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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955410 it is the complementary color #6AABEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955410. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955410 shade: #9A540B, #AB661E, #BC7831, #CD8A44 and #DE9C57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955410. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955410 shade: #955410, #844200, #733000, #621E00 and #510C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955410 shade: #945310, #942F10 and #941010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955410 shade: #945310, #947710, #8D9410, #699410 and #469410

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955410 shade matches the following richer shades: #945310 and #A15302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955410 shade: #945310, #86531D, #79522A, #6C5237 and #5F5244

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955410 shade: #941014, #942E10, #945210, #947510 and #8F9410

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955410 shade: #492908, #6E3E0C, #945310, #B96813 and #DE7D17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955410 shade: #955410, #379410 and #1D1094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955410 shade: #955410, #109452 and #521094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955410 shade: #955410, #379410, #105294 and #6C1094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955410 shade: #955410, #109410, #105294 and #941094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 89 / 42

HEX #955410

RGB 149 84 16

HSL 30.68, 0.81%, 0.32%

LAB 42.41, 22.33, 46.82

 

Complementary color

CMYK 56 / 28 / 0 / 6

HEX #6AABEF

RGB 106 171 239

HSL 210.68, 0.81%, 0.68%

LAB 68.33, -1.44, -40.32

 

CMYK 0 / 45 / 93 / 40

HEX #9A540B

RGB 154 84 11

HSL 30.63, 0.87%, 0.32%

LAB 43.11, 24.44, 49.17

 

CMYK 0 / 40 / 82 / 33

HEX #AB661E

RGB 171 102 30

HSL 30.64, 0.7%, 0.39%

LAB 49.8, 22.34, 49.24

 

CMYK 0 / 36 / 74 / 26

HEX #BC7831

RGB 188 120 49

HSL 30.65, 0.59%, 0.46%

LAB 56.43, 20.52, 48.24

 

CMYK 0 / 33 / 67 / 20

HEX #CD8A44

RGB 205 138 68

HSL 30.66, 0.58%, 0.54%

LAB 62.99, 18.96, 46.86

 

CMYK 0 / 30 / 61 / 13

HEX #DE9C57

RGB 222 156 87

HSL 30.67, 0.67%, 0.61%

LAB 69.47, 17.62, 45.38

 

CMYK 0 / 44 / 89 / 42

HEX #955410

RGB 149 84 16

HSL 30.68, 0.81%, 0.32%

LAB 42.41, 22.33, 46.82

 

CMYK 0 / 50 / 100 / 48

HEX #844200

RGB 132 66 0

HSL 30, 1%, 0.26%

LAB 35.6, 24.63, 45.8

 

CMYK 0 / 58 / 100 / 55

HEX #733000

RGB 115 48 0

HSL 25.04, 1%, 0.23%

LAB 28.8, 27.19, 39.88

 

CMYK 0 / 69 / 100 / 62

HEX #621E00

RGB 98 30 0

HSL 18.37, 1%, 0.19%

LAB 22.04, 29.46, 32.41

 

CMYK 0 / 85 / 100 / 68

HEX #510C00

RGB 81 12 0

HSL 8.89, 1%, 0.16%

LAB 15.55, 30.74, 23.91

 

CMYK 0 / 44 / 89 / 42

HEX #945310

RGB 148 83 16

HSL 30.45, 0.8%, 0.32%

LAB 42.03, 22.45, 46.46

 

CMYK 0 / 68 / 89 / 42

HEX #942F10

RGB 148 47 16

HSL 14.09, 0.8%, 0.32%

LAB 34.73, 41.05, 40.59

 

CMYK 0 / 89 / 89 / 42

HEX #941010

RGB 148 16 16

HSL 0, 0.8%, 0.32%

LAB 31.12, 51.1, 37.68

 

CMYK 0 / 44 / 89 / 42

HEX #945310

RGB 148 83 16

HSL 30.45, 0.8%, 0.32%

LAB 42.03, 22.45, 46.46

 

CMYK 0 / 20 / 89 / 42

HEX #947710

RGB 148 119 16

HSL 46.82, 0.8%, 0.32%

LAB 51.3, 1.78, 53.91

 

CMYK 5 / 0 / 89 / 42

HEX #8D9410

RGB 141 148 16

HSL 63.18, 0.8%, 0.32%

LAB 58.86, -17.24, 59.74

 

CMYK 29 / 0 / 89 / 42

HEX #699410

RGB 105 148 16

HSL 79.55, 0.8%, 0.32%

LAB 56.31, -32.7, 56.59

 

CMYK 53 / 0 / 89 / 42

HEX #469410

RGB 70 148 16

HSL 95.45, 0.8%, 0.32%

LAB 54.57, -45.21, 54.42

 

CMYK 0 / 44 / 89 / 42

HEX #945310

RGB 148 83 16

HSL 30.45, 0.8%, 0.32%

LAB 42.03, 22.45, 46.46

 

CMYK 0 / 48 / 99 / 37

HEX #A15302

RGB 161 83 2

HSL 30.57, 0.98%, 0.32%

LAB 43.9, 27.89, 52.55

 

CMYK 0 / 44 / 89 / 42

HEX #945310

RGB 148 83 16

HSL 30.45, 0.8%, 0.32%

LAB 42.03, 22.45, 46.46

 

CMYK 0 / 38 / 78 / 47

HEX #86531D

RGB 134 83 29

HSL 30.86, 0.64%, 0.32%

LAB 40.15, 16.54, 38.79

 

CMYK 0 / 32 / 65 / 53

HEX #79522A

RGB 121 82 42

HSL 30.38, 0.48%, 0.32%

LAB 38.32, 11.88, 29.6

 

CMYK 0 / 24 / 49 / 58

HEX #6C5237

RGB 108 82 55

HSL 30.57, 0.33%, 0.32%

LAB 36.93, 7.05, 19.99

 

CMYK 0 / 14 / 28 / 63

HEX #5F5244

RGB 95 82 68

HSL 31.11, 0.17%, 0.32%

LAB 35.76, 2.91, 10.2

 

CMYK 0 / 89 / 86 / 42

HEX #941014

RGB 148 16 20

HSL 358.18, 0.8%, 0.32%

LAB 31.15, 51.19, 35.61

 

CMYK 0 / 69 / 89 / 42

HEX #942E10

RGB 148 46 16

HSL 13.64, 0.8%, 0.32%

LAB 34.57, 41.48, 40.46

 

CMYK 0 / 45 / 89 / 42

HEX #945210

RGB 148 82 16

HSL 30, 0.8%, 0.32%

LAB 41.79, 23.01, 46.27

 

CMYK 0 / 21 / 89 / 42

HEX #947510

RGB 148 117 16

HSL 45.91, 0.8%, 0.32%

LAB 50.75, 2.91, 53.47

 

CMYK 3 / 0 / 89 / 42

HEX #8F9410

RGB 143 148 16

HSL 62.27, 0.8%, 0.32%

LAB 59.03, -16.35, 59.94

 

CMYK 0 / 44 / 89 / 71

HEX #492908

RGB 73 41 8

HSL 30.46, 0.8%, 0.16%

LAB 20.12, 11.97, 25.77

 

CMYK 0 / 44 / 89 / 57

HEX #6E3E0C

RGB 110 62 12

HSL 30.61, 0.8%, 0.24%

LAB 31.32, 17.16, 36.77

 

CMYK 0 / 44 / 89 / 42

HEX #945310

RGB 148 83 16

HSL 30.45, 0.8%, 0.32%

LAB 42.03, 22.45, 46.46

 

CMYK 0 / 44 / 90 / 27

HEX #B96813

RGB 185 104 19

HSL 30.72, 0.81%, 0.4%

LAB 52.13, 27.01, 55.71

 

CMYK 0 / 44 / 90 / 13

HEX #DE7D17

RGB 222 125 23

HSL 30.75, 0.81%, 0.48%

LAB 61.88, 31.41, 64.27

 

CMYK 0 / 44 / 89 / 42

HEX #955410

RGB 149 84 16

HSL 30.68, 0.81%, 0.32%

LAB 42.41, 22.33, 46.82

 

CMYK 63 / 0 / 89 / 42

HEX #379410

RGB 55 148 16

HSL 102.27, 0.8%, 0.32%

LAB 54.06, -49.35, 53.78

 

CMYK 80 / 89 / 0 / 42

HEX #1D1094

RGB 29 16 148

HSL 245.91, 0.8%, 0.32%

LAB 19.1, 48.21, -67.02

 

CMYK 0 / 44 / 89 / 42

HEX #955410

RGB 149 84 16

HSL 30.68, 0.81%, 0.32%

LAB 42.41, 22.33, 46.82

 

CMYK 89 / 0 / 45 / 42

HEX #109452

RGB 16 148 82

HSL 150, 0.8%, 0.32%

LAB 53.92, -48.29, 25.85

 

CMYK 45 / 89 / 0 / 42

HEX #521094

RGB 82 16 148

HSL 270, 0.8%, 0.32%

LAB 24.65, 52.78, -57.66

 

CMYK 0 / 44 / 89 / 42

HEX #955410

RGB 149 84 16

HSL 30.68, 0.81%, 0.32%

LAB 42.41, 22.33, 46.82

 

CMYK 63 / 0 / 89 / 42

HEX #379410

RGB 55 148 16

HSL 102.27, 0.8%, 0.32%

LAB 54.06, -49.35, 53.78

 

CMYK 89 / 45 / 0 / 42

HEX #105294

RGB 16 82 148

HSL 210, 0.8%, 0.32%

LAB 34.57, 6.31, -41.74

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 0 / 44 / 89 / 42

HEX #955410

RGB 149 84 16

HSL 30.68, 0.81%, 0.32%

LAB 42.41, 22.33, 46.82

 

CMYK 89 / 0 / 89 / 42

HEX #109410

RGB 16 148 16

HSL 120, 0.8%, 0.32%

LAB 53.31, -55.83, 52.83

 

CMYK 89 / 45 / 0 / 42

HEX #105294

RGB 16 82 148

HSL 210, 0.8%, 0.32%

LAB 34.57, 6.31, -41.74

 

CMYK 0 / 89 / 0 / 42

HEX #941094

RGB 148 16 148

HSL 300, 0.8%, 0.32%

LAB 35.61, 63.32, -39.38

 

Description

Color code: HEX #955410 | qconv.com Color code: HEX #955410 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 84 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 84 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 89 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 89% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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