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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96367E it is the complementary color #69C981. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96367E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96367E shade: #9B3679, #AC488C, #BD5A9F, #CE6CB2 and #DF7EC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96367E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96367E shade: #96367E, #85246B, #741258, #630045 and #520032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96367E shade: #96367E, #963664, #96364A and #963636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96367E shade: #96367E, #943696, #7A3696, #603696 and #463696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96367E shade matches the following richer shades: #96367E, #A62686, #B7158E and #C70597

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96367E shade: #96367E, #854776, #75576D, #646865 and #54785D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96367E shade: #7B3696, #943696, #96367E, #963664 and #96364B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96367E shade: #59204B, #782B64, #96367E, #B44197 and #C45BAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96367E shade: #96367E, #966136 and #369688

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96367E shade: #96367E, #7E9636 and #367E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96367E shade: #96367E, #966136, #36964E and #366B96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96367E shade: #96367E, #967E36, #36964E and #364E96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

Complementary color

CMYK 48 / 0 / 36 / 21

HEX #69C981

RGB 105 201 129

HSL 135, 0.47%, 0.6%

LAB 73.78, -44.01, 27.46

 

CMYK 0 / 65 / 22 / 39

HEX #9B3679

RGB 155 54 121

HSL 320.2, 0.48%, 0.41%

LAB 39.56, 49.18, -16.45

 

CMYK 0 / 58 / 19 / 33

HEX #AC488C

RGB 172 72 140

HSL 319.2, 0.41%, 0.48%

LAB 46.04, 48.89, -17.9

 

CMYK 0 / 52 / 16 / 26

HEX #BD5A9F

RGB 189 90 159

HSL 318.18, 0.43%, 0.55%

LAB 52.55, 48.34, -19.02

 

CMYK 0 / 48 / 14 / 19

HEX #CE6CB2

RGB 206 108 178

HSL 317.14, 0.5%, 0.62%

LAB 59.03, 47.67, -19.94

 

CMYK 0 / 43 / 12 / 13

HEX #DF7EC5

RGB 223 126 197

HSL 316.08, 0.6%, 0.68%

LAB 65.47, 46.93, -20.71

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 73 / 20 / 48

HEX #85246B

RGB 133 36 107

HSL 316.08, 0.57%, 0.33%

LAB 32.5, 48.27, -18.83

 

CMYK 0 / 84 / 24 / 55

HEX #741258

RGB 116 18 88

HSL 317.14, 0.73%, 0.26%

LAB 26.3, 47.06, -16.34

 

CMYK 0 / 100 / 30 / 61

HEX #630045

RGB 99 0 69

HSL 318.18, 1%, 0.19%

LAB 20.37, 44.72, -12.96

 

CMYK 0 / 100 / 39 / 68

HEX #520032

RGB 82 0 50

HSL 323.41, 1%, 0.16%

LAB 15.61, 38.45, -7.18

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 64 / 33 / 41

HEX #963664

RGB 150 54 100

HSL 331.25, 0.47%, 0.4%

LAB 37.92, 44.8, -5.87

 

CMYK 0 / 64 / 51 / 41

HEX #96364A

RGB 150 54 74

HSL 347.5, 0.47%, 0.4%

LAB 37.15, 41.92, 9.51

 

CMYK 0 / 64 / 64 / 41

HEX #963636

RGB 150 54 54

HSL 0, 0.47%, 0.4%

LAB 36.72, 40.3, 21.57

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 1 / 64 / 0 / 41

HEX #943696

RGB 148 54 150

HSL 298.75, 0.47%, 0.4%

LAB 39.81, 51.99, -33.92

 

CMYK 19 / 64 / 0 / 41

HEX #7A3696

RGB 122 54 150

HSL 282.5, 0.47%, 0.4%

LAB 35.94, 45.41, -40.3

 

CMYK 36 / 64 / 0 / 41

HEX #603696

RGB 96 54 150

HSL 266.25, 0.47%, 0.4%

LAB 32.54, 39.13, -45.95

 

CMYK 53 / 64 / 0 / 41

HEX #463696

RGB 70 54 150

HSL 250, 0.47%, 0.4%

LAB 29.77, 33.53, -50.57

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 77 / 19 / 35

HEX #A62686

RGB 166 38 134

HSL 315, 0.63%, 0.4%

LAB 39.94, 59.81, -23.74

 

CMYK 0 / 89 / 22 / 28

HEX #B7158E

RGB 183 21 142

HSL 315.19, 0.79%, 0.4%

LAB 42.09, 68.61, -25.05

 

CMYK 0 / 97 / 24 / 22

HEX #C70597

RGB 199 5 151

HSL 314.85, 0.95%, 0.4%

LAB 44.92, 74.76, -25.88

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 47 / 11 / 48

HEX #854776

RGB 133 71 118

HSL 314.52, 0.3%, 0.4%

LAB 39.24, 33.26, -15.37

 

CMYK 0 / 26 / 7 / 54

HEX #75576D

RGB 117 87 109

HSL 316, 0.15%, 0.4%

LAB 40.74, 16.34, -7.75

 

CMYK 4 / 0 / 3 / 59

HEX #646865

RGB 100 104 101

HSL 135, 0.02%, 0.4%

LAB 43.58, -2.17, 1.14

 

CMYK 30 / 0 / 23 / 53

HEX #54785D

RGB 84 120 93

HSL 135, 0.18%, 0.4%

LAB 47.12, -18.81, 10.81

 

CMYK 18 / 64 / 0 / 41

HEX #7B3696

RGB 123 54 150

HSL 283.13, 0.47%, 0.4%

LAB 36.08, 45.66, -40.07

 

CMYK 1 / 64 / 0 / 41

HEX #943696

RGB 148 54 150

HSL 298.75, 0.47%, 0.4%

LAB 39.81, 51.99, -33.92

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 64 / 33 / 41

HEX #963664

RGB 150 54 100

HSL 331.25, 0.47%, 0.4%

LAB 37.92, 44.8, -5.87

 

CMYK 0 / 64 / 50 / 41

HEX #96364B

RGB 150 54 75

HSL 346.88, 0.47%, 0.4%

LAB 37.17, 42.02, 8.91

 

CMYK 0 / 64 / 16 / 65

HEX #59204B

RGB 89 32 75

HSL 314.74, 0.47%, 0.24%

LAB 22.53, 31.96, -13.89

 

CMYK 0 / 64 / 17 / 53

HEX #782B64

RGB 120 43 100

HSL 315.58, 0.47%, 0.32%

LAB 30.98, 40.52, -16.89

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 64 / 16 / 29

HEX #B44197

RGB 180 65 151

HSL 315.13, 0.47%, 0.48%

LAB 46.6, 55.97, -23.53

 

CMYK 0 / 54 / 13 / 23

HEX #C45BAA

RGB 196 91 170

HSL 314.86, 0.47%, 0.56%

LAB 54.15, 51.72, -22.9

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 35 / 64 / 41

HEX #966136

RGB 150 97 54

HSL 26.88, 0.47%, 0.4%

LAB 46.04, 17.12, 32.95

 

CMYK 64 / 0 / 9 / 41

HEX #369688

RGB 54 150 136

HSL 171.25, 0.47%, 0.4%

LAB 56.46, -31.33, -0.89

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 16 / 0 / 64 / 41

HEX #7E9636

RGB 126 150 54

HSL 75, 0.47%, 0.4%

LAB 58.52, -22.95, 46.34

 

CMYK 64 / 16 / 0 / 41

HEX #367E96

RGB 54 126 150

HSL 195, 0.47%, 0.4%

LAB 49.38, -14.74, -19.61

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 35 / 64 / 41

HEX #966136

RGB 150 97 54

HSL 26.88, 0.47%, 0.4%

LAB 46.04, 17.12, 32.95

 

CMYK 64 / 0 / 48 / 41

HEX #36964E

RGB 54 150 78

HSL 135, 0.47%, 0.4%

LAB 55.22, -44.18, 29.8

 

CMYK 64 / 29 / 0 / 41

HEX #366B96

RGB 54 107 150

HSL 206.88, 0.47%, 0.4%

LAB 43.51, -3.71, -28.7

 

CMYK 0 / 64 / 16 / 41

HEX #96367E

RGB 150 54 126

HSL 315, 0.47%, 0.4%

LAB 38.95, 48.48, -20.56

 

CMYK 0 / 16 / 64 / 41

HEX #967E36

RGB 150 126 54

HSL 45, 0.47%, 0.4%

LAB 53.68, 0.51, 41.64

 

CMYK 64 / 0 / 48 / 41

HEX #36964E

RGB 54 150 78

HSL 135, 0.47%, 0.4%

LAB 55.22, -44.18, 29.8

 

CMYK 64 / 48 / 0 / 41

HEX #364E96

RGB 54 78 150

HSL 225, 0.47%, 0.4%

LAB 34.87, 14.78, -42.38

 

Description

Color code: HEX #96367E | qconv.com Color code: HEX #96367E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 54 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 54 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 16 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 16% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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