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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94F373 it is the complementary color #6B0C8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94F373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #94F373: #99F36E, #AAFF81, #BBFF94, #CCFFA7 and #DDFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94F373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #94F373: #94F373, #83E160, #72CF4D, #61BD3A and #50AB27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

Complementary color

CMYK 24 / 91 / 0 / 45

HEX #6B0C8C

RGB 107 12 140

HSL 284.53, 0.84%, 0.3%

LAB 27.52, 55.53, -47.84

 

CMYK 37 / 0 / 55 / 5

HEX #99F36E

RGB 153 243 110

HSL 100.6, 0.85%, 0.69%

LAB 87.97, -49.96, 54.99

 

CMYK 33 / 0 / 49 / 0

HEX #AAFF81

RGB 170 255 129

HSL 100.48, 1%, 0.75%

LAB 92.42, -47.42, 51.83

 

CMYK 27 / 0 / 42 / 0

HEX #BBFF94

RGB 187 255 148

HSL 98.13, 1%, 0.79%

LAB 93.55, -39.49, 44.42

 

CMYK 20 / 0 / 35 / 0

HEX #CCFFA7

RGB 204 255 167

HSL 94.77, 1%, 0.83%

LAB 94.8, -31.2, 36.93

 

CMYK 13 / 0 / 27 / 0

HEX #DDFFBA

RGB 221 255 186

HSL 89.57, 1%, 0.86%

LAB 96.18, -22.64, 29.45

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 42 / 0 / 57 / 12

HEX #83E160

RGB 131 225 96

HSL 103.72, 0.68%, 0.63%

LAB 81.58, -50.97, 53.55

 

CMYK 45 / 0 / 63 / 19

HEX #72CF4D

RGB 114 207 77

HSL 102.92, 0.58%, 0.56%

LAB 75.29, -50.83, 54.52

 

CMYK 49 / 0 / 69 / 26

HEX #61BD3A

RGB 97 189 58

HSL 102.14, 0.53%, 0.48%

LAB 68.93, -50.51, 55.24

 

CMYK 53 / 0 / 77 / 33

HEX #50AB27

RGB 80 171 39

HSL 101.36, 0.63%, 0.41%

LAB 62.49, -49.93, 55.44

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 48 / 0 / 53 / 5

HEX #7FF272

RGB 127 242 114

HSL 113.91, 0.83%, 0.7%

LAB 86.62, -56.88, 51.3

 

CMYK 53 / 0 / 50 / 5

HEX #72F27A

RGB 114 242 122

HSL 123.75, 0.83%, 0.7%

LAB 86.25, -59.27, 47.01

 

CMYK 53 / 0 / 40 / 5

HEX #72F290

RGB 114 242 144

HSL 134.06, 0.83%, 0.7%

LAB 86.55, -56.05, 36.72

 

CMYK 53 / 0 / 32 / 5

HEX #72F2A5

RGB 114 242 165

HSL 143.91, 0.83%, 0.7%

LAB 86.9, -52.44, 26.61

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 38 / 0 / 54 / 85

HEX #182712

RGB 24 39 18

HSL 102.86, 0.37%, 0.11%

LAB 13.76, -11.49, 11.79

 

CMYK 39 / 0 / 52 / 65

HEX #375A2B

RGB 55 90 43

HSL 104.68, 0.35%, 0.26%

LAB 34.6, -22.75, 23.11

 

CMYK 39 / 0 / 52 / 45

HEX #568D43

RGB 86 141 67

HSL 104.59, 0.36%, 0.41%

LAB 53.42, -32.83, 33.58

 

CMYK 39 / 0 / 53 / 25

HEX #75C05B

RGB 117 192 91

HSL 104.55, 0.44%, 0.55%

LAB 71.03, -42.16, 43.28

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 53 / 0 / 3 / 5

HEX #72F2EA

RGB 114 242 234

HSL 176.25, 0.83%, 0.7%

LAB 88.46, -37.31, -6.98

 

CMYK 0 / 53 / 18 / 5

HEX #F272C7

RGB 242 114 199

HSL 320.16, 0.83%, 0.7%

LAB 65.78, 58.92, -21.14

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 53 / 39 / 0 / 5

HEX #7294F2

RGB 114 148 242

HSL 224.06, 0.83%, 0.7%

LAB 62.65, 14.38, -50.87

 

CMYK 0 / 53 / 39 / 5

HEX #F27294

RGB 242 114 148

HSL 344.06, 0.83%, 0.7%

LAB 64.2, 52.42, 5.49

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 53 / 0 / 3 / 5

HEX #72F2EA

RGB 114 242 234

HSL 176.25, 0.83%, 0.7%

LAB 88.46, -37.31, -6.98

 

CMYK 14 / 53 / 0 / 5

HEX #D072F2

RGB 208 114 242

HSL 284.06, 0.83%, 0.7%

LAB 63.22, 56.85, -49.44

 

CMYK 0 / 53 / 50 / 5

HEX #F2727A

RGB 242 114 122

HSL 356.25, 0.83%, 0.7%

LAB 63.6, 49.86, 19.5

 

CMYK 39 / 0 / 53 / 5

HEX #94F373

RGB 148 243 115

HSL 104.53, 0.84%, 0.7%

LAB 87.79, -50.99, 52.45

 

CMYK 53 / 12 / 0 / 5

HEX #72D4F2

RGB 114 212 242

HSL 194.06, 0.83%, 0.7%

LAB 80.22, -20.74, -23.57

 

CMYK 14 / 53 / 0 / 5

HEX #D072F2

RGB 208 114 242

HSL 284.06, 0.83%, 0.7%

LAB 63.22, 56.85, -49.44

 

CMYK 0 / 40 / 53 / 5

HEX #F29072

RGB 242 144 114

HSL 14.06, 0.83%, 0.7%

LAB 69.5, 34.1, 31.8

 

Description

Color code: HEX #94F373 | qconv.com Color code: HEX #94F373 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 243 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 243 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 53% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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