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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960BC5 it is the complementary color #69F43A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960BC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #960BC5: #9B0BC0, #AC1DD3, #BD2FE6, #CE41F9 and #DF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960BC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #960BC5: #960BC5, #8500B2, #74009F, #63008C and #520079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

Complementary color

CMYK 57 / 0 / 76 / 4

HEX #69F43A

RGB 105 244 58

HSL 104.84, 0.89%, 0.59%

LAB 86.01, -68.35, 72.41

 

CMYK 19 / 94 / 0 / 25

HEX #9B0BC0

RGB 155 11 192

HSL 287.73, 0.89%, 0.4%

LAB 39.6, 72.59, -59.23

 

CMYK 18 / 86 / 0 / 17

HEX #AC1DD3

RGB 172 29 211

HSL 287.14, 0.76%, 0.47%

LAB 44.73, 75.63, -61.82

 

CMYK 18 / 80 / 0 / 10

HEX #BD2FE6

RGB 189 47 230

HSL 286.56, 0.79%, 0.54%

LAB 50.17, 77.48, -63.73

 

CMYK 17 / 74 / 0 / 2

HEX #CE41F9

RGB 206 65 249

HSL 285.98, 0.94%, 0.62%

LAB 55.83, 78.48, -65.14

 

CMYK 13 / 67 / 0 / 0

HEX #DF53FF

RGB 223 83 255

HSL 288.84, 1%, 0.66%

LAB 60.86, 76.51, -60.25

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 25 / 100 / 0 / 30

HEX #8500B2

RGB 133 0 178

HSL 284.83, 1%, 0.35%

LAB 34.4, 68.34, -59.58

 

CMYK 27 / 100 / 0 / 38

HEX #74009F

RGB 116 0 159

HSL 283.77, 1%, 0.31%

LAB 29.95, 62.55, -55.51

 

CMYK 29 / 100 / 0 / 45

HEX #63008C

RGB 99 0 140

HSL 282.43, 1%, 0.27%

LAB 25.4, 56.64, -51.36

 

CMYK 32 / 100 / 0 / 53

HEX #520079

RGB 82 0 121

HSL 280.66, 1%, 0.24%

LAB 20.73, 50.58, -47.12

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 10 / 94 / 0 / 23

HEX #B20BC5

RGB 178 11 197

HSL 293.87, 0.89%, 0.41%

LAB 43.85, 76.91, -55.09

 

CMYK 0 / 94 / 6 / 23

HEX #C50BB9

RGB 197 11 185

HSL 303.87, 0.89%, 0.41%

LAB 46.46, 78.25, -43.7

 

CMYK 0 / 94 / 22 / 23

HEX #C50B9A

RGB 197 11 154

HSL 313.87, 0.89%, 0.41%

LAB 44.86, 74.19, -27.81

 

CMYK 0 / 94 / 38 / 23

HEX #C50B7B

RGB 197 11 123

HSL 323.87, 0.89%, 0.41%

LAB 43.57, 70.8, -10.88

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 24 / 94 / 0 / 3

HEX #BD0EF8

RGB 189 14 248

HSL 284.87, 0.94%, 0.51%

LAB 49.39, 86.78, -75.14

 

CMYK 23 / 95 / 0 / 83

HEX #22022C

RGB 34 2 44

HSL 285.71, 0.91%, 0.09%

LAB 5.11, 23.34, -19.93

 

CMYK 24 / 95 / 0 / 63

HEX #48055F

RGB 72 5 95

HSL 284.67, 0.9%, 0.2%

LAB 17.05, 42.27, -36.23

 

CMYK 24 / 95 / 0 / 43

HEX #6F0892

RGB 111 8 146

HSL 284.78, 0.9%, 0.3%

LAB 28.46, 58.03, -50.01

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 0 / 94 / 88 / 23

HEX #C50B17

RGB 197 11 23

HSL 356.13, 0.89%, 0.41%

LAB 41.49, 65.14, 46.95

 

CMYK 94 / 0 / 63 / 23

HEX #0BC549

RGB 11 197 73

HSL 140, 0.89%, 0.41%

LAB 69.81, -66.15, 49.49

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 0 / 25 / 94 / 23

HEX #C5930B

RGB 197 147 11

HSL 43.87, 0.89%, 0.41%

LAB 63.97, 8.57, 66.86

 

CMYK 94 / 0 / 25 / 23

HEX #0BC593

RGB 11 197 147

HSL 163.87, 0.89%, 0.41%

LAB 70.95, -52.84, 13.7

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 0 / 94 / 88 / 23

HEX #C50B17

RGB 197 11 23

HSL 356.13, 0.89%, 0.41%

LAB 41.49, 65.14, 46.95

 

CMYK 69 / 0 / 94 / 23

HEX #3DC50B

RGB 61 197 11

HSL 103.87, 0.89%, 0.41%

LAB 70.14, -64.53, 68.16

 

CMYK 94 / 0 / 6 / 23

HEX #0BC5B9

RGB 11 197 185

HSL 176.13, 0.89%, 0.41%

LAB 71.9, -42.8, -5.56

 

CMYK 24 / 94 / 0 / 23

HEX #960BC5

RGB 150 11 197

HSL 284.84, 0.89%, 0.41%

LAB 39.16, 72.78, -62.9

 

CMYK 0 / 73 / 94 / 23

HEX #C5360B

RGB 197 54 11

HSL 13.87, 0.89%, 0.41%

LAB 44.99, 54.92, 53.87

 

CMYK 69 / 0 / 94 / 23

HEX #3DC50B

RGB 61 197 11

HSL 103.87, 0.89%, 0.41%

LAB 70.14, -64.53, 68.16

 

CMYK 94 / 22 / 0 / 23

HEX #0B9AC5

RGB 11 154 197

HSL 193.87, 0.89%, 0.41%

LAB 59.17, -18.09, -31.52

 

Description

Color code: HEX #960BC5 | qconv.com Color code: HEX #960BC5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 11 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 11 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 94 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 94% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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