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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C1094 it is the complementary color #93EF6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C1094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C1094: #71108F, #8222A2, #9334B5, #A446C8 and #B558DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C1094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C1094: #6C1094, #5B0081, #4A006E, #39005B and #280048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

Complementary color

CMYK 38 / 0 / 55 / 6

HEX #93EF6B

RGB 147 239 107

HSL 101.82, 0.8%, 0.68%

LAB 86.5, -50.54, 54.54

 

CMYK 21 / 89 / 0 / 44

HEX #71108F

RGB 113 16 143

HSL 285.83, 0.8%, 0.31%

LAB 29.07, 56.25, -47.15

 

CMYK 20 / 79 / 0 / 36

HEX #8222A2

RGB 130 34 162

HSL 285, 0.65%, 0.38%

LAB 35, 57.96, -49.02

 

CMYK 19 / 71 / 0 / 29

HEX #9334B5

RGB 147 52 181

HSL 284.19, 0.55%, 0.46%

LAB 41.21, 58.54, -50.22

 

CMYK 18 / 65 / 0 / 22

HEX #A446C8

RGB 164 70 200

HSL 283.38, 0.54%, 0.53%

LAB 47.55, 58.47, -51

 

CMYK 17 / 60 / 0 / 14

HEX #B558DB

RGB 181 88 219

HSL 282.6, 0.65%, 0.6%

LAB 53.94, 58.05, -51.52

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 29 / 100 / 0 / 49

HEX #5B0081

RGB 91 0 129

HSL 282.33, 1%, 0.25%

LAB 23.03, 53.39, -48.38

 

CMYK 33 / 100 / 0 / 57

HEX #4A006E

RGB 74 0 110

HSL 280.36, 1%, 0.22%

LAB 18.28, 47.23, -44.08

 

CMYK 37 / 100 / 0 / 64

HEX #39005B

RGB 57 0 91

HSL 277.58, 1%, 0.18%

LAB 13.38, 40.89, -39.64

 

CMYK 44 / 100 / 0 / 72

HEX #280048

RGB 40 0 72

HSL 273.33, 1%, 0.14%

LAB 8.3, 34.33, -35.05

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 13 / 89 / 0 / 43

HEX #7F1092

RGB 127 16 146

HSL 291.23, 0.8%, 0.32%

LAB 31.71, 59.2, -44.61

 

CMYK 0 / 89 / 1 / 43

HEX #921090

RGB 146 16 144

HSL 300.92, 0.8%, 0.32%

LAB 34.99, 62.32, -37.92

 

CMYK 0 / 89 / 16 / 43

HEX #92107A

RGB 146 16 122

HSL 311.08, 0.8%, 0.32%

LAB 33.75, 59.06, -26.22

 

CMYK 0 / 89 / 31 / 43

HEX #921065

RGB 146 16 101

HSL 320.77, 0.8%, 0.32%

LAB 32.75, 56.36, -14.4

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 27 / 89 / 0 / 22

HEX #9116C7

RGB 145 22 199

HSL 281.69, 0.8%, 0.43%

LAB 39.1, 70.76, -64.21

 

CMYK 27 / 89 / 0 / 2

HEX #B61BFA

RGB 182 27 250

HSL 281.7, 0.96%, 0.54%

LAB 49.05, 84.51, -76.86

 

CMYK 26 / 89 / 0 / 82

HEX #22052E

RGB 34 5 46

HSL 282.44, 0.8%, 0.1%

LAB 5.83, 22.54, -20.28

 

CMYK 27 / 90 / 0 / 62

HEX #470A61

RGB 71 10 97

HSL 282.07, 0.81%, 0.21%

LAB 17.55, 41.02, -36.75

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 0 / 89 / 79 / 43

HEX #92101F

RGB 146 16 31

HSL 353.08, 0.8%, 0.32%

LAB 30.83, 50.95, 28.7

 

CMYK 89 / 0 / 64 / 43

HEX #109235

RGB 16 146 53

HSL 137.08, 0.8%, 0.32%

LAB 52.87, -52.19, 39.31

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 0 / 28 / 89 / 43

HEX #926910

RGB 146 105 16

HSL 41.08, 0.8%, 0.32%

LAB 47.3, 8.85, 50.6

 

CMYK 89 / 0 / 28 / 43

HEX #109269

RGB 16 146 105

HSL 161.08, 0.8%, 0.32%

LAB 53.69, -42.51, 12.76

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 0 / 89 / 79 / 43

HEX #92101F

RGB 146 16 31

HSL 353.08, 0.8%, 0.32%

LAB 30.83, 50.95, 28.7

 

CMYK 61 / 0 / 89 / 43

HEX #399210

RGB 57 146 16

HSL 101.08, 0.8%, 0.32%

LAB 53.45, -48.13, 53.28

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 27 / 89 / 0 / 42

HEX #6C1094

RGB 108 16 148

HSL 281.82, 0.8%, 0.32%

LAB 28.63, 56.44, -50.98

 

CMYK 0 / 73 / 89 / 43

HEX #922810

RGB 146 40 16

HSL 11.08, 0.8%, 0.32%

LAB 33.28, 43.26, 39.25

 

CMYK 61 / 0 / 89 / 43

HEX #399210

RGB 57 146 16

HSL 101.08, 0.8%, 0.32%

LAB 53.45, -48.13, 53.28

 

CMYK 89 / 16 / 0 / 43

HEX #107A92

RGB 16 122 146

HSL 191.08, 0.8%, 0.32%

LAB 47.11, -18.7, -20.82

 

Description

Color code: HEX #6C1094 | qconv.com Color code: HEX #6C1094 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 16 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 16 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 89 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 89% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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