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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA970 it is the complementary color #42568F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA970 shade: #C2A96B, #D3BB7E, #E4CD91, #F5DFA4 and #FFF1B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA970 shade: #BDA970, #AC975D, #9B854A, #8A7337 and #796124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA970 shade: #BDA970, #BD9470, #BD7F70 and #BD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA970 shade: #BDA970, #BCBD70, #A7BD70, #93BD70 and #7EBD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA970 shade matches the following richer shades: #BDA970, #CEB15F, #DFB94E and #F0C13D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA970 shade: #BDA970, #ACA181, #9B9992, #8A91A3 and #7989B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA970 shade: #BD7F70, #BD9470, #BDA970, #BDBD70 and #A9BD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA970 shade: #968145, #B09854, #BDA970, #CABA8C and #D7CBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA970 shade: #BDA970, #75BD70 and #8A70BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA970 shade: #BDA970, #70BDA9 and #A970BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA970 shade: #BDA970, #75BD70, #7084BD and #B870BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA970 shade: #BDA970, #70BD82, #7084BD and #BD70AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

Complementary color

CMYK 54 / 40 / 0 / 44

HEX #42568F

RGB 66 86 143

HSL 224.42, 0.37%, 0.41%

LAB 37.48, 9.66, -33.95

 

CMYK 0 / 13 / 45 / 24

HEX #C2A96B

RGB 194 169 107

HSL 42.76, 0.42%, 0.59%

LAB 70.11, 0.66, 35.26

 

CMYK 0 / 11 / 40 / 17

HEX #D3BB7E

RGB 211 187 126

HSL 43.06, 0.49%, 0.66%

LAB 76.62, 0.07, 34.01

 

CMYK 0 / 10 / 36 / 11

HEX #E4CD91

RGB 228 205 145

HSL 43.37, 0.61%, 0.73%

LAB 83.02, -0.44, 32.83

 

CMYK 0 / 9 / 33 / 4

HEX #F5DFA4

RGB 245 223 164

HSL 43.7, 0.8%, 0.8%

LAB 89.33, -0.88, 31.7

 

CMYK 0 / 5 / 28 / 0

HEX #FFF1B7

RGB 255 241 183

HSL 48.33, 1%, 0.86%

LAB 94.99, -3.88, 29.77

HEX #FFF1B7

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 12 / 46 / 33

HEX #AC975D

RGB 172 151 93

HSL 44.05, 0.32%, 0.52%

LAB 63.09, -0.26, 33.32

 

CMYK 0 / 14 / 52 / 39

HEX #9B854A

RGB 155 133 74

HSL 43.7, 0.35%, 0.45%

LAB 56.33, 0.47, 34.65

 

CMYK 0 / 17 / 60 / 46

HEX #8A7337

RGB 138 115 55

HSL 43.37, 0.43%, 0.38%

LAB 49.42, 1.37, 36

 

CMYK 0 / 20 / 70 / 53

HEX #796124

RGB 121 97 36

HSL 43.06, 0.54%, 0.31%

LAB 42.37, 2.52, 37.23

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 22 / 41 / 26

HEX #BD9470

RGB 189 148 112

HSL 28.05, 0.37%, 0.59%

LAB 64.3, 10.56, 24.92

 

CMYK 0 / 33 / 41 / 26

HEX #BD7F70

RGB 189 127 112

HSL 11.69, 0.37%, 0.59%

LAB 59.13, 22.18, 17.94

 

CMYK 0 / 41 / 41 / 26

HEX #BD7070

RGB 189 112 112

HSL 0, 0.37%, 0.59%

LAB 55.66, 30.43, 13.15

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 1 / 0 / 41 / 26

HEX #BCBD70

RGB 188 189 112

HSL 60.78, 0.37%, 0.59%

LAB 74.99, -11.76, 38.74

 

CMYK 12 / 0 / 41 / 26

HEX #A7BD70

RGB 167 189 112

HSL 77.14, 0.37%, 0.59%

LAB 73.4, -20.08, 36.41

 

CMYK 22 / 0 / 41 / 26

HEX #93BD70

RGB 147 189 112

HSL 92.73, 0.37%, 0.59%

LAB 72.07, -27.66, 34.44

 

CMYK 33 / 0 / 41 / 26

HEX #7EBD70

RGB 126 189 112

HSL 109.09, 0.37%, 0.59%

LAB 70.87, -35.05, 32.65

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 14 / 54 / 19

HEX #CEB15F

RGB 206 177 95

HSL 44.32, 0.53%, 0.59%

LAB 73.15, 0.29, 45.36

 

CMYK 0 / 17 / 65 / 13

HEX #DFB94E

RGB 223 185 78

HSL 44.28, 0.69%, 0.59%

LAB 76.64, 2.03, 57.71

 

CMYK 0 / 20 / 75 / 6

HEX #F0C13D

RGB 240 193 61

HSL 44.25, 0.86%, 0.59%

LAB 80.18, 4.21, 68.69

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 6 / 25 / 33

HEX #ACA181

RGB 172 161 129

HSL 44.65, 0.21%, 0.59%

LAB 66.4, -1.22, 18.13

 

CMYK 0 / 1 / 6 / 39

HEX #9B9992

RGB 155 153 146

HSL 46.67, 0.04%, 0.59%

LAB 63.2, -0.58, 3.92

 

CMYK 15 / 11 / 0 / 36

HEX #8A91A3

RGB 138 145 163

HSL 223.2, 0.12%, 0.59%

LAB 60.16, 1.3, -10.34

 

CMYK 32 / 23 / 0 / 30

HEX #7989B3

RGB 121 137 179

HSL 223.45, 0.28%, 0.59%

LAB 57.28, 4.36, -23.94

 

CMYK 0 / 33 / 41 / 26

HEX #BD7F70

RGB 189 127 112

HSL 11.69, 0.37%, 0.59%

LAB 59.13, 22.18, 17.94

 

CMYK 0 / 22 / 41 / 26

HEX #BD9470

RGB 189 148 112

HSL 28.05, 0.37%, 0.59%

LAB 64.3, 10.56, 24.92

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 0 / 41 / 26

HEX #BDBD70

RGB 189 189 112

HSL 60, 0.37%, 0.59%

LAB 75.07, -11.36, 38.86

 

CMYK 11 / 0 / 41 / 26

HEX #A9BD70

RGB 169 189 112

HSL 75.58, 0.37%, 0.59%

LAB 73.55, -19.3, 36.62

 

CMYK 0 / 14 / 54 / 41

HEX #968145

RGB 150 129 69

HSL 44.44, 0.37%, 0.43%

LAB 54.67, 0.04, 35.18

 

CMYK 0 / 14 / 52 / 31

HEX #B09854

RGB 176 152 84

HSL 44.35, 0.37%, 0.51%

LAB 63.61, 0.03, 38.76

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 0 / 8 / 31 / 21

HEX #CABA8C

RGB 202 186 140

HSL 44.52, 0.37%, 0.67%

LAB 75.8, -1.3, 25.42

 

CMYK 0 / 6 / 22 / 16

HEX #D7CBA8

RGB 215 203 168

HSL 44.68, 0.37%, 0.75%

LAB 81.83, -1.4, 18.99

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 38 / 0 / 41 / 26

HEX #75BD70

RGB 117 189 112

HSL 116.1, 0.37%, 0.59%

LAB 70.42, -37.99, 31.98

 

CMYK 27 / 41 / 0 / 26

HEX #8A70BD

RGB 138 112 189

HSL 260.26, 0.37%, 0.59%

LAB 52.58, 26.7, -36.87

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 41 / 0 / 11 / 26

HEX #70BDA9

RGB 112 189 169

HSL 164.42, 0.37%, 0.59%

LAB 71.35, -28.54, 2.65

 

CMYK 11 / 41 / 0 / 26

HEX #A970BD

RGB 169 112 189

HSL 284.42, 0.37%, 0.59%

LAB 55.78, 36.02, -31.62

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 38 / 0 / 41 / 26

HEX #75BD70

RGB 117 189 112

HSL 116.1, 0.37%, 0.59%

LAB 70.42, -37.99, 31.98

 

CMYK 41 / 30 / 0 / 26

HEX #7084BD

RGB 112 132 189

HSL 224.42, 0.37%, 0.59%

LAB 55.71, 7.47, -32.13

 

CMYK 3 / 41 / 0 / 26

HEX #B870BD

RGB 184 112 189

HSL 296.1, 0.37%, 0.59%

LAB 57.51, 40.64, -28.8

 

CMYK 0 / 11 / 41 / 26

HEX #BDA970

RGB 189 169 112

HSL 44.42, 0.37%, 0.59%

LAB 69.73, -0.86, 32.05

 

CMYK 41 / 0 / 31 / 26

HEX #70BD82

RGB 112 189 130

HSL 134.03, 0.37%, 0.59%

LAB 70.49, -36.55, 22.55

 

CMYK 41 / 30 / 0 / 26

HEX #7084BD

RGB 112 132 189

HSL 224.42, 0.37%, 0.59%

LAB 55.71, 7.47, -32.13

 

CMYK 0 / 41 / 10 / 26

HEX #BD70AB

RGB 189 112 171

HSL 314.03, 0.37%, 0.59%

LAB 57.41, 38.96, -18.58

 

Description

Color code: HEX #BDA970 | qconv.com Color code: HEX #BDA970 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 169 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 169 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 41 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 41% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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