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Color name
RGB 151 142 17

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 142 17 it is the complementary color RGB 104 113 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 142 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 142 17 shade: RGB 156 142 12, RGB 173 160 31, RGB 190 178 50, RGB 207 196 69 and RGB 224 214 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 142 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 134 124 0, RGB 117 106 0, RGB 100 88 0 and RGB 83 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 151 106 17, RGB 151 70 17, RGB 151 34 17 and RGB 151 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 124 151 17, RGB 88 151 17, RGB 52 151 17 and RGB 17 151 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 142 17 shade matches the following richer shades: RGB 151 142 17 and RGB 165 154 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 138 131 30, RGB 124 119 44, RGB 111 107 58 and RGB 97 95 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 142 17 shade: RGB 151 68 17, RGB 151 104 17, RGB 151 140 17, RGB 127 151 17 and RGB 91 151 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 142 17 shade: RGB 77 73 9, RGB 114 108 13, RGB 151 142 17, RGB 189 177 21 and RGB 226 212 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 17 151 33 and RGB 86 17 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 17 151 140 and RGB 140 17 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 17 151 33, RGB 17 28 151 and RGB 151 17 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 142 17 shade: RGB 151 142 17, RGB 17 151 73, RGB 17 28 151 and RGB 151 17 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

Complementary color

CMYK 56 / 53 / 0 / 7

HEX #6871EE

RGB 104 113 238

HSL 235.97, 0.8%, 0.67%

LAB 52.87, 32.02, -64.33

 

CMYK 0 / 9 / 92 / 39

HEX #9C8E0C

RGB 156 142 12

HSL 54.17, 0.86%, 0.33%

LAB 58.45, -7.32, 60.71

 

CMYK 0 / 8 / 82 / 32

HEX #ADA01F

RGB 173 160 31

HSL 54.51, 0.7%, 0.4%

LAB 65.06, -8.78, 62.41

 

CMYK 0 / 6 / 74 / 25

HEX #BEB232

RGB 190 178 50

HSL 54.86, 0.58%, 0.47%

LAB 71.57, -9.97, 62.8

 

CMYK 0 / 5 / 67 / 19

HEX #CFC445

RGB 207 196 69

HSL 55.22, 0.59%, 0.54%

LAB 77.98, -10.97, 62.45

 

CMYK 0 / 4 / 61 / 12

HEX #E0D658

RGB 224 214 88

HSL 55.59, 0.69%, 0.61%

LAB 84.3, -11.8, 61.7

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 0 / 7 / 100 / 47

HEX #867C00

RGB 134 124 0

HSL 55.52, 1%, 0.26%

LAB 51.25, -7.93, 56.48

 

CMYK 0 / 9 / 100 / 54

HEX #756A00

RGB 117 106 0

HSL 54.36, 1%, 0.23%

LAB 44.36, -5.98, 50.77

 

CMYK 0 / 12 / 100 / 61

HEX #645800

RGB 100 88 0

HSL 52.8, 1%, 0.2%

LAB 37.28, -3.92, 44.9

 

CMYK 0 / 16 / 100 / 67

HEX #534600

RGB 83 70 0

HSL 50.6, 1%, 0.16%

LAB 29.96, -1.73, 38.82

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 0 / 30 / 89 / 41

HEX #976A11

RGB 151 106 17

HSL 39.85, 0.8%, 0.33%

LAB 48.17, 10.64, 51.27

 

CMYK 0 / 54 / 89 / 41

HEX #974611

RGB 151 70 17

HSL 23.73, 0.8%, 0.33%

LAB 39.58, 30.95, 44.32

 

CMYK 0 / 77 / 89 / 41

HEX #972211

RGB 151 34 17

HSL 7.61, 0.8%, 0.33%

LAB 33.49, 47.16, 39.37

 

CMYK 0 / 89 / 89 / 41

HEX #971111

RGB 151 17 17

HSL 0, 0.8%, 0.33%

LAB 31.85, 51.77, 38.04

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 18 / 0 / 89 / 41

HEX #7C9711

RGB 124 151 17

HSL 72.09, 0.8%, 0.33%

LAB 58.47, -26.2, 58.69

 

CMYK 42 / 0 / 89 / 41

HEX #589711

RGB 88 151 17

HSL 88.21, 0.8%, 0.33%

LAB 56.34, -40.44, 56.03

 

CMYK 66 / 0 / 89 / 41

HEX #349711

RGB 52 151 17

HSL 104.33, 0.8%, 0.33%

LAB 54.97, -51.08, 54.32

 

CMYK 89 / 0 / 88 / 41

HEX #119712

RGB 17 151 18

HSL 120.45, 0.8%, 0.33%

LAB 54.34, -56.56, 53.3

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 0 / 7 / 98 / 35

HEX #A59A03

RGB 165 154 3

HSL 55.93, 0.96%, 0.33%

LAB 62.61, -9.78, 65.55

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 0 / 5 / 78 / 46

HEX #8A831E

RGB 138 131 30

HSL 56.11, 0.64%, 0.33%

LAB 53.74, -9.11, 51.45

 

CMYK 0 / 4 / 65 / 51

HEX #7C772C

RGB 124 119 44

HSL 56.25, 0.48%, 0.33%

LAB 49.08, -8.16, 40.68

 

CMYK 0 / 4 / 48 / 56

HEX #6F6B3A

RGB 111 107 58

HSL 55.47, 0.31%, 0.33%

LAB 44.52, -6.07, 27.89

 

CMYK 0 / 2 / 27 / 62

HEX #615F47

RGB 97 95 71

HSL 55.38, 0.15%, 0.33%

LAB 39.88, -3.59, 14.06

 

CMYK 0 / 55 / 89 / 41

HEX #974411

RGB 151 68 17

HSL 22.84, 0.8%, 0.33%

LAB 39.16, 32.01, 43.98

 

CMYK 0 / 31 / 89 / 41

HEX #976811

RGB 151 104 17

HSL 38.96, 0.8%, 0.33%

LAB 47.65, 11.79, 50.85

 

CMYK 0 / 7 / 89 / 41

HEX #978C11

RGB 151 140 17

HSL 55.07, 0.8%, 0.33%

LAB 57.44, -8.44, 58.74

 

CMYK 16 / 0 / 89 / 41

HEX #7F9711

RGB 127 151 17

HSL 70.75, 0.8%, 0.33%

LAB 58.68, -24.91, 58.95

 

CMYK 40 / 0 / 89 / 41

HEX #5B9711

RGB 91 151 17

HSL 86.87, 0.8%, 0.33%

LAB 56.48, -39.36, 56.22

 

CMYK 0 / 5 / 88 / 70

HEX #4D4909

RGB 77 73 9

HSL 56.47, 0.79%, 0.17%

LAB 30.31, -6.3, 35.37

 

CMYK 0 / 5 / 89 / 55

HEX #726C0D

RGB 114 108 13

HSL 56.44, 0.8%, 0.25%

LAB 44.7, -8.24, 47.86

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 0 / 6 / 89 / 26

HEX #BDB115

RGB 189 177 21

HSL 55.71, 0.8%, 0.41%

LAB 71.09, -10.82, 70.28

 

CMYK 0 / 6 / 89 / 11

HEX #E2D419

RGB 226 212 25

HSL 55.82, 0.8%, 0.49%

LAB 83.61, -12.5, 80.8

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 89 / 0 / 78 / 41

HEX #119721

RGB 17 151 33

HSL 127.16, 0.8%, 0.33%

LAB 54.41, -55.67, 49.09

 

CMYK 43 / 89 / 0 / 41

HEX #561197

RGB 86 17 151

HSL 270.9, 0.8%, 0.33%

LAB 25.6, 53.72, -57.92

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 89 / 0 / 7 / 41

HEX #11978C

RGB 17 151 140

HSL 175.07, 0.8%, 0.33%

LAB 56.23, -35.09, -3.58

 

CMYK 7 / 89 / 0 / 41

HEX #8C1197

RGB 140 17 151

HSL 295.07, 0.8%, 0.33%

LAB 34.42, 62.18, -43.2

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 89 / 0 / 78 / 41

HEX #119721

RGB 17 151 33

HSL 127.16, 0.8%, 0.33%

LAB 54.41, -55.67, 49.09

 

CMYK 89 / 81 / 0 / 41

HEX #111C97

RGB 17 28 151

HSL 235.07, 0.8%, 0.33%

LAB 20.77, 43.15, -66.12

 

CMYK 0 / 89 / 10 / 41

HEX #971188

RGB 151 17 136

HSL 306.72, 0.8%, 0.33%

LAB 35.51, 61.9, -32.11

 

CMYK 0 / 6 / 89 / 41

HEX #978E11

RGB 151 142 17

HSL 55.97, 0.8%, 0.33%

LAB 58, -9.51, 59.2

 

CMYK 89 / 0 / 52 / 41

HEX #119749

RGB 17 151 73

HSL 145.07, 0.8%, 0.33%

LAB 54.8, -50.89, 31.73

 

CMYK 89 / 81 / 0 / 41

HEX #111C97

RGB 17 28 151

HSL 235.07, 0.8%, 0.33%

LAB 20.77, 43.15, -66.12

 

CMYK 0 / 89 / 37 / 41

HEX #97115F

RGB 151 17 95

HSL 325.07, 0.8%, 0.33%

LAB 33.58, 56.68, -9.17

 

Description

Color code: RGB 151 142 17 | qconv.com Color code: RGB 151 142 17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 142 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 142 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 89% 41% C M Y K

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Provide designers and agencies with accurate color values.

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