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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 100 100 it is the complementary color RGB 105 155 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 100 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 100 100: RGB 155 100 95, RGB 172 118 114, RGB 189 136 133, RGB 206 154 152 and RGB 223 172 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 100 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 100 100: RGB 150 100 100, RGB 133 82 81, RGB 116 64 62, RGB 99 46 43 and RGB 82 28 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

Complementary color

CMYK 32 / 0 / 0 / 39

HEX #699B9B

RGB 105 155 155

HSL 180, 0.2%, 0.51%

LAB 60.62, -16.58, -5.34

 

CMYK 0 / 35 / 39 / 39

HEX #9B645F

RGB 155 100 95

HSL 5, 0.24%, 0.49%

LAB 48.15, 21.6, 12.04

 

CMYK 0 / 31 / 34 / 33

HEX #AC7672

RGB 172 118 114

HSL 4.14, 0.26%, 0.56%

LAB 55.01, 20.67, 10.77

 

CMYK 0 / 28 / 30 / 26

HEX #BD8885

RGB 189 136 133

HSL 3.21, 0.3%, 0.63%

LAB 61.76, 19.86, 9.65

 

CMYK 0 / 25 / 26 / 19

HEX #CE9A98

RGB 206 154 152

HSL 2.22, 0.36%, 0.7%

LAB 68.39, 19.13, 8.64

 

CMYK 0 / 23 / 23 / 13

HEX #DFACAB

RGB 223 172 171

HSL 1.15, 0.45%, 0.77%

LAB 74.91, 18.49, 7.71

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 0 / 38 / 39 / 48

HEX #855251

RGB 133 82 81

HSL 1.15, 0.24%, 0.42%

LAB 40.6, 21.2, 9.57

 

CMYK 0 / 45 / 47 / 55

HEX #74403E

RGB 116 64 62

HSL 2.22, 0.3%, 0.35%

LAB 33.41, 22.33, 11.14

 

CMYK 0 / 54 / 57 / 61

HEX #632E2B

RGB 99 46 43

HSL 3.21, 0.39%, 0.28%

LAB 26.1, 23.61, 13.12

 

CMYK 0 / 66 / 71 / 68

HEX #521C18

RGB 82 28 24

HSL 4.14, 0.55%, 0.21%

LAB 18.76, 24.96, 15.8

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 0 / 28 / 34 / 42

HEX #956C63

RGB 149 108 99

HSL 10.8, 0.2%, 0.49%

LAB 49.51, 15.05, 11.47

 

CMYK 0 / 22 / 34 / 42

HEX #957463

RGB 149 116 99

HSL 20.4, 0.2%, 0.49%

LAB 51.59, 10.42, 14.35

 

CMYK 0 / 17 / 34 / 42

HEX #957C63

RGB 149 124 99

HSL 30, 0.2%, 0.49%

LAB 53.71, 5.83, 17.27

 

CMYK 0 / 11 / 34 / 42

HEX #958563

RGB 149 133 99

HSL 40.8, 0.2%, 0.49%

LAB 56.15, 0.73, 20.57

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 0 / 33 / 33 / 21

HEX #C98686

RGB 201 134 134

HSL 0, 0.38%, 0.66%

LAB 62.67, 25.72, 10.56

 

CMYK 0 / 33 / 33 / 1

HEX #FCA8A8

RGB 252 168 168

HSL 0, 0.93%, 0.82%

LAB 77, 30.94, 12.74

 

CMYK 0 / 33 / 33 / 81

HEX #302020

RGB 48 32 32

HSL 0, 0.2%, 0.16%

LAB 14.21, 7.75, 3.07

 

CMYK 0 / 33 / 33 / 61

HEX #634242

RGB 99 66 66

HSL 0, 0.2%, 0.32%

LAB 31.68, 14.33, 5.8

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 7 / 0 / 34 / 42

HEX #8B9563

RGB 139 149 99

HSL 72, 0.2%, 0.49%

LAB 59.78, -12.18, 25.25

 

CMYK 34 / 20 / 0 / 42

HEX #637795

RGB 99 119 149

HSL 216, 0.2%, 0.49%

LAB 49.52, 0.24, -18.62

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 34 / 0 / 34 / 42

HEX #639563

RGB 99 149 99

HSL 120, 0.2%, 0.49%

LAB 57.12, -27.28, 21.24

 

CMYK 34 / 34 / 0 / 42

HEX #636395

RGB 99 99 149

HSL 240, 0.2%, 0.49%

LAB 43.87, 12.35, -27.35

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 7 / 0 / 34 / 42

HEX #8B9563

RGB 139 149 99

HSL 72, 0.2%, 0.49%

LAB 59.78, -12.18, 25.25

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 27 / 34 / 0 / 42

HEX #6D6395

RGB 109 99 149

HSL 252, 0.2%, 0.49%

LAB 44.72, 15.45, -25.95

 

CMYK 0 / 33 / 33 / 41

HEX #966464

RGB 150 100 100

HSL 0, 0.2%, 0.49%

LAB 47.65, 20.23, 8.26

 

CMYK 17 / 0 / 34 / 42

HEX #7C9563

RGB 124 149 99

HSL 90, 0.2%, 0.49%

LAB 58.68, -18.13, 23.59

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 17 / 34 / 0 / 42

HEX #7C6395

RGB 124 99 149

HSL 270, 0.2%, 0.49%

LAB 46.15, 20.3, -23.63

 

Description

Color code: RGB 150 100 100 | qconv.com Color code: RGB 150 100 100 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 100 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 100 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 33 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 33% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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