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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958045 it is the complementary color #6A7FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958045 shade: #9A8040, #AB9253, #BCA466, #CDB679 and #DEC88C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958045 shade: #958045, #846E32, #735C1F, #624A0C and #513800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958045 shade: #968045, #966B45, #965545 and #964545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958045 shade: #968045, #959645, #7F9645, #699645 and #539645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958045 shade matches the following richer shades: #968045, #A78933, #B99121 and #CB9A0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958045 shade: #968045, #847856, #727068, #60677A and #4F5F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958045 shade: #965545, #966A45, #968045, #969645 and #809645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958045 shade: #5D502B, #796838, #968045, #B09854 and #BDA970

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958045 shade: #958045, #4A9645 and #604596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958045 shade: #958045, #459680 and #804596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958045 shade: #958045, #4A9645, #455A96 and #904596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958045 shade: #958045, #459658, #455A96 and #964583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 54 / 42

HEX #958045

RGB 149 128 69

HSL 44.25, 0.37%, 0.43%

LAB 54.3, 0.16, 34.7

 

Complementary color

CMYK 43 / 32 / 0 / 27

HEX #6A7FBA

RGB 106 127 186

HSL 224.25, 0.37%, 0.57%

LAB 53.8, 7.96, -33.42

 

CMYK 0 / 17 / 58 / 40

HEX #9A8040

RGB 154 128 64

HSL 42.67, 0.41%, 0.43%

LAB 54.74, 1.95, 37.95

 

CMYK 0 / 15 / 51 / 33

HEX #AB9253

RGB 171 146 83

HSL 42.95, 0.35%, 0.5%

LAB 61.52, 1.07, 36.62

 

CMYK 0 / 13 / 46 / 26

HEX #BCA466

RGB 188 164 102

HSL 43.26, 0.39%, 0.57%

LAB 68.17, 0.34, 35.3

 

CMYK 0 / 11 / 41 / 20

HEX #CDB679

RGB 205 182 121

HSL 43.57, 0.46%, 0.64%

LAB 74.71, -0.26, 34.04

 

CMYK 0 / 10 / 37 / 13

HEX #DEC88C

RGB 222 200 140

HSL 43.9, 0.55%, 0.71%

LAB 81.14, -0.78, 32.85

 

CMYK 0 / 14 / 54 / 42

HEX #958045

RGB 149 128 69

HSL 44.25, 0.37%, 0.43%

LAB 54.3, 0.16, 34.7

 

CMYK 0 / 17 / 62 / 48

HEX #846E32

RGB 132 110 50

HSL 43.9, 0.45%, 0.36%

LAB 47.35, 1.09, 36.04

 

CMYK 0 / 20 / 73 / 55

HEX #735C1F

RGB 115 92 31

HSL 43.57, 0.58%, 0.29%

LAB 40.24, 2.3, 37.18

 

CMYK 0 / 24 / 88 / 62

HEX #624A0C

RGB 98 74 12

HSL 43.26, 0.78%, 0.22%

LAB 32.96, 3.9, 37.55

 

CMYK 0 / 31 / 100 / 68

HEX #513800

RGB 81 56 0

HSL 41.48, 1%, 0.16%

LAB 25.5, 6.05, 34.94

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 29 / 54 / 41

HEX #966B45

RGB 150 107 69

HSL 28.15, 0.37%, 0.43%

LAB 48.8, 12.59, 27.96

 

CMYK 0 / 43 / 54 / 41

HEX #965545

RGB 150 85 69

HSL 11.85, 0.37%, 0.43%

LAB 43.38, 25.23, 21.02

 

CMYK 0 / 54 / 54 / 41

HEX #964545

RGB 150 69 69

HSL 0, 0.37%, 0.43%

LAB 39.87, 34.01, 16.37

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 1 / 0 / 54 / 41

HEX #959645

RGB 149 150 69

HSL 60.74, 0.37%, 0.43%

LAB 60.46, -11.88, 41.97

 

CMYK 15 / 0 / 54 / 41

HEX #7F9645

RGB 127 150 69

HSL 77.04, 0.37%, 0.43%

LAB 58.75, -21.2, 39.54

 

CMYK 30 / 0 / 54 / 41

HEX #699645

RGB 105 150 69

HSL 93.33, 0.37%, 0.43%

LAB 57.31, -29.91, 37.5

 

CMYK 45 / 0 / 54 / 41

HEX #539645

RGB 83 150 69

HSL 109.63, 0.37%, 0.43%

LAB 56.17, -37.62, 35.85

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 18 / 69 / 35

HEX #A78933

RGB 167 137 51

HSL 44.48, 0.53%, 0.43%

LAB 58.36, 1.86, 48.58

 

CMYK 0 / 22 / 82 / 27

HEX #B99121

RGB 185 145 33

HSL 44.21, 0.7%, 0.43%

LAB 62.23, 4.76, 59.82

 

CMYK 0 / 24 / 93 / 20

HEX #CB9A0F

RGB 203 154 15

HSL 44.36, 0.86%, 0.43%

LAB 66.4, 7.5, 68.32

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 9 / 35 / 48

HEX #847856

RGB 132 120 86

HSL 44.35, 0.21%, 0.43%

LAB 50.7, -0.83, 20.38

 

CMYK 0 / 2 / 9 / 55

HEX #727068

RGB 114 112 104

HSL 48, 0.05%, 0.43%

LAB 47.19, -0.78, 4.71

 

CMYK 21 / 16 / 0 / 52

HEX #60677A

RGB 96 103 122

HSL 223.85, 0.12%, 0.43%

LAB 43.64, 1.76, -11.5

 

CMYK 44 / 32 / 0 / 45

HEX #4F5F8C

RGB 79 95 140

HSL 224.26, 0.28%, 0.43%

LAB 40.8, 6.35, -26.85

 

CMYK 0 / 43 / 54 / 41

HEX #965545

RGB 150 85 69

HSL 11.85, 0.37%, 0.43%

LAB 43.38, 25.23, 21.02

 

CMYK 0 / 29 / 54 / 41

HEX #966A45

RGB 150 106 69

HSL 27.41, 0.37%, 0.43%

LAB 48.54, 13.17, 27.63

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 0 / 54 / 41

HEX #969645

RGB 150 150 69

HSL 60, 0.37%, 0.43%

LAB 60.54, -11.45, 42.09

 

CMYK 15 / 0 / 54 / 41

HEX #809645

RGB 128 150 69

HSL 76.3, 0.37%, 0.43%

LAB 58.82, -20.78, 39.65

 

CMYK 0 / 14 / 54 / 64

HEX #5D502B

RGB 93 80 43

HSL 44.4, 0.37%, 0.27%

LAB 34.48, -0.11, 23.66

 

CMYK 0 / 14 / 54 / 53

HEX #796838

RGB 121 104 56

HSL 44.31, 0.37%, 0.35%

LAB 44.59, 0.03, 29.31

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 14 / 52 / 31

HEX #B09854

RGB 176 152 84

HSL 44.35, 0.37%, 0.51%

LAB 63.61, 0.03, 38.76

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 14 / 54 / 42

HEX #958045

RGB 149 128 69

HSL 44.25, 0.37%, 0.43%

LAB 54.3, 0.16, 34.7

 

CMYK 51 / 0 / 54 / 41

HEX #4A9645

RGB 74 150 69

HSL 116.3, 0.37%, 0.43%

LAB 55.78, -40.39, 35.3

 

CMYK 36 / 54 / 0 / 41

HEX #604596

RGB 96 69 150

HSL 260, 0.37%, 0.43%

LAB 35.88, 30.36, -40.59

 

CMYK 0 / 14 / 54 / 42

HEX #958045

RGB 149 128 69

HSL 44.25, 0.37%, 0.43%

LAB 54.3, 0.16, 34.7

 

CMYK 54 / 0 / 15 / 41

HEX #459680

RGB 69 150 128

HSL 163.7, 0.37%, 0.43%

LAB 56.72, -30.32, 4.12

 

CMYK 15 / 54 / 0 / 41

HEX #804596

RGB 128 69 150

HSL 283.7, 0.37%, 0.43%

LAB 39.66, 39.21, -34.34

 

CMYK 0 / 14 / 54 / 42

HEX #958045

RGB 149 128 69

HSL 44.25, 0.37%, 0.43%

LAB 54.3, 0.16, 34.7

 

CMYK 51 / 0 / 54 / 41

HEX #4A9645

RGB 74 150 69

HSL 116.3, 0.37%, 0.43%

LAB 55.78, -40.39, 35.3

 

CMYK 54 / 40 / 0 / 41

HEX #455A96

RGB 69 90 150

HSL 224.44, 0.37%, 0.43%

LAB 39.21, 10.16, -35.42

 

CMYK 4 / 54 / 0 / 41

HEX #904596

RGB 144 69 150

HSL 295.56, 0.37%, 0.43%

LAB 41.83, 43.8, -30.78

 

CMYK 0 / 14 / 54 / 42

HEX #958045

RGB 149 128 69

HSL 44.25, 0.37%, 0.43%

LAB 54.3, 0.16, 34.7

 

CMYK 54 / 0 / 41 / 41

HEX #459658

RGB 69 150 88

HSL 134.07, 0.37%, 0.43%

LAB 55.87, -38.85, 25.36

 

CMYK 54 / 40 / 0 / 41

HEX #455A96

RGB 69 90 150

HSL 224.44, 0.37%, 0.43%

LAB 39.21, 10.16, -35.42

 

CMYK 0 / 54 / 13 / 41

HEX #964583

RGB 150 69 131

HSL 314.07, 0.37%, 0.43%

LAB 41.81, 42.15, -19.21

 

Description

Color code: HEX #958045 | qconv.com Color code: HEX #958045 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 128 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 128 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 54 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 54% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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