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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954B5D it is the complementary color #6AB4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #954B5D: #9A4B58, #AB5D6B, #BC6F7E, #CD8191 and #DE93A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #954B5D: #954B5D, #84394A, #732737, #621524 and #510311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

Complementary color

CMYK 41 / 0 / 10 / 29

HEX #6AB4A2

RGB 106 180 162

HSL 165.41, 0.33%, 0.56%

LAB 68.25, -27.38, 1.95

 

CMYK 0 / 51 / 43 / 40

HEX #9A4B58

RGB 154 75 88

HSL 350.13, 0.34%, 0.45%

LAB 42.16, 34.3, 7.88

 

CMYK 0 / 46 / 37 / 33

HEX #AB5D6B

RGB 171 93 107

HSL 349.23, 0.32%, 0.52%

LAB 48.94, 33.28, 6.29

 

CMYK 0 / 41 / 33 / 26

HEX #BC6F7E

RGB 188 111 126

HSL 348.31, 0.36%, 0.59%

LAB 55.65, 32.31, 4.95

 

CMYK 0 / 37 / 29 / 20

HEX #CD8191

RGB 205 129 145

HSL 347.37, 0.43%, 0.65%

LAB 62.27, 31.4, 3.8

 

CMYK 0 / 34 / 26 / 13

HEX #DE93A4

RGB 222 147 164

HSL 346.4, 0.53%, 0.72%

LAB 68.81, 30.56, 2.77

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 0 / 57 / 44 / 48

HEX #84394A

RGB 132 57 74

HSL 346.4, 0.4%, 0.37%

LAB 34.65, 33.99, 5.56

 

CMYK 0 / 66 / 52 / 55

HEX #732737

RGB 115 39 55

HSL 347.37, 0.49%, 0.3%

LAB 27.77, 34.81, 7.87

 

CMYK 0 / 79 / 63 / 62

HEX #621524

RGB 98 21 36

HSL 348.31, 0.65%, 0.23%

LAB 21.06, 35.1, 11.11

 

CMYK 0 / 96 / 79 / 68

HEX #510311

RGB 81 3 17

HSL 349.23, 0.93%, 0.16%

LAB 14.71, 34.42, 15.31

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 0 / 50 / 46 / 42

HEX #954B51

RGB 149 75 81

HSL 355.14, 0.33%, 0.44%

LAB 41.24, 31.61, 10.8

 

CMYK 0 / 46 / 50 / 42

HEX #95514B

RGB 149 81 75

HSL 4.86, 0.33%, 0.44%

LAB 42.43, 27.66, 16.12

 

CMYK 0 / 38 / 50 / 42

HEX #955D4B

RGB 149 93 75

HSL 14.59, 0.33%, 0.44%

LAB 45.26, 20.84, 19.9

 

CMYK 0 / 29 / 50 / 42

HEX #956A4B

RGB 149 106 75

HSL 25.14, 0.33%, 0.44%

LAB 48.52, 13.32, 24.16

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 0 / 50 / 38 / 22

HEX #C8657D

RGB 200 101 125

HSL 345.45, 0.47%, 0.59%

LAB 55.14, 41.82, 5.02

 

CMYK 0 / 50 / 37 / 2

HEX #FB7E9D

RGB 251 126 157

HSL 345.12, 0.94%, 0.74%

LAB 67.92, 50.67, 5.89

 

CMYK 0 / 49 / 38 / 82

HEX #2F181D

RGB 47 24 29

HSL 346.96, 0.32%, 0.14%

LAB 11.6, 12.34, 1.5

 

CMYK 0 / 50 / 38 / 62

HEX #62313D

RGB 98 49 61

HSL 345.31, 0.33%, 0.29%

LAB 27.1, 23.57, 2.52

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 0 / 3 / 50 / 42

HEX #95914B

RGB 149 145 75

HSL 56.76, 0.33%, 0.44%

LAB 59.11, -8.65, 37.37

 

CMYK 50 / 17 / 0 / 42

HEX #4B7B95

RGB 75 123 149

HSL 201.08, 0.33%, 0.44%

LAB 49.29, -8.79, -19.09

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 38 / 0 / 50 / 42

HEX #5D954B

RGB 93 149 75

HSL 105.41, 0.33%, 0.44%

LAB 56.42, -33.04, 33.2

 

CMYK 50 / 38 / 0 / 42

HEX #4B5D95

RGB 75 93 149

HSL 225.41, 0.33%, 0.44%

LAB 40.4, 9.39, -32.91

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 0 / 3 / 50 / 42

HEX #95914B

RGB 149 145 75

HSL 56.76, 0.33%, 0.44%

LAB 59.11, -8.65, 37.37

 

CMYK 50 / 0 / 13 / 42

HEX #4B9582

RGB 75 149 130

HSL 164.59, 0.33%, 0.44%

LAB 56.69, -27.89, 2.96

 

CMYK 50 / 48 / 0 / 42

HEX #4B4E95

RGB 75 78 149

HSL 237.57, 0.33%, 0.44%

LAB 36.2, 19.02, -39.57

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 13 / 0 / 50 / 42

HEX #82954B

RGB 130 149 75

HSL 75.41, 0.33%, 0.44%

LAB 58.74, -18.82, 36.57

 

CMYK 50 / 0 / 13 / 42

HEX #4B9582

RGB 75 149 130

HSL 164.59, 0.33%, 0.44%

LAB 56.69, -27.89, 2.96

 

CMYK 38 / 50 / 0 / 42

HEX #5D4B95

RGB 93 75 149

HSL 254.59, 0.33%, 0.44%

LAB 36.98, 25.59, -38.23

 

Description

Color code: HEX #954B5D | qconv.com Color code: HEX #954B5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 75 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 75 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 38 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 38% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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