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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95115B it is the complementary color #6AEEA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95115B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95115B shade: #9A1156, #AB2369, #BC357C, #CD478F and #DE59A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95115B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95115B shade: #95115B, #840048, #730035, #620022 and #51000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95115B shade: #97115C, #971138, #971114 and #971111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95115B shade: #97115C, #971181, #8A1197, #661197 and #411197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95115B shade matches the following richer shades: #97115C and #A5035E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95115B shade: #97115C, #8A1E5B, #7C2C59, #6F3A57 and #614756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95115B shade: #8A1197, #971181, #97115D, #971139 and #971115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95115B shade: #4D092F, #720D46, #97115C, #BD1573 and #E2198A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95115B shade: #95115B, #976611 and #119397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95115B shade: #95115B, #5D9711 and #115D97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95115B shade: #95115B, #976611, #11974B and #114297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95115B shade: #95115B, #978E11, #11974B and #111A97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 39 / 42

HEX #95115B

RGB 149 17 91

HSL 326.36, 0.8%, 0.33%

LAB 33.02, 55.78, -7.46

 

Complementary color

CMYK 55 / 0 / 31 / 7

HEX #6AEEA4

RGB 106 238 164

HSL 146.36, 0.8%, 0.67%

LAB 85.45, -52.8, 25.11

 

CMYK 0 / 89 / 44 / 40

HEX #9A1156

RGB 154 17 86

HSL 329.78, 0.8%, 0.34%

LAB 33.86, 56.51, -2.85

 

CMYK 0 / 80 / 39 / 33

HEX #AB2369

RGB 171 35 105

HSL 329.12, 0.66%, 0.4%

LAB 39.38, 58.43, -6.45

 

CMYK 0 / 72 / 34 / 26

HEX #BC357C

RGB 188 53 124

HSL 328.44, 0.56%, 0.47%

LAB 45.21, 59.27, -9.19

 

CMYK 0 / 65 / 30 / 20

HEX #CD478F

RGB 205 71 143

HSL 327.76, 0.57%, 0.54%

LAB 51.23, 59.45, -11.32

 

CMYK 0 / 60 / 27 / 13

HEX #DE59A2

RGB 222 89 162

HSL 327.07, 0.67%, 0.61%

LAB 57.35, 59.21, -13.03

 

CMYK 0 / 89 / 39 / 42

HEX #95115B

RGB 149 17 91

HSL 326.36, 0.8%, 0.33%

LAB 33.02, 55.78, -7.46

 

CMYK 0 / 100 / 45 / 48

HEX #840048

RGB 132 0 72

HSL 327.27, 1%, 0.26%

LAB 27.77, 52.64, -3.11

 

CMYK 0 / 100 / 54 / 55

HEX #730035

RGB 115 0 53

HSL 332.35, 1%, 0.23%

LAB 23.34, 46.88, 2.97

 

CMYK 0 / 100 / 65 / 62

HEX #620022

RGB 98 0 34

HSL 339.18, 1%, 0.19%

LAB 18.85, 41.11, 9.56

 

CMYK 0 / 100 / 81 / 68

HEX #51000F

RGB 81 0 15

HSL 348.89, 1%, 0.16%

LAB 14.31, 35.38, 15.91

 

CMYK 0 / 89 / 39 / 41

HEX #97115C

RGB 151 17 92

HSL 326.42, 0.8%, 0.33%

LAB 33.46, 56.37, -7.4

 

CMYK 0 / 89 / 63 / 41

HEX #971138

RGB 151 17 56

HSL 342.54, 0.8%, 0.33%

LAB 32.4, 53.37, 14.7

 

CMYK 0 / 89 / 87 / 41

HEX #971114

RGB 151 17 20

HSL 358.66, 0.8%, 0.33%

LAB 31.88, 51.84, 36.5

 

CMYK 0 / 89 / 89 / 41

HEX #971111

RGB 151 17 17

HSL 0, 0.8%, 0.33%

LAB 31.85, 51.77, 38.04

 

CMYK 0 / 89 / 39 / 41

HEX #97115C

RGB 151 17 92

HSL 326.42, 0.8%, 0.33%

LAB 33.46, 56.37, -7.4

 

CMYK 0 / 89 / 15 / 41

HEX #971181

RGB 151 17 129

HSL 309.85, 0.8%, 0.33%

LAB 35.13, 60.9, -28.36

 

CMYK 9 / 89 / 0 / 41

HEX #8A1197

RGB 138 17 151

HSL 294.18, 0.8%, 0.33%

LAB 34.06, 61.82, -43.79

 

CMYK 32 / 89 / 0 / 41

HEX #661197

RGB 102 17 151

HSL 278.06, 0.8%, 0.33%

LAB 28.01, 55.92, -53.89

 

CMYK 57 / 89 / 0 / 41

HEX #411197

RGB 65 17 151

HSL 261.49, 0.8%, 0.33%

LAB 22.86, 51.32, -62.54

 

CMYK 0 / 89 / 39 / 41

HEX #97115C

RGB 151 17 92

HSL 326.42, 0.8%, 0.33%

LAB 33.46, 56.37, -7.4

 

CMYK 0 / 98 / 43 / 35

HEX #A5035E

RGB 165 3 94

HSL 326.3, 0.96%, 0.33%

LAB 35.74, 61.82, -4.99

 

CMYK 0 / 89 / 39 / 41

HEX #97115C

RGB 151 17 92

HSL 326.42, 0.8%, 0.33%

LAB 33.46, 56.37, -7.4

 

CMYK 0 / 78 / 34 / 46

HEX #8A1E5B

RGB 138 30 91

HSL 326.11, 0.64%, 0.33%

LAB 32, 49.6, -9.21

 

CMYK 0 / 65 / 28 / 51

HEX #7C2C59

RGB 124 44 89

HSL 326.25, 0.48%, 0.33%

LAB 31.37, 39.62, -9.12

 

CMYK 0 / 48 / 22 / 56

HEX #6F3A57

RGB 111 58 87

HSL 327.17, 0.31%, 0.33%

LAB 32.02, 27.39, -7.05

 

CMYK 0 / 27 / 11 / 62

HEX #614756

RGB 97 71 86

HSL 325.38, 0.15%, 0.33%

LAB 33.39, 13.83, -4.55

 

CMYK 9 / 89 / 0 / 41

HEX #8A1197

RGB 138 17 151

HSL 294.18, 0.8%, 0.33%

LAB 34.06, 61.82, -43.79

 

CMYK 0 / 89 / 15 / 41

HEX #971181

RGB 151 17 129

HSL 309.85, 0.8%, 0.33%

LAB 35.13, 60.9, -28.36

 

CMYK 0 / 89 / 38 / 41

HEX #97115D

RGB 151 17 93

HSL 325.97, 0.8%, 0.33%

LAB 33.5, 56.47, -8

 

CMYK 0 / 89 / 62 / 41

HEX #971139

RGB 151 17 57

HSL 342.09, 0.8%, 0.33%

LAB 32.43, 53.43, 14.07

 

CMYK 0 / 89 / 86 / 41

HEX #971115

RGB 151 17 21

HSL 358.21, 0.8%, 0.33%

LAB 31.88, 51.86, 35.97

 

CMYK 0 / 88 / 39 / 70

HEX #4D092F

RGB 77 9 47

HSL 326.47, 0.79%, 0.17%

LAB 15.37, 33.79, -5.48

 

CMYK 0 / 89 / 39 / 55

HEX #720D46

RGB 114 13 70

HSL 326.14, 0.8%, 0.25%

LAB 24.66, 45.56, -6.81

 

CMYK 0 / 89 / 39 / 41

HEX #97115C

RGB 151 17 92

HSL 326.42, 0.8%, 0.33%

LAB 33.46, 56.37, -7.4

 

CMYK 0 / 89 / 39 / 26

HEX #BD1573

RGB 189 21 115

HSL 326.43, 0.8%, 0.41%

LAB 42.14, 66.94, -8.22

 

CMYK 0 / 89 / 39 / 11

HEX #E2198A

RGB 226 25 138

HSL 326.27, 0.8%, 0.49%

LAB 50.33, 76.84, -9.3

 

CMYK 0 / 89 / 39 / 42

HEX #95115B

RGB 149 17 91

HSL 326.36, 0.8%, 0.33%

LAB 33.02, 55.78, -7.46

 

CMYK 0 / 32 / 89 / 41

HEX #976611

RGB 151 102 17

HSL 38.06, 0.8%, 0.33%

LAB 47.13, 12.94, 50.43

 

CMYK 89 / 3 / 0 / 41

HEX #119397

RGB 17 147 151

HSL 181.79, 0.8%, 0.33%

LAB 55.3, -29.81, -11.28

 

CMYK 0 / 89 / 39 / 42

HEX #95115B

RGB 149 17 91

HSL 326.36, 0.8%, 0.33%

LAB 33.02, 55.78, -7.46

 

CMYK 38 / 0 / 89 / 41

HEX #5D9711

RGB 93 151 17

HSL 85.97, 0.8%, 0.33%

LAB 56.59, -38.63, 56.35

 

CMYK 89 / 38 / 0 / 41

HEX #115D97

RGB 17 93 151

HSL 205.97, 0.8%, 0.33%

LAB 38.17, 0.43, -37.8

 

CMYK 0 / 89 / 39 / 42

HEX #95115B

RGB 149 17 91

HSL 326.36, 0.8%, 0.33%

LAB 33.02, 55.78, -7.46

 

CMYK 0 / 32 / 89 / 41

HEX #976611

RGB 151 102 17

HSL 38.06, 0.8%, 0.33%

LAB 47.13, 12.94, 50.43

 

CMYK 89 / 0 / 50 / 41

HEX #11974B

RGB 17 151 75

HSL 145.97, 0.8%, 0.33%

LAB 54.82, -50.55, 30.73

 

CMYK 89 / 56 / 0 / 41

HEX #114297

RGB 17 66 151

HSL 218.06, 0.8%, 0.33%

LAB 30.03, 18.53, -50.88

 

CMYK 0 / 89 / 39 / 42

HEX #95115B

RGB 149 17 91

HSL 326.36, 0.8%, 0.33%

LAB 33.02, 55.78, -7.46

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 89 / 0 / 50 / 41

HEX #11974B

RGB 17 151 75

HSL 145.97, 0.8%, 0.33%

LAB 54.82, -50.55, 30.73

 

CMYK 89 / 83 / 0 / 41

HEX #111A97

RGB 17 26 151

HSL 235.97, 0.8%, 0.33%

LAB 20.41, 44.19, -66.71

 

Description

Color code: HEX #95115B | qconv.com Color code: HEX #95115B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 17 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 17 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 39 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 39% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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