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Color name
HEX #94D92B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94D92B it is the complementary color #6B26D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94D92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94D92B shade: #99D926, #AAEB39, #BBFD4C, #CCFF5F and #DDFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94D92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94D92B shade: #94D92B, #83C718, #72B505, #61A300 and #509100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94D92B shade: #94DA2B, #C3DA2B, #DAC12B, #DA912B and #DA622B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94D92B shade: #94DA2B, #65DA2B, #36DA2B, #2BDA4F and #2BDA7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94D92B shade matches the following richer shades: #94DA2B and #98EE16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94D92B shade: #94DA2B, #90C53F, #8CB153, #889D67 and #83897B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94D92B shade: #DABF2B, #C5DA2B, #96DA2B, #68DA2B and #39DA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94D92B shade: #66971B, #7DBA21, #94DA2B, #A6E04E and #B7E671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94D92B shade: #94D92B, #2BDA91 and #D72BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94D92B shade: #94D92B, #2B96DA and #DA2B96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94D92B shade: #94D92B, #2BDA91, #6E2BDA and #DA2B73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94D92B shade: #94D92B, #2BDAC5, #6E2BDA and #DA2B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 80 / 15

HEX #94D92B

RGB 148 217 43

HSL 83.79, 0.7%, 0.51%

LAB 79.67, -45.77, 71.41

 

Complementary color

CMYK 50 / 82 / 0 / 17

HEX #6B26D4

RGB 107 38 212

HSL 263.79, 0.7%, 0.49%

LAB 36.49, 64.24, -76.24

 

CMYK 29 / 0 / 82 / 15

HEX #99D926

RGB 153 217 38

HSL 81.45, 0.7%, 0.5%

LAB 79.92, -44.14, 73

 

CMYK 28 / 0 / 76 / 8

HEX #AAEB39

RGB 170 235 57

HSL 81.91, 0.82%, 0.57%

LAB 86.14, -44.78, 73.8

 

CMYK 26 / 0 / 70 / 1

HEX #BBFD4C

RGB 187 253 76

HSL 82.37, 0.98%, 0.65%

LAB 92.28, -45.27, 73.89

 

CMYK 20 / 0 / 63 / 0

HEX #CCFF5F

RGB 204 255 95

HSL 79.13, 1%, 0.69%

LAB 93.96, -38.65, 68.84

 

CMYK 13 / 0 / 55 / 0

HEX #DDFF72

RGB 221 255 114

HSL 74.47, 1%, 0.72%

LAB 95.21, -30.8, 62.6

 

CMYK 32 / 0 / 80 / 15

HEX #94D92B

RGB 148 217 43

HSL 83.79, 0.7%, 0.51%

LAB 79.67, -45.77, 71.41

 

CMYK 34 / 0 / 88 / 22

HEX #83C718

RGB 131 199 24

HSL 83.31, 0.78%, 0.44%

LAB 73.38, -45, 69.93

 

CMYK 37 / 0 / 97 / 29

HEX #72B505

RGB 114 181 5

HSL 82.84, 0.95%, 0.36%

LAB 67, -43.99, 67.1

 

CMYK 40 / 0 / 100 / 36

HEX #61A300

RGB 97 163 0

HSL 84.29, 1%, 0.32%

LAB 60.55, -42.67, 62.34

 

CMYK 45 / 0 / 100 / 43

HEX #509100

RGB 80 145 0

HSL 86.9, 1%, 0.28%

LAB 53.98, -41.19, 56.88

 

CMYK 32 / 0 / 80 / 15

HEX #94DA2B

RGB 148 218 43

HSL 84, 0.7%, 0.51%

LAB 79.96, -46.19, 71.67

 

CMYK 11 / 0 / 80 / 15

HEX #C3DA2B

RGB 195 218 43

HSL 67.89, 0.7%, 0.51%

LAB 82.87, -27.96, 75.37

 

CMYK 0 / 11 / 80 / 15

HEX #DAC12B

RGB 218 193 43

HSL 51.43, 0.7%, 0.51%

LAB 78, -5.86, 71.82

 

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

CMYK 0 / 55 / 80 / 15

HEX #DA622B

RGB 218 98 43

HSL 18.86, 0.7%, 0.51%

LAB 55.9, 44.03, 51.85

 

CMYK 32 / 0 / 80 / 15

HEX #94DA2B

RGB 148 218 43

HSL 84, 0.7%, 0.51%

LAB 79.96, -46.19, 71.67

 

CMYK 54 / 0 / 80 / 15

HEX #65DA2B

RGB 101 218 43

HSL 100.11, 0.7%, 0.51%

LAB 77.92, -61.14, 69.06

 

CMYK 75 / 0 / 80 / 15

HEX #36DA2B

RGB 54 218 43

HSL 116.23, 0.7%, 0.51%

LAB 76.74, -70.94, 67.53

 

CMYK 80 / 0 / 64 / 15

HEX #2BDA4F

RGB 43 218 79

HSL 132.34, 0.7%, 0.51%

LAB 76.81, -69.44, 54.84

 

CMYK 80 / 0 / 42 / 15

HEX #2BDA7E

RGB 43 218 126

HSL 148.46, 0.7%, 0.51%

LAB 77.38, -62.69, 33.46

 

CMYK 32 / 0 / 80 / 15

HEX #94DA2B

RGB 148 218 43

HSL 84, 0.7%, 0.51%

LAB 79.96, -46.19, 71.67

 

CMYK 36 / 0 / 91 / 7

HEX #98EE16

RGB 152 238 22

HSL 83.89, 0.86%, 0.51%

LAB 85.95, -53.61, 81.07

 

CMYK 32 / 0 / 80 / 15

HEX #94DA2B

RGB 148 218 43

HSL 84, 0.7%, 0.51%

LAB 79.96, -46.19, 71.67

 

CMYK 27 / 0 / 68 / 23

HEX #90C53F

RGB 144 197 63

HSL 83.73, 0.54%, 0.51%

LAB 73.69, -37.44, 58.96

 

CMYK 21 / 0 / 53 / 31

HEX #8CB153

RGB 140 177 83

HSL 83.62, 0.38%, 0.51%

LAB 67.76, -27.94, 43.54

 

CMYK 13 / 0 / 34 / 38

HEX #889D67

RGB 136 157 103

HSL 83.33, 0.22%, 0.51%

LAB 61.94, -17.04, 25.87

 

CMYK 4 / 0 / 10 / 46

HEX #83897B

RGB 131 137 123

HSL 85.71, 0.06%, 0.51%

LAB 56.23, -4.91, 6.75

 

CMYK 0 / 12 / 80 / 15

HEX #DABF2B

RGB 218 191 43

HSL 50.74, 0.7%, 0.51%

LAB 77.48, -4.83, 71.37

 

CMYK 10 / 0 / 80 / 15

HEX #C5DA2B

RGB 197 218 43

HSL 67.2, 0.7%, 0.51%

LAB 83.01, -27.14, 75.54

 

CMYK 31 / 0 / 80 / 15

HEX #96DA2B

RGB 150 218 43

HSL 83.31, 0.7%, 0.51%

LAB 80.07, -45.47, 71.81

 

CMYK 52 / 0 / 80 / 15

HEX #68DA2B

RGB 104 218 43

HSL 99.09, 0.7%, 0.51%

LAB 78.03, -60.32, 69.19

 

CMYK 74 / 0 / 80 / 15

HEX #39DA2B

RGB 57 218 43

HSL 115.2, 0.7%, 0.51%

LAB 76.79, -70.49, 67.6

 

CMYK 32 / 0 / 82 / 41

HEX #66971B

RGB 102 151 27

HSL 83.71, 0.7%, 0.35%

LAB 57.11, -34.84, 54.5

 

CMYK 33 / 0 / 82 / 27

HEX #7DBA21

RGB 125 186 33

HSL 83.92, 0.7%, 0.43%

LAB 69.17, -41.35, 64.17

 

CMYK 32 / 0 / 80 / 15

HEX #94DA2B

RGB 148 218 43

HSL 84, 0.7%, 0.51%

LAB 79.96, -46.19, 71.67

 

CMYK 26 / 0 / 65 / 12

HEX #A6E04E

RGB 166 224 78

HSL 83.84, 0.7%, 0.59%

LAB 82.9, -40.2, 63.11

 

CMYK 20 / 0 / 51 / 10

HEX #B7E671

RGB 183 230 113

HSL 84.1, 0.7%, 0.67%

LAB 85.93, -33.58, 51.6

 

CMYK 32 / 0 / 80 / 15

HEX #94D92B

RGB 148 217 43

HSL 83.79, 0.7%, 0.51%

LAB 79.67, -45.77, 71.41

 

CMYK 80 / 0 / 33 / 15

HEX #2BDA91

RGB 43 218 145

HSL 154.97, 0.7%, 0.51%

LAB 77.7, -59.04, 24.13

 

CMYK 1 / 80 / 0 / 15

HEX #D72BDA

RGB 215 43 218

HSL 298.97, 0.7%, 0.51%

LAB 53.21, 81.14, -51.83

 

CMYK 32 / 0 / 80 / 15

HEX #94D92B

RGB 148 217 43

HSL 83.79, 0.7%, 0.51%

LAB 79.67, -45.77, 71.41

 

CMYK 80 / 31 / 0 / 15

HEX #2B96DA

RGB 43 150 218

HSL 203.31, 0.7%, 0.51%

LAB 59.33, -6.25, -43

 

CMYK 0 / 80 / 31 / 15

HEX #DA2B96

RGB 218 43 150

HSL 323.31, 0.7%, 0.51%

LAB 50.49, 72.73, -16.4

 

CMYK 32 / 0 / 80 / 15

HEX #94D92B

RGB 148 217 43

HSL 83.79, 0.7%, 0.51%

LAB 79.67, -45.77, 71.41

 

CMYK 80 / 0 / 33 / 15

HEX #2BDA91

RGB 43 218 145

HSL 154.97, 0.7%, 0.51%

LAB 77.7, -59.04, 24.13

 

CMYK 50 / 80 / 0 / 15

HEX #6E2BDA

RGB 110 43 218

HSL 262.97, 0.7%, 0.51%

LAB 38.03, 64.26, -77.15

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 32 / 0 / 80 / 15

HEX #94D92B

RGB 148 217 43

HSL 83.79, 0.7%, 0.51%

LAB 79.67, -45.77, 71.41

 

CMYK 80 / 0 / 10 / 15

HEX #2BDAC5

RGB 43 218 197

HSL 172.8, 0.7%, 0.51%

LAB 78.86, -46.63, -1.75

 

CMYK 50 / 80 / 0 / 15

HEX #6E2BDA

RGB 110 43 218

HSL 262.97, 0.7%, 0.51%

LAB 38.03, 64.26, -77.15

 

CMYK 0 / 80 / 71 / 15

HEX #DA2B3F

RGB 218 43 63

HSL 353.14, 0.7%, 0.51%

LAB 48.25, 66.03, 33.15

 

Description

Color code: HEX #94D92B | qconv.com Color code: HEX #94D92B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 217 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 217 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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