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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E44B it is the complementary color #6B1BB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E44B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #94E44B: #99E446, #AAF659, #BBFF6C, #CCFF7F and #DDFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E44B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #94E44B: #94E44B, #83D238, #72C025, #61AE12 and #509C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

Complementary color

CMYK 41 / 85 / 0 / 29

HEX #6B1BB4

RGB 107 27 180

HSL 271.37, 0.74%, 0.41%

LAB 32.27, 60.29, -64.41

 

CMYK 33 / 0 / 69 / 11

HEX #99E446

RGB 153 228 70

HSL 88.48, 0.75%, 0.58%

LAB 83.28, -47.16, 66.34

 

CMYK 31 / 0 / 64 / 4

HEX #AAF659

RGB 170 246 89

HSL 89.04, 0.9%, 0.66%

LAB 89.48, -47.45, 65.83

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6C

RGB 187 255 108

HSL 87.76, 1%, 0.71%

LAB 93.09, -43.78, 62.23

 

CMYK 20 / 0 / 50 / 0

HEX #CCFF7F

RGB 204 255 127

HSL 83.91, 1%, 0.75%

LAB 94.27, -35.91, 55.42

 

CMYK 13 / 0 / 43 / 0

HEX #DDFF92

RGB 221 255 146

HSL 78.72, 1%, 0.79%

LAB 95.57, -27.71, 48.36

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 38 / 0 / 73 / 18

HEX #83D238

RGB 131 210 56

HSL 90.78, 0.63%, 0.52%

LAB 76.8, -48.16, 64.44

 

CMYK 41 / 0 / 81 / 25

HEX #72C025

RGB 114 192 37

HSL 90.19, 0.68%, 0.45%

LAB 70.46, -47.6, 64.05

 

CMYK 44 / 0 / 90 / 32

HEX #61AE12

RGB 97 174 18

HSL 89.62, 0.81%, 0.38%

LAB 64.05, -46.76, 62.54

 

CMYK 49 / 0 / 100 / 39

HEX #509C00

RGB 80 156 0

HSL 89.23, 1%, 0.31%

LAB 57.54, -45.62, 59.67

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 46 / 0 / 68 / 11

HEX #7AE349

RGB 122 227 73

HSL 100.91, 0.73%, 0.59%

LAB 81.6, -56.59, 63.03

 

CMYK 58 / 0 / 68 / 11

HEX #60E349

RGB 96 227 73

HSL 111.04, 0.73%, 0.59%

LAB 80.69, -63.58, 61.79

 

CMYK 68 / 0 / 67 / 11

HEX #49E34B

RGB 73 227 75

HSL 120.78, 0.73%, 0.59%

LAB 80.1, -68.27, 60.21

 

CMYK 68 / 0 / 56 / 11

HEX #49E365

RGB 73 227 101

HSL 130.91, 0.73%, 0.59%

LAB 80.34, -65.41, 49.37

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 33 / 0 / 67 / 91

HEX #101808

RGB 16 24 8

HSL 90, 0.5%, 0.06%

LAB 7.05, -6.48, 7.16

 

CMYK 35 / 0 / 67 / 71

HEX #314B19

RGB 49 75 25

HSL 91.2, 0.5%, 0.2%

LAB 28.79, -19.74, 26.06

 

CMYK 35 / 0 / 67 / 51

HEX #527E29

RGB 82 126 41

HSL 91.06, 0.51%, 0.33%

LAB 48.1, -30.15, 40.08

 

CMYK 35 / 0 / 67 / 31

HEX #73B13A

RGB 115 177 58

HSL 91.26, 0.51%, 0.46%

LAB 66.05, -39.62, 52.48

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 68 / 0 / 19 / 11

HEX #49E3B7

RGB 73 227 183

HSL 162.86, 0.73%, 0.59%

LAB 81.71, -50.39, 9.88

 

CMYK 0 / 68 / 8 / 11

HEX #E349D1

RGB 227 73 209

HSL 307.01, 0.73%, 0.59%

LAB 57.75, 73.44, -39.4

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 68 / 35 / 0 / 11

HEX #4993E3

RGB 73 147 227

HSL 211.17, 0.73%, 0.59%

LAB 59.73, 2.43, -47.31

 

CMYK 0 / 68 / 35 / 11

HEX #E34993

RGB 227 73 147

HSL 331.17, 0.73%, 0.59%

LAB 55.28, 65.34, -7.26

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 68 / 0 / 19 / 11

HEX #49E3B7

RGB 73 227 183

HSL 162.86, 0.73%, 0.59%

LAB 81.71, -50.39, 9.88

 

CMYK 33 / 68 / 0 / 11

HEX #9949E3

RGB 153 73 227

HSL 271.17, 0.73%, 0.59%

LAB 48.37, 60.65, -65.2

 

CMYK 0 / 68 / 49 / 11

HEX #E34974

RGB 227 73 116

HSL 343.25, 0.73%, 0.59%

LAB 54.4, 62.32, 9.87

 

CMYK 35 / 0 / 67 / 11

HEX #94E44B

RGB 148 228 75

HSL 91.37, 0.74%, 0.59%

LAB 83.07, -48.53, 64.16

 

CMYK 68 / 1 / 0 / 11

HEX #49E1E3

RGB 73 225 227

HSL 180.78, 0.73%, 0.59%

LAB 82.28, -38.18, -12.6

 

CMYK 33 / 68 / 0 / 11

HEX #9949E3

RGB 153 73 227

HSL 271.17, 0.73%, 0.59%

LAB 48.37, 60.65, -65.2

 

CMYK 0 / 67 / 68 / 11

HEX #E34B49

RGB 227 75 73

HSL 0.78, 0.73%, 0.59%

LAB 53.86, 58.61, 34.46

 

Description

Color code: HEX #94E44B | qconv.com Color code: HEX #94E44B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 228 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 228 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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