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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E9CD it is the complementary color #6B1632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E9CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #94E9CD: #99E9C8, #AAFBDB, #BBFFEE, #CCFFFF and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E9CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #94E9CD: #94E9CD, #83D7BA, #72C5A7, #61B394 and #50A181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

Complementary color

CMYK 0 / 79 / 53 / 58

HEX #6B1632

RGB 107 22 50

HSL 340.24, 0.66%, 0.25%

LAB 23.44, 38.85, 4.95

 

CMYK 34 / 0 / 14 / 9

HEX #99E9C8

RGB 153 233 200

HSL 155.25, 0.65%, 0.76%

LAB 86.61, -31.53, 8.32

 

CMYK 32 / 0 / 13 / 2

HEX #AAFBDB

RGB 170 251 219

HSL 156.3, 0.91%, 0.83%

LAB 92.86, -31.31, 7.52

 

CMYK 27 / 0 / 7 / 0

HEX #BBFFEE

RGB 187 255 238

HSL 165, 1%, 0.87%

LAB 95.27, -24.48, 1.31

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 39 / 0 / 13 / 16

HEX #83D7BA

RGB 131 215 186

HSL 159.29, 0.51%, 0.68%

LAB 80.16, -32.08, 6.32

 

CMYK 42 / 0 / 15 / 23

HEX #72C5A7

RGB 114 197 167

HSL 158.31, 0.42%, 0.61%

LAB 73.74, -32.29, 7.19

 

CMYK 46 / 0 / 17 / 30

HEX #61B394

RGB 97 179 148

HSL 157.32, 0.35%, 0.54%

LAB 67.22, -32.48, 8.12

 

CMYK 50 / 0 / 20 / 37

HEX #50A181

RGB 80 161 129

HSL 156.3, 0.34%, 0.47%

LAB 60.59, -32.64, 9.14

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 36 / 0 / 6 / 9

HEX #95E9DB

RGB 149 233 219

HSL 170, 0.66%, 0.75%

LAB 86.89, -28.56, -1.27

 

CMYK 36 / 0 / 0 / 9

HEX #95E9E9

RGB 149 233 233

HSL 180, 0.66%, 0.75%

LAB 87.27, -25.35, -8.07

 

CMYK 36 / 6 / 0 / 9

HEX #95DBE9

RGB 149 219 233

HSL 190, 0.66%, 0.75%

LAB 83.41, -18.41, -13.82

 

CMYK 36 / 12 / 0 / 9

HEX #95CDE9

RGB 149 205 233

HSL 200, 0.66%, 0.75%

LAB 79.58, -11.23, -19.59

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 38 / 0 / 10 / 89

HEX #121D1A

RGB 18 29 26

HSL 163.64, 0.23%, 0.09%

LAB 9.66, -5.78, 0.48

 

CMYK 36 / 0 / 13 / 69

HEX #335046

RGB 51 80 70

HSL 159.31, 0.22%, 0.26%

LAB 31.54, -13.42, 2.45

 

CMYK 37 / 0 / 12 / 49

HEX #538373

RGB 83 131 115

HSL 160, 0.22%, 0.42%

LAB 51.05, -20.13, 3.51

 

CMYK 36 / 0 / 12 / 29

HEX #74B6A0

RGB 116 182 160

HSL 160, 0.31%, 0.58%

LAB 69.26, -26.03, 4.57

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 36 / 31 / 0 / 9

HEX #95A0E9

RGB 149 160 233

HSL 232.14, 0.66%, 0.75%

LAB 67.59, 13.38, -38.01

 

CMYK 0 / 27 / 36 / 9

HEX #E9AB95

RGB 233 171 149

HSL 15.71, 0.66%, 0.75%

LAB 75.21, 19.91, 20.27

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 12 / 36 / 0 / 9

HEX #CD95E9

RGB 205 149 233

HSL 280, 0.66%, 0.75%

LAB 69.72, 35.82, -34.32

 

CMYK 0 / 12 / 36 / 9

HEX #E9CD95

RGB 233 205 149

HSL 40, 0.66%, 0.75%

LAB 83.52, 1.97, 31.51

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 36 / 31 / 0 / 9

HEX #95A0E9

RGB 149 160 233

HSL 232.14, 0.66%, 0.75%

LAB 67.59, 13.38, -38.01

 

CMYK 0 / 36 / 24 / 9

HEX #E995B1

RGB 233 149 177

HSL 340, 0.66%, 0.75%

LAB 70.87, 35.27, -1.32

 

CMYK 0 / 5 / 36 / 9

HEX #E9DE95

RGB 233 222 149

HSL 52.14, 0.66%, 0.75%

LAB 87.84, -6.74, 37.19

 

CMYK 36 / 0 / 12 / 9

HEX #94E9CD

RGB 148 233 205

HSL 160.24, 0.66%, 0.75%

LAB 86.49, -31.88, 5.5

 

CMYK 30 / 36 / 0 / 9

HEX #A395E9

RGB 163 149 233

HSL 250, 0.66%, 0.75%

LAB 65.88, 23.52, -40.6

 

CMYK 0 / 36 / 24 / 9

HEX #E995B1

RGB 233 149 177

HSL 340, 0.66%, 0.75%

LAB 70.87, 35.27, -1.32

 

CMYK 6 / 0 / 36 / 9

HEX #DBE995

RGB 219 233 149

HSL 70, 0.66%, 0.75%

LAB 89.63, -17.57, 39.3

 

Description

Color code: HEX #94E9CD | qconv.com Color code: HEX #94E9CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 233 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 233 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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