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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94861D it is the complementary color #6B79E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94861D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #94861D: #998618, #AA982B, #BBAA3E, #CCBC51 and #DDCE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94861D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #94861D: #94861D, #83740A, #726200, #615000 and #503E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

Complementary color

CMYK 53 / 46 / 0 / 11

HEX #6B79E2

RGB 107 121 226

HSL 232.94, 0.67%, 0.65%

LAB 54.33, 24, -55.25

 

CMYK 0 / 12 / 84 / 40

HEX #998618

RGB 153 134 24

HSL 51.16, 0.73%, 0.35%

LAB 55.98, -4.05, 55.86

 

CMYK 0 / 11 / 75 / 33

HEX #AA982B

RGB 170 152 43

HSL 51.5, 0.6%, 0.42%

LAB 62.66, -5.39, 56.21

 

CMYK 0 / 9 / 67 / 27

HEX #BBAA3E

RGB 187 170 62

HSL 51.84, 0.5%, 0.49%

LAB 69.23, -6.48, 55.73

 

CMYK 0 / 8 / 60 / 20

HEX #CCBC51

RGB 204 188 81

HSL 52.2, 0.55%, 0.56%

LAB 75.7, -7.38, 54.85

 

CMYK 0 / 7 / 55 / 13

HEX #DDCE64

RGB 221 206 100

HSL 52.56, 0.64%, 0.63%

LAB 82.07, -8.13, 53.79

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 0 / 11 / 92 / 49

HEX #83740A

RGB 131 116 10

HSL 52.56, 0.86%, 0.28%

LAB 48.68, -4.7, 52.43

 

CMYK 0 / 14 / 100 / 55

HEX #726200

RGB 114 98 0

HSL 51.58, 1%, 0.22%

LAB 41.71, -2.84, 48.73

 

CMYK 0 / 18 / 100 / 62

HEX #615000

RGB 97 80 0

HSL 49.48, 1%, 0.19%

LAB 34.56, -0.65, 42.82

 

CMYK 0 / 23 / 100 / 69

HEX #503E00

RGB 80 62 0

HSL 46.5, 1%, 0.16%

LAB 27.16, 1.7, 36.4

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 3 / 0 / 81 / 42

HEX #91951D

RGB 145 149 29

HSL 62, 0.67%, 0.35%

LAB 59.53, -15.58, 57.21

 

CMYK 16 / 0 / 81 / 42

HEX #7D951D

RGB 125 149 29

HSL 72, 0.67%, 0.35%

LAB 57.98, -24.37, 55.25

 

CMYK 30 / 0 / 81 / 42

HEX #69951D

RGB 105 149 29

HSL 82, 0.67%, 0.35%

LAB 56.67, -32.66, 53.56

 

CMYK 43 / 0 / 81 / 42

HEX #55951D

RGB 85 149 29

HSL 92, 0.67%, 0.35%

LAB 55.6, -40.13, 52.18

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 0 / 10 / 80 / 22

HEX #C7B427

RGB 199 180 39

HSL 52.88, 0.67%, 0.47%

LAB 72.85, -7.51, 67.8

 

CMYK 0 / 10 / 80 / 2

HEX #FAE231

RGB 250 226 49

HSL 52.84, 0.95%, 0.59%

LAB 89.36, -8.78, 81.13

 

CMYK 0 / 9 / 80 / 82

HEX #2E2A09

RGB 46 42 9

HSL 53.51, 0.67%, 0.11%

LAB 16.78, -3.16, 20.51

 

CMYK 0 / 9 / 80 / 62

HEX #615813

RGB 97 88 19

HSL 53.08, 0.67%, 0.23%

LAB 37.06, -4.77, 38.59

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 81 / 0 / 75 / 42

HEX #1D9525

RGB 29 149 37

HSL 124, 0.67%, 0.35%

LAB 53.91, -53.41, 47.21

 

CMYK 43 / 81 / 0 / 42

HEX #551D95

RGB 85 29 149

HSL 268, 0.67%, 0.35%

LAB 26.68, 48.98, -54.93

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 81 / 0 / 11 / 42

HEX #1D9585

RGB 29 149 133

HSL 172, 0.67%, 0.35%

LAB 55.53, -35.23, -0.59

 

CMYK 11 / 81 / 0 / 42

HEX #851D95

RGB 133 29 149

HSL 292, 0.67%, 0.35%

LAB 34.06, 57.63, -42.62

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 81 / 0 / 75 / 42

HEX #1D9525

RGB 29 149 37

HSL 124, 0.67%, 0.35%

LAB 53.91, -53.41, 47.21

 

CMYK 81 / 70 / 0 / 42

HEX #1D2D95

RGB 29 45 149

HSL 232, 0.67%, 0.35%

LAB 24.66, 33, -58.43

 

CMYK 0 / 81 / 5 / 42

HEX #951D8D

RGB 149 29 141

HSL 304, 0.67%, 0.35%

LAB 36.35, 59.57, -33.89

 

CMYK 0 / 9 / 80 / 42

HEX #94861D

RGB 148 134 29

HSL 52.94, 0.67%, 0.35%

LAB 55.52, -6.19, 53.74

 

CMYK 81 / 0 / 51 / 42

HEX #1D9549

RGB 29 149 73

HSL 142, 0.67%, 0.35%

LAB 54.28, -48.95, 31.12

 

CMYK 81 / 70 / 0 / 42

HEX #1D2D95

RGB 29 45 149

HSL 232, 0.67%, 0.35%

LAB 24.66, 33, -58.43

 

CMYK 0 / 81 / 30 / 42

HEX #951D69

RGB 149 29 105

HSL 322, 0.67%, 0.35%

LAB 34.58, 54.49, -14.11

 

Description

Color code: HEX #94861D | qconv.com Color code: HEX #94861D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 134 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 134 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 80 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 80% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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