20.63, -8.87

 

CMYK 22 / 48 / 0 / 41

HEX #764E97

RGB 118 78 151

HSL 272.88, 0.32%, 0.45%

LAB 40.47, 31.42, -33.75

 

Description

Color code: HEX #96524E | qconv.com Color code: HEX #96524E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 82 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 82 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 48 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 48% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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