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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA912B it is the complementary color #256ED4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA912B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA912B shade: #DF9126, #F0A339, #FFB54C, #FFC75F and #FFD972

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA912B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA912B shade: #DA912B, #C97F18, #B86D05, #A75B00 and #964900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA912B shade: #D9902A, #D9612A, #D9322A and #D92A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA912B shade: #D9902A, #D9BF2A, #C4D92A, #94D92A and #65D92A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA912B shade matches the following richer shades: #D9902A and #ED9316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA912B shade: #D9902A, #C58D3E, #B18953, #9C8667 and #88837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA912B shade: #D9302A, #D95F2A, #D98D2A, #D9BC2A and #C8D92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA912B shade: #96631A, #BA7A20, #D9902A, #DFA24D and #E5B570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA912B shade: #DA912B, #53D92A and #472AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA912B shade: #DA912B, #2AD98D and #8D2AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA912B shade: #DA912B, #53D92A, #2A76D9 and #B02AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA912B shade: #DA912B, #2AD936, #2A76D9 and #D92ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

Complementary color

CMYK 83 / 48 / 0 / 17

HEX #256ED4

RGB 37 110 212

HSL 214.97, 0.7%, 0.49%

LAB 47.36, 15.19, -58.7

 

CMYK 0 / 35 / 83 / 13

HEX #DF9126

RGB 223 145 38

HSL 34.7, 0.74%, 0.51%

LAB 66.58, 21.56, 63.65

 

CMYK 0 / 32 / 76 / 6

HEX #F0A339

RGB 240 163 57

HSL 34.75, 0.86%, 0.58%

LAB 72.9, 19.81, 63.24

 

CMYK 0 / 29 / 70 / 0

HEX #FFB54C

RGB 255 181 76

HSL 35.2, 1%, 0.65%

LAB 78.94, 17.45, 62.02

 

CMYK 0 / 22 / 63 / 0

HEX #FFC75F

RGB 255 199 95

HSL 39, 1%, 0.69%

LAB 83.41, 9.15, 58.44

 

CMYK 0 / 15 / 55 / 0

HEX #FFD972

RGB 255 217 114

HSL 43.83, 1%, 0.72%

LAB 88.02, 1.22, 54.95

 

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 41 / 97 / 28

HEX #B86D05

RGB 184 109 5

HSL 34.86, 0.95%, 0.37%

LAB 53.1, 23.63, 59.47

 

CMYK 0 / 46 / 100 / 35

HEX #A75B00

RGB 167 91 0

HSL 32.69, 1%, 0.33%

LAB 46.58, 26.07, 55.18

 

CMYK 0 / 51 / 100 / 41

HEX #964900

RGB 150 73 0

HSL 29.2, 1%, 0.29%

LAB 40, 28.6, 49.88

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 55 / 81 / 15

HEX #D9612A

RGB 217 97 42

HSL 18.86, 0.7%, 0.51%

LAB 55.55, 44.1, 51.91

 

CMYK 0 / 77 / 81 / 15

HEX #D9322A

RGB 217 50 42

HSL 2.74, 0.7%, 0.51%

LAB 48.51, 63.02, 45.19

 

CMYK 0 / 81 / 81 / 15

HEX #D92A2A

RGB 217 42 42

HSL 0, 0.7%, 0.51%

LAB 47.72, 65.25, 44.41

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 12 / 81 / 15

HEX #D9BF2A

RGB 217 191 42

HSL 51.09, 0.7%, 0.51%

LAB 77.39, -5.3, 71.54

 

CMYK 10 / 0 / 81 / 15

HEX #C4D92A

RGB 196 217 42

HSL 67.2, 0.7%, 0.51%

LAB 82.66, -27.11, 75.47

 

CMYK 32 / 0 / 81 / 15

HEX #94D92A

RGB 148 217 42

HSL 83.66, 0.7%, 0.51%

LAB 79.66, -45.81, 71.67

 

CMYK 53 / 0 / 81 / 15

HEX #65D92A

RGB 101 217 42

HSL 99.77, 0.7%, 0.51%

LAB 77.61, -60.83, 69.04

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 38 / 91 / 7

HEX #ED9316

RGB 237 147 22

HSL 34.88, 0.86%, 0.51%

LAB 68.7, 26.06, 70.46

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 28 / 69 / 23

HEX #C58D3E

RGB 197 141 62

HSL 35.11, 0.54%, 0.51%

LAB 62.73, 13.54, 49.17

 

CMYK 0 / 23 / 53 / 31

HEX #B18953

RGB 177 137 83

HSL 34.47, 0.38%, 0.51%

LAB 59.76, 8.63, 34.6

 

CMYK 0 / 14 / 34 / 39

HEX #9C8667

RGB 156 134 103

HSL 35.09, 0.21%, 0.51%

LAB 57.17, 3.61, 19.8

 

CMYK 0 / 4 / 10 / 47

HEX #88837B

RGB 136 131 123

HSL 36.92, 0.05%, 0.51%

LAB 54.97, 0.38, 4.98

 

CMYK 0 / 78 / 81 / 15

HEX #D9302A

RGB 217 48 42

HSL 2.06, 0.7%, 0.51%

LAB 48.3, 63.61, 44.98

 

CMYK 0 / 56 / 81 / 15

HEX #D95F2A

RGB 217 95 42

HSL 18.17, 0.7%, 0.51%

LAB 55.18, 45.06, 51.56

 

CMYK 0 / 35 / 81 / 15

HEX #D98D2A

RGB 217 141 42

HSL 33.94, 0.7%, 0.51%

LAB 64.94, 21.27, 60.53

 

CMYK 0 / 13 / 81 / 15

HEX #D9BC2A

RGB 217 188 42

HSL 50.06, 0.7%, 0.51%

LAB 76.61, -3.75, 70.86

 

CMYK 8 / 0 / 81 / 15

HEX #C8D92A

RGB 200 217 42

HSL 65.83, 0.7%, 0.51%

LAB 82.95, -25.46, 75.83

 

CMYK 0 / 34 / 83 / 41

HEX #96631A

RGB 150 99 26

HSL 35.32, 0.7%, 0.35%

LAB 46.29, 14.47, 46.6

 

CMYK 0 / 34 / 83 / 27

HEX #BA7A20

RGB 186 122 32

HSL 35.06, 0.71%, 0.43%

LAB 56.55, 17.87, 55.22

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 27 / 65 / 13

HEX #DFA24D

RGB 223 162 77

HSL 34.93, 0.7%, 0.59%

LAB 70.92, 14.17, 51.92

 

CMYK 0 / 21 / 51 / 10

HEX #E5B570

RGB 229 181 112

HSL 35.38, 0.69%, 0.67%

LAB 76.6, 9.16, 41.56

 

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 67 / 81 / 0 / 15

HEX #472AD9

RGB 71 42 217

HSL 249.94, 0.7%, 0.51%

LAB 33.99, 60.3, -83.36

 

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

CMYK 81 / 0 / 35 / 15

HEX #2AD98D

RGB 42 217 141

HSL 153.94, 0.7%, 0.51%

LAB 77.31, -59.58, 25.68

 

CMYK 35 / 81 / 0 / 15

HEX #8D2AD9

RGB 141 42 217

HSL 273.94, 0.7%, 0.51%

LAB 41.73, 68.65, -70.35

 

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 81 / 46 / 0 / 15

HEX #2A76D9

RGB 42 118 217

HSL 213.94, 0.7%, 0.51%

LAB 50.05, 12.5, -57.21

 

CMYK 19 / 81 / 0 / 15

HEX #B02AD9

RGB 176 42 217

HSL 285.94, 0.7%, 0.51%

LAB 46.84, 74.27, -61.83

 

CMYK 0 / 33 / 80 / 15

HEX #DA912B

RGB 218 145 43

HSL 34.97, 0.7%, 0.51%

LAB 66.01, 19.58, 61.17

 

CMYK 81 / 0 / 75 / 15

HEX #2AD936

RGB 42 217 54

HSL 124.11, 0.7%, 0.51%

LAB 76.3, -71.5, 63.73

 

CMYK 81 / 46 / 0 / 15

HEX #2A76D9

RGB 42 118 217

HSL 213.94, 0.7%, 0.51%

LAB 50.05, 12.5, -57.21

 

CMYK 0 / 81 / 6 / 15

HEX #D92ACD

RGB 217 42 205

HSL 304.11, 0.7%, 0.51%

LAB 52.75, 79.81, -45.11

 

Description

Color code: HEX #DA912B | qconv.com Color code: HEX #DA912B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 145 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 145 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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