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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956379 it is the complementary color #6A9C86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956379. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956379 shade: #9A6374, #AB7587, #BC879A, #CD99AD and #DEABC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956379. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956379 shade: #956379, #845166, #733F53, #622D40 and #511B2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956379 shade: #96647A, #96646C and #966464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956379 shade: #96647A, #966487, #966495, #896496 and #7C6496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956379 shade matches the following richer shades: #96647A, #AA5078, #BE3C75, #D32773 and #E71370

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956379 shade: #96647A, #82787C, #6E8C7F, #59A181 and #45B584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956379 shade: #966495, #966488, #96647A, #96646D and #966864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956379 shade: #644352, #7D5366, #96647A, #A77C8F and #B894A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956379 shade: #956379, #968964 and #648E96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956379 shade: #956379, #7A9664 and #647A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956379 shade: #956379, #968964, #64967F and #647096

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956379 shade: #956379, #939664, #64967F and #666496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 42

HEX #956379

RGB 149 99 121

HSL 333.6, 0.2%, 0.49%

LAB 47.87, 23.6, -4.02

 

Complementary color

CMYK 32 / 0 / 14 / 39

HEX #6A9C86

RGB 106 156 134

HSL 153.6, 0.2%, 0.51%

LAB 60.39, -21.66, 6.22

 

CMYK 0 / 36 / 25 / 40

HEX #9A6374

RGB 154 99 116

HSL 341.45, 0.22%, 0.5%

LAB 48.33, 24.71, -0.28

 

CMYK 0 / 32 / 21 / 33

HEX #AB7587

RGB 171 117 135

HSL 340, 0.24%, 0.56%

LAB 55.21, 23.9, -1.21

 

CMYK 0 / 28 / 18 / 26

HEX #BC879A

RGB 188 135 154

HSL 338.49, 0.28%, 0.63%

LAB 61.96, 23.16, -2.04

 

CMYK 0 / 25 / 16 / 20

HEX #CD99AD

RGB 205 153 173

HSL 336.92, 0.34%, 0.7%

LAB 68.59, 22.5, -2.79

 

CMYK 0 / 23 / 14 / 13

HEX #DEABC0

RGB 222 171 192

HSL 335.29, 0.44%, 0.77%

LAB 75.11, 21.89, -3.49

 

CMYK 0 / 34 / 19 / 42

HEX #956379

RGB 149 99 121

HSL 333.6, 0.2%, 0.49%

LAB 47.87, 23.6, -4.02

 

CMYK 0 / 39 / 23 / 48

HEX #845166

RGB 132 81 102

HSL 335.29, 0.24%, 0.42%

LAB 40.82, 24.44, -3.12

 

CMYK 0 / 45 / 28 / 55

HEX #733F53

RGB 115 63 83

HSL 336.92, 0.29%, 0.35%

LAB 33.61, 25.36, -2.05

 

CMYK 0 / 54 / 35 / 62

HEX #622D40

RGB 98 45 64

HSL 338.49, 0.37%, 0.28%

LAB 26.28, 26.33, -0.67

 

CMYK 0 / 67 / 44 / 68

HEX #511B2D

RGB 81 27 45

HSL 340, 0.5%, 0.21%

LAB 18.9, 27.17, 1.25

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 33 / 28 / 41

HEX #96646C

RGB 150 100 108

HSL 350.4, 0.2%, 0.49%

LAB 47.86, 21.37, 3.77

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 33 / 10 / 41

HEX #966487

RGB 150 100 135

HSL 318, 0.2%, 0.49%

LAB 48.7, 25.83, -11.15

 

CMYK 0 / 33 / 1 / 41

HEX #966495

RGB 150 100 149

HSL 301.2, 0.2%, 0.49%

LAB 49.21, 28.48, -18.67

 

CMYK 9 / 33 / 0 / 41

HEX #896496

RGB 137 100 150

HSL 284.4, 0.2%, 0.49%

LAB 47.8, 24.28, -21.57

 

CMYK 17 / 33 / 0 / 41

HEX #7C6496

RGB 124 100 150

HSL 268.8, 0.2%, 0.49%

LAB 46.45, 19.94, -23.76

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 53 / 29 / 33

HEX #AA5078

RGB 170 80 120

HSL 333.33, 0.36%, 0.49%

LAB 46.5, 41.45, -5.14

 

CMYK 0 / 68 / 38 / 25

HEX #BE3C75

RGB 190 60 117

HSL 333.69, 0.52%, 0.49%

LAB 46.26, 56.46, -3.31

 

CMYK 0 / 82 / 45 / 17

HEX #D32773

RGB 211 39 115

HSL 333.49, 0.69%, 0.49%

LAB 47.67, 68.55, 0.43

 

CMYK 0 / 92 / 52 / 9

HEX #E71370

RGB 231 19 112

HSL 333.68, 0.85%, 0.49%

LAB 50.24, 76.6, 6.48

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 21 / 0 / 9 / 45

HEX #6E8C7F

RGB 110 140 127

HSL 154, 0.12%, 0.49%

LAB 55.69, -13.41, 3.46

 

CMYK 45 / 0 / 20 / 37

HEX #59A181

RGB 89 161 129

HSL 153.33, 0.29%, 0.49%

LAB 60.96, -30.27, 9.72

 

CMYK 62 / 0 / 27 / 29

HEX #45B584

RGB 69 181 132

HSL 153.75, 0.45%, 0.49%

LAB 66.5, -43.4, 15.74

 

CMYK 0 / 33 / 1 / 41

HEX #966495

RGB 150 100 149

HSL 301.2, 0.2%, 0.49%

LAB 49.21, 28.48, -18.67

 

CMYK 0 / 33 / 9 / 41

HEX #966488

RGB 150 100 136

HSL 316.8, 0.2%, 0.49%

LAB 48.73, 26.01, -11.69

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 33 / 27 / 41

HEX #96646D

RGB 150 100 109

HSL 349.2, 0.2%, 0.49%

LAB 47.88, 21.52, 3.21

 

CMYK 0 / 31 / 33 / 41

HEX #966864

RGB 150 104 100

HSL 4.8, 0.2%, 0.49%

LAB 48.64, 17.91, 9.67

 

CMYK 0 / 33 / 18 / 61

HEX #644352

RGB 100 67 82

HSL 332.73, 0.2%, 0.33%

LAB 32.55, 16.79, -3.2

 

CMYK 0 / 34 / 18 / 51

HEX #7D5366

RGB 125 83 102

HSL 332.86, 0.2%, 0.41%

LAB 40.42, 20.55, -3.8

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 26 / 14 / 35

HEX #A77C8F

RGB 167 124 143

HSL 333.49, 0.2%, 0.57%

LAB 56.7, 19.75, -3.72

 

CMYK 0 / 20 / 11 / 28

HEX #B894A4

RGB 184 148 164

HSL 333.33, 0.2%, 0.65%

LAB 65, 16.12, -3.27

 

CMYK 0 / 34 / 19 / 42

HEX #956379

RGB 149 99 121

HSL 333.6, 0.2%, 0.49%

LAB 47.87, 23.6, -4.02

 

CMYK 0 / 9 / 33 / 41

HEX #968964

RGB 150 137 100

HSL 44.4, 0.2%, 0.49%

LAB 57.36, -0.96, 21.65

 

CMYK 33 / 5 / 0 / 41

HEX #648E96

RGB 100 142 150

HSL 189.6, 0.2%, 0.49%

LAB 56.34, -12.3, -8.87

 

CMYK 0 / 34 / 19 / 42

HEX #956379

RGB 149 99 121

HSL 333.6, 0.2%, 0.49%

LAB 47.87, 23.6, -4.02

 

CMYK 19 / 0 / 33 / 41

HEX #7A9664

RGB 122 150 100

HSL 93.6, 0.2%, 0.49%

LAB 58.85, -19.26, 23.25

 

CMYK 33 / 19 / 0 / 41

HEX #647A96

RGB 100 122 150

HSL 213.6, 0.2%, 0.49%

LAB 50.49, -0.95, -17.72

 

CMYK 0 / 34 / 19 / 42

HEX #956379

RGB 149 99 121

HSL 333.6, 0.2%, 0.49%

LAB 47.87, 23.6, -4.02

 

CMYK 0 / 9 / 33 / 41

HEX #968964

RGB 150 137 100

HSL 44.4, 0.2%, 0.49%

LAB 57.36, -0.96, 21.65

 

CMYK 33 / 0 / 15 / 41

HEX #64967F

RGB 100 150 127

HSL 152.4, 0.2%, 0.49%

LAB 58.09, -21.99, 6.84

 

CMYK 33 / 25 / 0 / 41

HEX #647096

RGB 100 112 150

HSL 225.6, 0.2%, 0.49%

LAB 47.62, 4.99, -22.11

 

CMYK 0 / 34 / 19 / 42

HEX #956379

RGB 149 99 121

HSL 333.6, 0.2%, 0.49%

LAB 47.87, 23.6, -4.02

 

CMYK 2 / 0 / 33 / 41

HEX #939664

RGB 147 150 100

HSL 63.6, 0.2%, 0.49%

LAB 60.72, -9.33, 26.06

 

CMYK 33 / 0 / 15 / 41

HEX #64967F

RGB 100 150 127

HSL 152.4, 0.2%, 0.49%

LAB 58.09, -21.99, 6.84

 

CMYK 32 / 33 / 0 / 41

HEX #666496

RGB 102 100 150

HSL 242.4, 0.2%, 0.49%

LAB 44.43, 12.92, -27.04

 

Description

Color code: HEX #956379 | qconv.com Color code: HEX #956379 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 99 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 99 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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