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Color name
HEX #957F69

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957F69 it is the complementary color #6A8096. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957F69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #957F69: #9A7F64, #AB9177, #BCA38A, #CDB59D and #DEC7B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957F69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #957F69: #957F69, #846D56, #735B43, #624930 and #51371D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

Complementary color

CMYK 29 / 15 / 0 / 41

HEX #6A8096

RGB 106 128 150

HSL 210, 0.17%, 0.5%

LAB 52.62, -2.58, -14.43

 

CMYK 0 / 18 / 35 / 40

HEX #9A7F64

RGB 154 127 100

HSL 30, 0.21%, 0.5%

LAB 55.04, 6.34, 18.58

 

CMYK 0 / 15 / 30 / 33

HEX #AB9177

RGB 171 145 119

HSL 30, 0.24%, 0.57%

LAB 61.86, 5.77, 17.43

 

CMYK 0 / 13 / 27 / 26

HEX #BCA38A

RGB 188 163 138

HSL 30, 0.27%, 0.64%

LAB 68.55, 5.27, 16.37

 

CMYK 0 / 12 / 23 / 20

HEX #CDB59D

RGB 205 181 157

HSL 30, 0.32%, 0.71%

LAB 75.11, 4.84, 15.38

 

CMYK 0 / 10 / 21 / 13

HEX #DEC7B0

RGB 222 199 176

HSL 30, 0.41%, 0.78%

LAB 81.57, 4.46, 14.46

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 0 / 17 / 35 / 48

HEX #846D56

RGB 132 109 86

HSL 30, 0.21%, 0.43%

LAB 47.64, 5.52, 16.26

 

CMYK 0 / 21 / 42 / 55

HEX #735B43

RGB 115 91 67

HSL 30, 0.26%, 0.36%

LAB 40.46, 6.23, 17.56

 

CMYK 0 / 26 / 51 / 62

HEX #624930

RGB 98 73 48

HSL 30, 0.34%, 0.29%

LAB 33.08, 7.13, 19.04

 

CMYK 0 / 32 / 64 / 68

HEX #51371D

RGB 81 55 29

HSL 30, 0.47%, 0.22%

LAB 25.47, 8.35, 20.73

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 0 / 10 / 30 / 42

HEX #958669

RGB 149 134 105

HSL 39.55, 0.17%, 0.5%

LAB 56.55, 0.99, 17.7

 

CMYK 0 / 5 / 30 / 42

HEX #958D69

RGB 149 141 105

HSL 49.09, 0.17%, 0.5%

LAB 58.47, -2.92, 20.32

 

CMYK 0 / 0 / 30 / 42

HEX #959569

RGB 149 149 105

HSL 60, 0.17%, 0.5%

LAB 60.7, -7.3, 23.31

 

CMYK 5 / 0 / 30 / 42

HEX #8D9569

RGB 141 149 105

HSL 70.91, 0.17%, 0.5%

LAB 60.05, -10.54, 22.33

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 0 / 15 / 30 / 22

HEX #C8AA8D

RGB 200 170 141

HSL 29.49, 0.35%, 0.67%

LAB 71.52, 6.59, 19.01

 

CMYK 0 / 15 / 29 / 2

HEX #FBD6B1

RGB 251 214 177

HSL 30, 0.9%, 0.84%

LAB 87.86, 7.62, 23.07

 

CMYK 0 / 15 / 30 / 82

HEX #2F2821

RGB 47 40 33

HSL 30, 0.18%, 0.16%

LAB 16.66, 1.84, 5.8

 

CMYK 0 / 14 / 30 / 62

HEX #625445

RGB 98 84 69

HSL 31.03, 0.17%, 0.33%

LAB 36.68, 3.17, 10.9

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 21 / 0 / 30 / 42

HEX #769569

RGB 118 149 105

HSL 102.27, 0.17%, 0.5%

LAB 58.38, -19.46, 19.8

 

CMYK 26 / 30 / 0 / 42

HEX #6E6995

RGB 110 105 149

HSL 246.82, 0.17%, 0.5%

LAB 46.43, 12.11, -23.3

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 30 / 0 / 15 / 42

HEX #69957F

RGB 105 149 127

HSL 150, 0.17%, 0.5%

LAB 58.07, -19.87, 6.84

 

CMYK 15 / 30 / 0 / 42

HEX #7F6995

RGB 127 105 149

HSL 270, 0.17%, 0.5%

LAB 47.99, 17.71, -20.77

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 21 / 0 / 30 / 42

HEX #769569

RGB 118 149 105

HSL 102.27, 0.17%, 0.5%

LAB 58.38, -19.46, 19.8

 

CMYK 30 / 15 / 0 / 42

HEX #697F95

RGB 105 127 149

HSL 210, 0.17%, 0.5%

LAB 52.23, -2.58, -14.45

 

CMYK 9 / 30 / 0 / 42

HEX #886995

RGB 136 105 149

HSL 282.27, 0.17%, 0.5%

LAB 48.89, 20.77, -19.3

 

CMYK 0 / 15 / 30 / 42

HEX #957F69

RGB 149 127 105

HSL 30, 0.17%, 0.5%

LAB 54.65, 4.95, 15.1

 

CMYK 30 / 0 / 30 / 42

HEX #699569

RGB 105 149 105

HSL 120, 0.17%, 0.5%

LAB 57.58, -24.16, 18.57

 

CMYK 30 / 15 / 0 / 42

HEX #697F95

RGB 105 127 149

HSL 210, 0.17%, 0.5%

LAB 52.23, -2.58, -14.45

 

CMYK 0 / 30 / 0 / 42

HEX #956995

RGB 149 105 149

HSL 300, 0.17%, 0.5%

LAB 50.29, 25.26, -17.04

 

Description

Color code: HEX #957F69 | qconv.com Color code: HEX #957F69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 127 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 127 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 30 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 30% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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