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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94D882 it is the complementary color #6B277D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94D882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #94D882: #99D87D, #AAEA90, #BBFCA3, #CCFFB6 and #DDFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94D882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #94D882: #94D882, #83C66F, #72B45C, #61A249 and #509036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

Complementary color

CMYK 14 / 69 / 0 / 51

HEX #6B277D

RGB 107 39 125

HSL 287.44, 0.52%, 0.32%

LAB 29.56, 43.47, -35.18

 

CMYK 29 / 0 / 42 / 15

HEX #99D87D

RGB 153 216 125

HSL 101.54, 0.54%, 0.67%

LAB 80.38, -36.45, 38.55

 

CMYK 27 / 0 / 38 / 8

HEX #AAEA90

RGB 170 234 144

HSL 102.67, 0.68%, 0.74%

LAB 86.7, -36.3, 37.4

 

CMYK 26 / 0 / 35 / 1

HEX #BBFCA3

RGB 187 252 163

HSL 103.82, 0.94%, 0.81%

LAB 92.94, -36.14, 36.28

 

CMYK 20 / 0 / 29 / 0

HEX #CCFFB6

RGB 204 255 182

HSL 101.92, 1%, 0.86%

LAB 95.05, -29.06, 29.76

 

CMYK 13 / 0 / 21 / 0

HEX #DDFFC9

RGB 221 255 201

HSL 97.78, 1%, 0.89%

LAB 96.45, -20.39, 22.24

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 34 / 0 / 44 / 22

HEX #83C66F

RGB 131 198 111

HSL 106.21, 0.43%, 0.61%

LAB 73.78, -37.62, 36.94

 

CMYK 37 / 0 / 49 / 29

HEX #72B45C

RGB 114 180 92

HSL 105, 0.37%, 0.53%

LAB 67.27, -37.75, 38.17

 

CMYK 40 / 0 / 55 / 36

HEX #61A249

RGB 97 162 73

HSL 103.82, 0.38%, 0.46%

LAB 60.66, -37.81, 39.39

 

CMYK 44 / 0 / 63 / 44

HEX #509036

RGB 80 144 54

HSL 102.67, 0.45%, 0.39%

LAB 53.94, -37.74, 40.52

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 37 / 0 / 40 / 16

HEX #87D782

RGB 135 215 130

HSL 116.47, 0.52%, 0.68%

LAB 79.25, -41.18, 34.39

 

CMYK 40 / 0 / 35 / 16

HEX #82D78C

RGB 130 215 140

HSL 127.06, 0.52%, 0.68%

LAB 79.18, -41.14, 29.14

 

CMYK 40 / 0 / 28 / 16

HEX #82D79B

RGB 130 215 155

HSL 137.65, 0.52%, 0.68%

LAB 79.45, -38.54, 21.71

 

CMYK 40 / 0 / 21 / 16

HEX #82D7A9

RGB 130 215 169

HSL 147.53, 0.52%, 0.68%

LAB 79.73, -35.88, 14.72

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 33 / 0 / 42 / 95

HEX #080C07

RGB 8 12 7

HSL 108, 0.26%, 0.04%

LAB 2.98, -1.79, 1.56

 

CMYK 32 / 0 / 40 / 75

HEX #2B3F26

RGB 43 63 38

HSL 108, 0.25%, 0.2%

LAB 24.35, -13.76, 12.86

 

CMYK 32 / 0 / 39 / 55

HEX #4E7245

RGB 78 114 69

HSL 108, 0.25%, 0.36%

LAB 44.35, -22.28, 20.96

 

CMYK 32 / 0 / 40 / 35

HEX #71A563

RGB 113 165 99

HSL 107.27, 0.27%, 0.52%

LAB 62.78, -30.18, 28.85

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 40 / 0 / 0 / 16

HEX #82D7D6

RGB 130 215 214

HSL 179.29, 0.52%, 0.68%

LAB 80.85, -25.91, -7.62

 

CMYK 0 / 40 / 15 / 16

HEX #D782B7

RGB 215 130 183

HSL 322.59, 0.52%, 0.68%

LAB 64.83, 40.01, -13.89

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 40 / 31 / 0 / 16

HEX #8295D7

RGB 130 149 215

HSL 226.59, 0.52%, 0.68%

LAB 62.63, 9.7, -35.89

 

CMYK 0 / 40 / 31 / 16

HEX #D78295

RGB 215 130 149

HSL 346.59, 0.52%, 0.68%

LAB 63.82, 35.06, 3.91

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 40 / 0 / 0 / 16

HEX #82D7D6

RGB 130 215 214

HSL 179.29, 0.52%, 0.68%

LAB 80.85, -25.91, -7.62

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 40 / 39 / 16

HEX #D78284

RGB 215 130 132

HSL 358.59, 0.52%, 0.68%

LAB 63.41, 32.96, 12.98

 

CMYK 31 / 0 / 40 / 15

HEX #94D882

RGB 148 216 130

HSL 107.44, 0.52%, 0.68%

LAB 80.19, -37.44, 35.74

 

CMYK 40 / 11 / 0 / 16

HEX #82BFD7

RGB 130 191 215

HSL 196.94, 0.52%, 0.68%

LAB 74.13, -13.5, -18.22

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 28 / 40 / 16

HEX #D79B82

RGB 215 155 130

HSL 17.65, 0.52%, 0.68%

LAB 69.11, 19.26, 21.98

 

Description

Color code: HEX #94D882 | qconv.com Color code: HEX #94D882 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 216 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 216 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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