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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #951274 it is the complementary color #6AED8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #951274. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #951274: #9A126F, #AB2482, #BC3695, #CD48A8 and #DE5ABB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #951274. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #951274: #951274, #840061, #73004E, #62003B and #510028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

Complementary color

CMYK 55 / 0 / 41 / 7

HEX #6AED8B

RGB 106 237 139

HSL 135.11, 0.78%, 0.67%

LAB 84.74, -56.77, 36.8

 

CMYK 0 / 88 / 28 / 40

HEX #9A126F

RGB 154 18 111

HSL 318.97, 0.79%, 0.34%

LAB 34.9, 59.01, -17.34

 

CMYK 0 / 79 / 24 / 33

HEX #AB2482

RGB 171 36 130

HSL 318.22, 0.65%, 0.41%

LAB 40.46, 61.07, -20.39

 

CMYK 0 / 71 / 21 / 26

HEX #BC3695

RGB 188 54 149

HSL 317.46, 0.55%, 0.47%

LAB 46.31, 62.05, -22.68

 

CMYK 0 / 65 / 18 / 20

HEX #CD48A8

RGB 205 72 168

HSL 316.69, 0.57%, 0.54%

LAB 52.33, 62.35, -24.43

 

CMYK 0 / 59 / 16 / 13

HEX #DE5ABB

RGB 222 90 187

HSL 315.91, 0.67%, 0.61%

LAB 58.44, 62.22, -25.81

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 0 / 100 / 27 / 48

HEX #840061

RGB 132 0 97

HSL 315.91, 1%, 0.26%

LAB 28.82, 55.34, -18.1

 

CMYK 0 / 100 / 32 / 55

HEX #73004E

RGB 115 0 78

HSL 319.3, 1%, 0.23%

LAB 24.31, 49.38, -12.75

 

CMYK 0 / 100 / 40 / 62

HEX #62003B

RGB 98 0 59

HSL 323.88, 1%, 0.19%

LAB 19.69, 43.31, -7.06

 

CMYK 0 / 100 / 51 / 68

HEX #510028

RGB 81 0 40

HSL 330.37, 1%, 0.16%

LAB 14.97, 37.13, -0.88

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 0 / 88 / 36 / 42

HEX #95125F

RGB 149 18 95

HSL 324.73, 0.78%, 0.33%

LAB 33.24, 56, -9.72

 

CMYK 0 / 88 / 51 / 42

HEX #951249

RGB 149 18 73

HSL 334.81, 0.78%, 0.33%

LAB 32.49, 53.88, 3.54

 

CMYK 0 / 88 / 66 / 42

HEX #951233

RGB 149 18 51

HSL 344.89, 0.78%, 0.33%

LAB 31.95, 52.32, 17.31

 

CMYK 0 / 88 / 81 / 42

HEX #95121D

RGB 149 18 29

HSL 354.96, 0.78%, 0.33%

LAB 31.6, 51.32, 30.94

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 0 / 88 / 22 / 22

HEX #C8189C

RGB 200 24 156

HSL 315, 0.79%, 0.44%

LAB 46.09, 73.37, -27.06

 

CMYK 0 / 88 / 22 / 2

HEX #FB1EC3

RGB 251 30 195

HSL 315.2, 0.97%, 0.55%

LAB 57.44, 87.33, -31.58

 

CMYK 0 / 87 / 21 / 82

HEX #2F0625

RGB 47 6 37

HSL 314.63, 0.77%, 0.1%

LAB 7.84, 24.61, -10.17

 

CMYK 0 / 88 / 22 / 62

HEX #620C4C

RGB 98 12 76

HSL 315.35, 0.78%, 0.22%

LAB 21.51, 42.5, -16.01

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 0 / 48 / 88 / 42

HEX #954D12

RGB 149 77 18

HSL 27.02, 0.78%, 0.33%

LAB 40.8, 26.31, 44.82

 

CMYK 88 / 0 / 13 / 42

HEX #129582

RGB 18 149 130

HSL 171.3, 0.78%, 0.33%

LAB 55.31, -37.03, 0.79

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 22 / 0 / 88 / 42

HEX #749512

RGB 116 149 18

HSL 75.11, 0.78%, 0.33%

LAB 57.32, -28.59, 57.29

 

CMYK 88 / 22 / 0 / 42

HEX #127495

RGB 18 116 149

HSL 195.11, 0.78%, 0.33%

LAB 45.34, -14.14, -25.32

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 0 / 48 / 88 / 42

HEX #954D12

RGB 149 77 18

HSL 27.02, 0.78%, 0.33%

LAB 40.8, 26.31, 44.82

 

CMYK 88 / 0 / 66 / 42

HEX #129533

RGB 18 149 51

HSL 135.11, 0.78%, 0.33%

LAB 53.88, -53.24, 41.37

 

CMYK 88 / 40 / 0 / 42

HEX #125A95

RGB 18 90 149

HSL 207.02, 0.78%, 0.33%

LAB 37.13, 1.62, -38.24

 

CMYK 0 / 88 / 22 / 42

HEX #951274

RGB 149 18 116

HSL 315.11, 0.78%, 0.33%

LAB 34.16, 58.52, -21.75

 

CMYK 0 / 22 / 88 / 42

HEX #957412

RGB 149 116 18

HSL 44.89, 0.78%, 0.33%

LAB 50.6, 4, 52.87

 

CMYK 88 / 0 / 66 / 42

HEX #129533

RGB 18 149 51

HSL 135.11, 0.78%, 0.33%

LAB 53.88, -53.24, 41.37

 

CMYK 88 / 66 / 0 / 42

HEX #123395

RGB 18 51 149

HSL 224.89, 0.78%, 0.33%

LAB 25.76, 28.15, -56.64

 

Description

Color code: HEX #951274 | qconv.com Color code: HEX #951274 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 18 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 18 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 22 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 22% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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