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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 103 54 it is the complementary color RGB 146 152 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 103 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 103 54 shade: RGB 114 103 49, RGB 131 121 68, RGB 148 139 87, RGB 165 157 106 and RGB 182 175 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 103 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 92 85 35, RGB 75 67 16, RGB 58 49 0 and RGB 41 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 109 88 54, RGB 109 73 54, RGB 109 58 54 and RGB 109 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 100 109 54, RGB 85 109 54, RGB 71 109 54 and RGB 56 109 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 103 54 shade matches the following richer shades: RGB 109 103 54, RGB 123 114 41, RGB 136 124 27, RGB 149 134 14 and RGB 162 145 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 96 93 67, RGB 83 83 80, RGB 70 72 93 and RGB 57 62 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 103 54 shade: RGB 109 73 54, RGB 109 88 54, RGB 109 103 54, RGB 101 109 54 and RGB 86 109 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 103 54 shade: RGB 54 51 27, RGB 82 77 40, RGB 109 103 54, RGB 137 129 67 and RGB 165 156 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 54 109 58 and RGB 81 54 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 54 109 103 and RGB 103 54 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 54 109 58, RGB 54 60 109 and RGB 109 54 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 103 54 shade: RGB 109 103 54, RGB 54 109 75, RGB 54 60 109 and RGB 109 54 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

Complementary color

CMYK 27 / 24 / 0 / 21

HEX #9298C9

RGB 146 152 201

HSL 233.45, 0.34%, 0.68%

LAB 63.99, 8.86, -25.89

 

CMYK 0 / 10 / 57 / 55

HEX #726731

RGB 114 103 49

HSL 49.85, 0.4%, 0.32%

LAB 43.51, -3.29, 31.65

 

CMYK 0 / 8 / 48 / 49

HEX #837944

RGB 131 121 68

HSL 50.48, 0.32%, 0.39%

LAB 50.59, -3.99, 30.31

 

CMYK 0 / 6 / 41 / 42

HEX #948B57

RGB 148 139 87

HSL 51.15, 0.26%, 0.46%

LAB 57.51, -4.53, 29

 

CMYK 0 / 5 / 36 / 35

HEX #A59D6A

RGB 165 157 106

HSL 51.86, 0.25%, 0.53%

LAB 64.29, -4.96, 27.76

 

CMYK 0 / 4 / 31 / 29

HEX #B6AF7D

RGB 182 175 125

HSL 52.63, 0.28%, 0.6%

LAB 70.93, -5.31, 26.59

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 0 / 8 / 62 / 64

HEX #5C5523

RGB 92 85 35

HSL 52.63, 0.45%, 0.25%

LAB 35.78, -4.38, 29.64

 

CMYK 0 / 11 / 79 / 71

HEX #4B4310

RGB 75 67 16

HSL 51.86, 0.65%, 0.18%

LAB 28.24, -3.32, 30.6

 

CMYK 0 / 16 / 100 / 77

HEX #3A3100

RGB 58 49 0

HSL 50.69, 1%, 0.11%

LAB 20.42, -1.79, 28.81

 

CMYK 0 / 24 / 100 / 84

HEX #291F00

RGB 41 31 0

HSL 45.37, 1%, 0.08%

LAB 12.3, 0.73, 18.25

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 0 / 19 / 50 / 57

HEX #6D5836

RGB 109 88 54

HSL 37.09, 0.34%, 0.32%

LAB 38.72, 3.76, 22.89

 

CMYK 0 / 33 / 50 / 57

HEX #6D4936

RGB 109 73 54

HSL 20.73, 0.34%, 0.32%

LAB 34.56, 12.9, 17.55

 

CMYK 0 / 47 / 50 / 57

HEX #6D3A36

RGB 109 58 54

HSL 4.36, 0.34%, 0.32%

LAB 30.74, 21.98, 12.46

 

CMYK 0 / 50 / 50 / 57

HEX #6D3636

RGB 109 54 54

HSL 0, 0.34%, 0.32%

LAB 29.8, 24.33, 11.17

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 8 / 0 / 50 / 57

HEX #646D36

RGB 100 109 54

HSL 69.82, 0.34%, 0.32%

LAB 44.11, -12.58, 29.37

 

CMYK 22 / 0 / 50 / 57

HEX #556D36

RGB 85 109 54

HSL 86.18, 0.34%, 0.32%

LAB 42.97, -19.06, 27.71

 

CMYK 35 / 0 / 50 / 57

HEX #476D36

RGB 71 109 54

HSL 101.45, 0.34%, 0.32%

LAB 42.07, -24.67, 26.4

 

CMYK 49 / 0 / 50 / 57

HEX #386D36

RGB 56 109 54

HSL 117.82, 0.34%, 0.32%

LAB 41.29, -29.97, 25.26

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 0 / 7 / 67 / 52

HEX #7B7229

RGB 123 114 41

HSL 53.41, 0.5%, 0.32%

LAB 47.5, -6.02, 40.36

 

CMYK 0 / 9 / 80 / 47

HEX #887C1B

RGB 136 124 27

HSL 53.39, 0.67%, 0.32%

LAB 51.53, -6.31, 50.39

 

CMYK 0 / 10 / 91 / 42

HEX #95860E

RGB 149 134 14

HSL 53.33, 0.83%, 0.32%

LAB 55.55, -6.16, 57.79

 

CMYK 0 / 10 / 99 / 36

HEX #A29101

RGB 162 145 1

HSL 53.66, 0.99%, 0.32%

LAB 59.83, -6.36, 63.7

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 0 / 3 / 30 / 62

HEX #605D43

RGB 96 93 67

HSL 53.79, 0.18%, 0.32%

LAB 39.11, -3.46, 15.41

 

CMYK 0 / 0 / 4 / 67

HEX #535350

RGB 83 83 80

HSL 60, 0.02%, 0.32%

LAB 35.21, -0.63, 1.75

 

CMYK 25 / 23 / 0 / 64

HEX #46485D

RGB 70 72 93

HSL 234.78, 0.14%, 0.32%

LAB 31.18, 4.41, -12.63

 

CMYK 47 / 42 / 0 / 58

HEX #393E6B

RGB 57 62 107

HSL 234, 0.3%, 0.32%

LAB 27.78, 11.07, -26.95

 

CMYK 0 / 33 / 50 / 57

HEX #6D4936

RGB 109 73 54

HSL 20.73, 0.34%, 0.32%

LAB 34.56, 12.9, 17.55

 

CMYK 0 / 19 / 50 / 57

HEX #6D5836

RGB 109 88 54

HSL 37.09, 0.34%, 0.32%

LAB 38.72, 3.76, 22.89

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 7 / 0 / 50 / 57

HEX #656D36

RGB 101 109 54

HSL 68.73, 0.34%, 0.32%

LAB 44.19, -12.13, 29.49

 

CMYK 21 / 0 / 50 / 57

HEX #566D36

RGB 86 109 54

HSL 85.09, 0.34%, 0.32%

LAB 43.04, -18.64, 27.82

 

CMYK 0 / 6 / 50 / 79

HEX #36331B

RGB 54 51 27

HSL 53.33, 0.33%, 0.16%

LAB 20.95, -2.96, 15.68

 

CMYK 0 / 6 / 51 / 68

HEX #524D28

RGB 82 77 40

HSL 52.86, 0.34%, 0.24%

LAB 32.38, -3.89, 22.58

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 0 / 6 / 51 / 46

HEX #898143

RGB 137 129 67

HSL 53.14, 0.34%, 0.4%

LAB 53.41, -5.91, 34.42

 

CMYK 0 / 5 / 51 / 35

HEX #A59C51

RGB 165 156 81

HSL 53.57, 0.34%, 0.48%

LAB 63.65, -7.13, 40.09

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 50 / 0 / 47 / 57

HEX #366D3A

RGB 54 109 58

HSL 124.36, 0.34%, 0.32%

LAB 41.26, -29.96, 22.97

 

CMYK 26 / 50 / 0 / 57

HEX #51366D

RGB 81 54 109

HSL 269.45, 0.34%, 0.32%

LAB 28.09, 24.15, -27.58

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 50 / 0 / 6 / 57

HEX #366D67

RGB 54 109 103

HSL 173.45, 0.34%, 0.32%

LAB 42.31, -19.8, -2.27

 

CMYK 6 / 50 / 0 / 57

HEX #67366D

RGB 103 54 109

HSL 293.45, 0.34%, 0.32%

LAB 30.94, 31.11, -22.9

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 50 / 0 / 47 / 57

HEX #366D3A

RGB 54 109 58

HSL 124.36, 0.34%, 0.32%

LAB 41.26, -29.96, 22.97

 

CMYK 50 / 45 / 0 / 57

HEX #363C6D

RGB 54 60 109

HSL 233.45, 0.34%, 0.32%

LAB 27.07, 12.28, -29.36

 

CMYK 0 / 50 / 4 / 57

HEX #6D3669

RGB 109 54 105

HSL 304.36, 0.34%, 0.32%

LAB 31.6, 32.24, -19.26

 

CMYK 0 / 6 / 50 / 57

HEX #6D6736

RGB 109 103 54

HSL 53.45, 0.34%, 0.32%

LAB 43.09, -5.11, 28.32

 

CMYK 50 / 0 / 31 / 57

HEX #366D4B

RGB 54 109 75

HSL 142.91, 0.34%, 0.32%

LAB 41.58, -26.71, 13.52

 

CMYK 50 / 45 / 0 / 57

HEX #363C6D

RGB 54 60 109

HSL 233.45, 0.34%, 0.32%

LAB 27.07, 12.28, -29.36

 

CMYK 0 / 50 / 19 / 57

HEX #6D3658

RGB 109 54 88

HSL 322.91, 0.34%, 0.32%

LAB 30.86, 29.12, -9.47

 

Description

Color code: RGB 109 103 54 | qconv.com Color code: RGB 109 103 54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 103 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 103 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 50 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 50% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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