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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C812 it is the complementary color #6A37ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #95C812: #9AC80D, #ABDA20, #BCEC33, #CDFE46 and #DEFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #95C812: #95C812, #84B600, #73A400, #629200 and #518000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

Complementary color

CMYK 55 / 77 / 0 / 7

HEX #6A37ED

RGB 106 55 237

HSL 256.81, 0.83%, 0.57%

LAB 41.07, 63.73, -82.99

 

CMYK 23 / 0 / 94 / 22

HEX #9AC80D

RGB 154 200 13

HSL 74.76, 0.88%, 0.42%

LAB 74.96, -36.93, 73.44

 

CMYK 22 / 0 / 85 / 15

HEX #ABDA20

RGB 171 218 32

HSL 75.16, 0.74%, 0.49%

LAB 81.24, -37.91, 75.89

 

CMYK 20 / 0 / 78 / 7

HEX #BCEC33

RGB 188 236 51

HSL 75.57, 0.83%, 0.56%

LAB 87.45, -38.71, 77.13

 

CMYK 19 / 0 / 72 / 0

HEX #CDFE46

RGB 205 254 70

HSL 75.98, 0.99%, 0.64%

LAB 93.58, -39.35, 77.54

 

CMYK 13 / 0 / 65 / 0

HEX #DEFF59

RGB 222 255 89

HSL 71.93, 1%, 0.67%

LAB 95.06, -32.22, 72.68

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 27 / 0 / 100 / 29

HEX #84B600

RGB 132 182 0

HSL 76.48, 1%, 0.36%

LAB 68.29, -37.72, 69.12

 

CMYK 30 / 0 / 100 / 36

HEX #73A400

RGB 115 164 0

HSL 77.93, 1%, 0.32%

LAB 61.82, -36.34, 63.74

 

CMYK 33 / 0 / 100 / 43

HEX #629200

RGB 98 146 0

HSL 79.73, 1%, 0.29%

LAB 55.23, -34.95, 58.25

 

CMYK 37 / 0 / 100 / 50

HEX #518000

RGB 81 128 0

HSL 82.03, 1%, 0.25%

LAB 48.5, -33.51, 52.65

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 40 / 0 / 91 / 22

HEX #79C812

RGB 121 200 18

HSL 86.04, 0.83%, 0.43%

LAB 73.17, -49.09, 70.57

 

CMYK 55 / 0 / 91 / 22

HEX #5BC812

RGB 91 200 18

HSL 95.93, 0.83%, 0.43%

LAB 71.94, -58.38, 69.06

 

CMYK 70 / 0 / 91 / 22

HEX #3DC812

RGB 61 200 18

HSL 105.82, 0.83%, 0.43%

LAB 71.11, -65.3, 68.02

 

CMYK 85 / 0 / 91 / 22

HEX #1EC812

RGB 30 200 18

HSL 116.04, 0.83%, 0.43%

LAB 70.61, -69.64, 67.41

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 25 / 0 / 91 / 2

HEX #BBFB17

RGB 187 251 23

HSL 76.84, 0.97%, 0.54%

LAB 91.51, -46.4, 86.2

 

CMYK 26 / 0 / 91 / 82

HEX #232F04

RGB 35 47 4

HSL 76.74, 0.84%, 0.1%

LAB 17.46, -12.64, 23.14

 

CMYK 26 / 0 / 91 / 62

HEX #496209

RGB 73 98 9

HSL 76.85, 0.83%, 0.21%

LAB 38.15, -22.19, 42

 

CMYK 26 / 0 / 91 / 42

HEX #6F950D

RGB 111 149 13

HSL 76.76, 0.84%, 0.32%

LAB 56.98, -30.8, 57.87

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 91 / 0 / 49 / 22

HEX #12C867

RGB 18 200 103

HSL 148.02, 0.83%, 0.43%

LAB 71.16, -62.52, 36.98

 

CMYK 12 / 91 / 0 / 22

HEX #B012C8

RGB 176 18 200

HSL 292.09, 0.83%, 0.43%

LAB 43.99, 76.25, -56.62

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 91 / 24 / 0 / 22

HEX #1298C8

RGB 18 152 200

HSL 195.82, 0.83%, 0.43%

LAB 58.75, -15.64, -33.86

 

CMYK 0 / 91 / 24 / 22

HEX #C81298

RGB 200 18 152

HSL 315.82, 0.83%, 0.43%

LAB 45.61, 73.77, -25.4

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 91 / 0 / 49 / 22

HEX #12C867

RGB 18 200 103

HSL 148.02, 0.83%, 0.43%

LAB 71.16, -62.52, 36.98

 

CMYK 67 / 91 / 0 / 22

HEX #4312C8

RGB 67 18 200

HSL 256.15, 0.83%, 0.43%

LAB 28.89, 63.83, -81.96

 

CMYK 0 / 91 / 43 / 22

HEX #C81273

RGB 200 18 115

HSL 328.02, 0.83%, 0.43%

LAB 44.16, 69.9, -4.98

 

CMYK 26 / 0 / 91 / 22

HEX #95C812

RGB 149 200 18

HSL 76.81, 0.83%, 0.43%

LAB 74.66, -38.8, 72.41

 

CMYK 91 / 0 / 21 / 22

HEX #12C89E

RGB 18 200 158

HSL 166.15, 0.83%, 0.43%

LAB 72.17, -51.03, 9.5

 

CMYK 67 / 91 / 0 / 22

HEX #4312C8

RGB 67 18 200

HSL 256.15, 0.83%, 0.43%

LAB 28.89, 63.83, -81.96

 

CMYK 0 / 91 / 70 / 22

HEX #C8123D

RGB 200 18 61

HSL 345.82, 0.83%, 0.43%

LAB 42.84, 66.23, 26.97

 

Description

Color code: HEX #95C812 | qconv.com Color code: HEX #95C812 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 200 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 200 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 91 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 91% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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