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Color name
HEX #95860F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95860F it is the complementary color #6A79F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95860F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95860F shade: #9A860A, #AB981D, #BCAA30, #CDBC43 and #DECE56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95860F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95860F shade: #95860F, #847400, #736200, #625000 and #513E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95860F shade: #95860F, #95610F, #953D0F, #95190F and #950F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95860F shade: #95860F, #7F950F, #5B950F, #37950F and #13950F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95860F shade matches the following richer shades: #95860F and #A29001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95860F shade: #95860F, #877B1C, #7A7129, #6D6736 and #605D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95860F shade: #953E0F, #95610F, #95850F, #80950F and #5D950F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95860F shade: #494207, #6F640B, #95860F, #BAA712 and #E0C916

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95860F shade: #95860F, #0F951A and #4F0F95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95860F shade: #95860F, #0F9585 and #850F95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95860F shade: #95860F, #0F951A, #0F1E95 and #950F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95860F shade: #95860F, #0F9542, #0F1E95 and #950F61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

Complementary color

CMYK 56 / 50 / 0 / 6

HEX #6A79F0

RGB 106 121 240

HSL 233.28, 0.82%, 0.68%

LAB 55.1, 28.22, -61.84

 

CMYK 0 / 13 / 94 / 40

HEX #9A860A

RGB 154 134 10

HSL 51.67, 0.88%, 0.32%

LAB 56.03, -3.91, 59.1

 

CMYK 0 / 11 / 83 / 33

HEX #AB981D

RGB 171 152 29

HSL 51.97, 0.71%, 0.39%

LAB 62.68, -5.47, 60.85

 

CMYK 0 / 10 / 74 / 26

HEX #BCAA30

RGB 188 170 48

HSL 52.29, 0.59%, 0.46%

LAB 69.22, -6.76, 61.22

 

CMYK 0 / 8 / 67 / 20

HEX #CDBC43

RGB 205 188 67

HSL 52.61, 0.58%, 0.53%

LAB 75.67, -7.83, 60.83

 

CMYK 0 / 7 / 61 / 13

HEX #DECE56

RGB 222 206 86

HSL 52.94, 0.67%, 0.6%

LAB 82.02, -8.72, 60.04

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 0 / 12 / 100 / 48

HEX #847400

RGB 132 116 0

HSL 52.73, 1%, 0.26%

LAB 48.76, -4.42, 54.6

 

CMYK 0 / 15 / 100 / 55

HEX #736200

RGB 115 98 0

HSL 51.13, 1%, 0.23%

LAB 41.81, -2.35, 48.86

 

CMYK 0 / 18 / 100 / 62

HEX #625000

RGB 98 80 0

HSL 48.98, 1%, 0.19%

LAB 34.67, -0.14, 42.95

 

CMYK 0 / 23 / 100 / 68

HEX #513E00

RGB 81 62 0

HSL 45.93, 1%, 0.16%

LAB 27.28, 2.22, 36.55

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 0 / 35 / 90 / 42

HEX #95610F

RGB 149 97 15

HSL 36.72, 0.82%, 0.32%

LAB 45.6, 14.85, 49.67

 

CMYK 0 / 59 / 90 / 42

HEX #953D0F

RGB 149 61 15

HSL 20.6, 0.82%, 0.32%

LAB 37.41, 34.77, 43.2

 

CMYK 0 / 83 / 90 / 42

HEX #95190F

RGB 149 25 15

HSL 4.48, 0.82%, 0.32%

LAB 32.08, 49.25, 39.01

 

CMYK 0 / 90 / 90 / 42

HEX #950F0F

RGB 149 15 15

HSL 0, 0.82%, 0.32%

LAB 31.27, 51.55, 38.38

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 15 / 0 / 90 / 42

HEX #7F950F

RGB 127 149 15

HSL 69.85, 0.82%, 0.32%

LAB 58.08, -23.97, 58.85

 

CMYK 39 / 0 / 90 / 42

HEX #5B950F

RGB 91 149 15

HSL 85.97, 0.82%, 0.32%

LAB 55.84, -38.57, 56.08

 

CMYK 63 / 0 / 90 / 42

HEX #37950F

RGB 55 149 15

HSL 102.09, 0.82%, 0.32%

LAB 54.39, -49.74, 54.27

 

CMYK 87 / 0 / 90 / 42

HEX #13950F

RGB 19 149 15

HSL 118.21, 0.82%, 0.32%

LAB 53.67, -55.9, 53.37

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 0 / 11 / 99 / 36

HEX #A29001

RGB 162 144 1

HSL 53.29, 0.99%, 0.32%

LAB 59.55, -5.82, 63.5

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 0 / 9 / 79 / 47

HEX #877B1C

RGB 135 123 28

HSL 53.27, 0.66%, 0.32%

LAB 51.15, -6.18, 49.67

 

CMYK 0 / 7 / 66 / 52

HEX #7A7129

RGB 122 113 41

HSL 53.33, 0.5%, 0.32%

LAB 47.12, -5.93, 39.92

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 0 / 3 / 30 / 62

HEX #605D43

RGB 96 93 67

HSL 53.79, 0.18%, 0.32%

LAB 39.11, -3.46, 15.41

 

CMYK 0 / 58 / 90 / 42

HEX #953E0F

RGB 149 62 15

HSL 21.04, 0.82%, 0.32%

LAB 37.61, 34.27, 43.35

 

CMYK 0 / 35 / 90 / 42

HEX #95610F

RGB 149 97 15

HSL 36.72, 0.82%, 0.32%

LAB 45.6, 14.85, 49.67

 

CMYK 0 / 11 / 90 / 42

HEX #95850F

RGB 149 133 15

HSL 52.84, 0.82%, 0.32%

LAB 55.28, -5.59, 57.36

 

CMYK 14 / 0 / 90 / 42

HEX #80950F

RGB 128 149 15

HSL 69.4, 0.82%, 0.32%

LAB 58.15, -23.53, 58.94

 

CMYK 38 / 0 / 90 / 42

HEX #5D950F

RGB 93 149 15

HSL 85.07, 0.82%, 0.32%

LAB 55.94, -37.83, 56.21

 

CMYK 0 / 10 / 90 / 71

HEX #494207

RGB 73 66 7

HSL 53.64, 0.83%, 0.16%

LAB 27.65, -4.18, 33.66

 

CMYK 0 / 10 / 90 / 56

HEX #6F640B

RGB 111 100 11

HSL 53.4, 0.82%, 0.24%

LAB 42.03, -5.19, 46.04

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 0 / 10 / 90 / 27

HEX #BAA712

RGB 186 167 18

HSL 53.21, 0.82%, 0.4%

LAB 68.11, -6.99, 68.37

 

CMYK 0 / 10 / 90 / 12

HEX #E0C916

RGB 224 201 22

HSL 53.17, 0.82%, 0.48%

LAB 80.56, -7.87, 78.84

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 90 / 0 / 83 / 42

HEX #0F951A

RGB 15 149 26

HSL 124.93, 0.82%, 0.32%

LAB 53.68, -55.7, 50.61

 

CMYK 47 / 90 / 0 / 42

HEX #4F0F95

RGB 79 15 149

HSL 268.66, 0.82%, 0.32%

LAB 24.24, 52.93, -58.97

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 90 / 0 / 11 / 42

HEX #0F9585

RGB 15 149 133

HSL 172.84, 0.82%, 0.32%

LAB 55.37, -36.36, -0.85

 

CMYK 11 / 90 / 0 / 42

HEX #850F95

RGB 133 15 149

HSL 292.84, 0.82%, 0.32%

LAB 32.92, 60.96, -44.46

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 90 / 0 / 83 / 42

HEX #0F951A

RGB 15 149 26

HSL 124.93, 0.82%, 0.32%

LAB 53.68, -55.7, 50.61

 

CMYK 90 / 80 / 0 / 42

HEX #0F1E95

RGB 15 30 149

HSL 233.28, 0.82%, 0.32%

LAB 20.83, 41.29, -64.78

 

CMYK 0 / 90 / 8 / 42

HEX #950F89

RGB 149 15 137

HSL 305.37, 0.82%, 0.32%

LAB 35.08, 61.99, -33.44

 

CMYK 0 / 10 / 90 / 42

HEX #95860F

RGB 149 134 15

HSL 53.28, 0.82%, 0.32%

LAB 55.56, -6.14, 57.58

 

CMYK 90 / 0 / 56 / 42

HEX #0F9542

RGB 15 149 66

HSL 142.84, 0.82%, 0.32%

LAB 54.02, -51.47, 34.34

 

CMYK 90 / 80 / 0 / 42

HEX #0F1E95

RGB 15 30 149

HSL 233.28, 0.82%, 0.32%

LAB 20.83, 41.29, -64.78

 

CMYK 0 / 90 / 35 / 42

HEX #950F61

RGB 149 15 97

HSL 323.28, 0.82%, 0.32%

LAB 33.12, 56.79, -11.19

 

Description

Color code: HEX #95860F | qconv.com Color code: HEX #95860F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 134 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 134 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 90 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 90% 42% C M Y K

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Provide designers and agencies with accurate color values.

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