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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963663 it is the complementary color #69C99C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963663. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963663 shade: #9B365E, #AC4871, #BD5A84, #CE6C97 and #DF7EAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963663. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963663 shade: #963663, #852450, #74123D, #63002A and #520017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963663 shade: #963663, #963649 and #963636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963663 shade: #963663, #96367D, #953696, #7B3696 and #613696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963663 shade matches the following richer shades: #963663, #A62662, #B71561 and #C70560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963663 shade: #963663, #854764, #755765, #646866 and #547867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963663 shade: #943696, #96367E, #963664, #96364B and #963B36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963663 shade: #59203B, #782B4F, #963663, #B44177 and #C45B8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963663 shade: #963663, #967B36 and #368B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963663 shade: #963663, #649636 and #366496

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963663 shade: #963663, #967B36, #369668 and #365196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963663 shade: #963663, #949636, #369668 and #383696

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

Complementary color

CMYK 48 / 0 / 22 / 21

HEX #69C99C

RGB 105 201 156

HSL 151.88, 0.47%, 0.6%

LAB 74.3, -38.84, 13.86

 

CMYK 0 / 65 / 39 / 39

HEX #9B365E

RGB 155 54 94

HSL 336.24, 0.48%, 0.41%

LAB 38.58, 45.67, -1.02

 

CMYK 0 / 58 / 34 / 33

HEX #AC4871

RGB 172 72 113

HSL 335.4, 0.41%, 0.48%

LAB 45.08, 45.17, -2.94

 

CMYK 0 / 52 / 30 / 26

HEX #BD5A84

RGB 189 90 132

HSL 334.55, 0.43%, 0.55%

LAB 51.61, 44.45, -4.47

 

CMYK 0 / 48 / 27 / 19

HEX #CE6C97

RGB 206 108 151

HSL 333.67, 0.5%, 0.62%

LAB 58.11, 43.65, -5.73

 

CMYK 0 / 43 / 24 / 13

HEX #DF7EAA

RGB 223 126 170

HSL 332.78, 0.6%, 0.68%

LAB 64.57, 42.83, -6.81

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 73 / 40 / 48

HEX #852450

RGB 133 36 80

HSL 332.78, 0.57%, 0.33%

LAB 31.41, 44.73, -3.02

 

CMYK 0 / 84 / 47 / 55

HEX #74123D

RGB 116 18 61

HSL 333.67, 0.73%, 0.26%

LAB 25.21, 43.87, 0.18

 

CMYK 0 / 100 / 58 / 61

HEX #63002A

RGB 99 0 42

HSL 334.55, 1%, 0.19%

LAB 19.31, 41.95, 4.48

 

CMYK 0 / 100 / 72 / 68

HEX #520017

RGB 82 0 23

HSL 343.17, 1%, 0.16%

LAB 14.71, 36.07, 11.39

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 64 / 51 / 41

HEX #963649

RGB 150 54 73

HSL 348.13, 0.47%, 0.4%

LAB 37.12, 41.83, 10.11

 

CMYK 0 / 64 / 64 / 41

HEX #963636

RGB 150 54 54

HSL 0, 0.47%, 0.4%

LAB 36.72, 40.3, 21.57

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 64 / 17 / 41

HEX #96367D

RGB 150 54 125

HSL 315.63, 0.47%, 0.4%

LAB 38.9, 48.33, -20.01

 

CMYK 1 / 64 / 0 / 41

HEX #953696

RGB 149 54 150

HSL 299.38, 0.47%, 0.4%

LAB 39.97, 52.24, -33.66

 

CMYK 18 / 64 / 0 / 41

HEX #7B3696

RGB 123 54 150

HSL 283.13, 0.47%, 0.4%

LAB 36.08, 45.66, -40.07

 

CMYK 35 / 64 / 0 / 41

HEX #613696

RGB 97 54 150

HSL 266.88, 0.47%, 0.4%

LAB 32.66, 39.36, -45.75

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 77 / 41 / 35

HEX #A62662

RGB 166 38 98

HSL 331.88, 0.63%, 0.4%

LAB 38.51, 55.46, -3.42

 

CMYK 0 / 89 / 47 / 28

HEX #B71561

RGB 183 21 97

HSL 331.85, 0.79%, 0.4%

LAB 40.36, 63.87, 0.31

 

CMYK 0 / 97 / 52 / 22

HEX #C70560

RGB 199 5 96

HSL 331.86, 0.95%, 0.4%

LAB 42.91, 69.49, 5.04

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 47 / 25 / 48

HEX #854764

RGB 133 71 100

HSL 331.94, 0.3%, 0.4%

LAB 38.57, 30.24, -5.18

 

CMYK 0 / 26 / 14 / 54

HEX #755765

RGB 117 87 101

HSL 332, 0.15%, 0.4%

LAB 40.47, 14.82, -3.22

 

CMYK 4 / 0 / 2 / 59

HEX #646866

RGB 100 104 102

HSL 150, 0.02%, 0.4%

LAB 43.61, -1.96, 0.58

 

CMYK 30 / 0 / 14 / 53

HEX #547867

RGB 84 120 103

HSL 151.67, 0.18%, 0.4%

LAB 47.36, -16.69, 5.26

HEX #547867

CMYK 1 / 64 / 0 / 41

HEX #943696

RGB 148 54 150

HSL 298.75, 0.47%, 0.4%

LAB 39.81, 51.99, -33.92

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 64 / 33 / 41

HEX #963664

RGB 150 54 100

HSL 331.25, 0.47%, 0.4%

LAB 37.92, 44.8, -5.87

 

CMYK 0 / 64 / 50 / 41

HEX #96364B

RGB 150 54 75

HSL 346.88, 0.47%, 0.4%

LAB 37.17, 42.02, 8.91

 

CMYK 0 / 61 / 64 / 41

HEX #963B36

RGB 150 59 54

HSL 3.13, 0.47%, 0.4%

LAB 37.62, 37.91, 22.71

 

CMYK 0 / 64 / 34 / 65

HEX #59203B

RGB 89 32 59

HSL 331.58, 0.47%, 0.24%

LAB 21.85, 29.39, -4.01

 

CMYK 0 / 64 / 34 / 53

HEX #782B4F

RGB 120 43 79

HSL 331.95, 0.47%, 0.32%

LAB 30.12, 37.41, -4.53

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 64 / 34 / 29

HEX #B44177

RGB 180 65 119

HSL 331.83, 0.47%, 0.48%

LAB 45.38, 51.64, -6.02

 

CMYK 0 / 54 / 29 / 23

HEX #C45B8C

RGB 196 91 140

HSL 332, 0.47%, 0.56%

LAB 53.07, 47.34, -6.93

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 18 / 64 / 41

HEX #967B36

RGB 150 123 54

HSL 43.13, 0.47%, 0.4%

LAB 52.86, 2.2, 40.73

 

CMYK 64 / 7 / 0 / 41

HEX #368B96

RGB 54 139 150

HSL 186.88, 0.47%, 0.4%

LAB 53.44, -21.75, -13.44

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 33 / 0 / 64 / 41

HEX #649636

RGB 100 150 54

HSL 91.25, 0.47%, 0.4%

LAB 56.87, -33.33, 44.06

 

CMYK 64 / 33 / 0 / 41

HEX #366496

RGB 54 100 150

HSL 211.25, 0.47%, 0.4%

LAB 41.38, 0.59, -32.05

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 0 / 18 / 64 / 41

HEX #967B36

RGB 150 123 54

HSL 43.13, 0.47%, 0.4%

LAB 52.86, 2.2, 40.73

 

CMYK 64 / 0 / 31 / 41

HEX #369668

RGB 54 150 104

HSL 151.25, 0.47%, 0.4%

LAB 55.68, -39.21, 16.18

 

CMYK 64 / 46 / 0 / 41

HEX #365196

RGB 54 81 150

HSL 223.13, 0.47%, 0.4%

LAB 35.73, 12.8, -41

 

CMYK 0 / 64 / 34 / 41

HEX #963663

RGB 150 54 99

HSL 331.88, 0.47%, 0.4%

LAB 37.88, 44.67, -5.29

 

CMYK 1 / 0 / 64 / 41

HEX #949636

RGB 148 150 54

HSL 61.25, 0.47%, 0.4%

LAB 60.23, -13.48, 48.67

 

CMYK 64 / 0 / 31 / 41

HEX #369668

RGB 54 150 104

HSL 151.25, 0.47%, 0.4%

LAB 55.68, -39.21, 16.18

 

CMYK 63 / 64 / 0 / 41

HEX #383696

RGB 56 54 150

HSL 241.25, 0.47%, 0.4%

LAB 28.59, 30.99, -52.54

 

Description

Color code: HEX #963663 | qconv.com Color code: HEX #963663 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 54 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 54 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 34 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 34% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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