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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953DB9 it is the complementary color #6AC246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953DB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #953DB9: #9A3DB4, #AB4FC7, #BC61DA, #CD73ED and #DE85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953DB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #953DB9: #953DB9, #842BA6, #731993, #620780 and #51006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

Complementary color

CMYK 45 / 0 / 64 / 24

HEX #6AC246

RGB 106 194 70

HSL 102.58, 0.5%, 0.52%

LAB 70.93, -48.72, 52.6

 

CMYK 14 / 66 / 0 / 29

HEX #9A3DB4

RGB 154 61 180

HSL 286.89, 0.49%, 0.47%

LAB 43.51, 56.11, -45.88

 

CMYK 14 / 60 / 0 / 22

HEX #AB4FC7

RGB 171 79 199

HSL 286, 0.52%, 0.55%

LAB 49.95, 55.8, -46.54

 

CMYK 14 / 56 / 0 / 15

HEX #BC61DA

RGB 188 97 218

HSL 285.12, 0.62%, 0.62%

LAB 56.39, 55.24, -47.01

 

CMYK 14 / 51 / 0 / 7

HEX #CD73ED

RGB 205 115 237

HSL 284.26, 0.77%, 0.69%

LAB 62.81, 54.56, -47.35

 

CMYK 13 / 48 / 0 / 0

HEX #DE85FF

RGB 222 133 255

HSL 283.77, 1%, 0.76%

LAB 69.13, 53.63, -47.15

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 20 / 74 / 0 / 35

HEX #842BA6

RGB 132 43 166

HSL 283.41, 0.59%, 0.41%

LAB 36.72, 55.92, -48.64

 

CMYK 22 / 83 / 0 / 42

HEX #731993

RGB 115 25 147

HSL 284.26, 0.71%, 0.34%

LAB 30.51, 55.03, -47.26

 

CMYK 23 / 95 / 0 / 50

HEX #620780

RGB 98 7 128

HSL 285.12, 0.9%, 0.26%

LAB 24.66, 52.71, -45.04

 

CMYK 26 / 100 / 0 / 57

HEX #51006D

RGB 81 0 109

HSL 284.59, 1%, 0.21%

LAB 19.45, 47.98, -41.47

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 9 / 67 / 0 / 28

HEX #A73DB7

RGB 167 61 183

HSL 292.13, 0.5%, 0.48%

LAB 45.6, 59.71, -44.21

 

CMYK 0 / 67 / 2 / 28

HEX #B73DB3

RGB 183 61 179

HSL 301.97, 0.5%, 0.48%

LAB 47.83, 62.77, -38.17

 

CMYK 0 / 67 / 13 / 28

HEX #B73D9F

RGB 183 61 159

HSL 311.8, 0.5%, 0.48%

LAB 46.85, 59.6, -27.88

 

CMYK 0 / 67 / 25 / 28

HEX #B73D8A

RGB 183 61 138

HSL 322.13, 0.5%, 0.48%

LAB 45.96, 56.6, -16.66

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 19 / 67 / 0 / 7

HEX #BE4EEC

RGB 190 78 236

HSL 282.53, 0.81%, 0.62%

LAB 54.5, 67.97, -60.13

 

CMYK 19 / 66 / 0 / 87

HEX #1A0B20

RGB 26 11 32

HSL 282.86, 0.49%, 0.08%

LAB 5.09, 11.1, -10.86

 

CMYK 19 / 67 / 0 / 67

HEX #431B53

RGB 67 27 83

HSL 282.86, 0.51%, 0.22%

LAB 18.37, 29.56, -26.08

 

CMYK 19 / 67 / 0 / 47

HEX #6C2C86

RGB 108 44 134

HSL 282.67, 0.51%, 0.35%

LAB 31.14, 43.31, -38.27

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 0 / 67 / 60 / 28

HEX #B73D49

RGB 183 61 73

HSL 354.1, 0.5%, 0.48%

LAB 44.07, 49.93, 20.49

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 0 / 20 / 67 / 28

HEX #B7923D

RGB 183 146 61

HSL 41.8, 0.5%, 0.48%

LAB 62.48, 4.62, 48.91

 

CMYK 67 / 0 / 20 / 28

HEX #3DB792

RGB 61 183 146

HSL 161.8, 0.5%, 0.48%

LAB 67.23, -42.51, 9.08

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 0 / 67 / 60 / 28

HEX #B73D49

RGB 183 61 73

HSL 354.1, 0.5%, 0.48%

LAB 44.07, 49.93, 20.49

 

CMYK 47 / 0 / 67 / 28

HEX #61B73D

RGB 97 183 61

HSL 102.3, 0.5%, 0.48%

LAB 67.09, -47.88, 52.09

 

CMYK 67 / 0 / 7 / 28

HEX #3DB7AB

RGB 61 183 171

HSL 174.1, 0.5%, 0.48%

LAB 67.87, -36.08, -3.75

 

CMYK 19 / 67 / 0 / 27

HEX #953DB9

RGB 149 61 185

HSL 282.58, 0.5%, 0.48%

LAB 43.11, 55.99, -49.51

 

CMYK 0 / 54 / 67 / 28

HEX #B7553D

RGB 183 85 61

HSL 11.8, 0.5%, 0.48%

LAB 48.14, 37.9, 32.69

 

CMYK 47 / 0 / 67 / 28

HEX #61B73D

RGB 97 183 61

HSL 102.3, 0.5%, 0.48%

LAB 67.09, -47.88, 52.09

 

CMYK 67 / 13 / 0 / 28

HEX #3D9FB7

RGB 61 159 183

HSL 191.8, 0.5%, 0.48%

LAB 60.96, -20.75, -20.81

 

Description

Color code: HEX #953DB9 | qconv.com Color code: HEX #953DB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 61 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 61 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 67 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 67% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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