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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9434CC it is the complementary color #6BCB33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9434CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9434CC shade: #9934C7, #AA46DA, #BB58ED, #CC6AFF and #DD7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9434CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9434CC shade: #9434CC, #8322B9, #7210A6, #610093 and #500080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9434CC shade: #9433CC, #BD33CC, #CC33B2, #CC3389 and #CC335F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9434CC shade: #9433CC, #6A33CC, #4133CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9434CC shade matches the following richer shades: #9433CC, #991EE1 and #9E0AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9434CC shade: #9433CC, #8E48B7, #895CA3, #83718E and #7E8679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9434CC shade: #4033CC, #6933CC, #9133CC, #BA33CC and #CC33B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9434CC shade: #64228A, #7C2BAB, #9433CC, #A554D4 and #B675DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9434CC shade: #9434CC, #CC334F and #33CC54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9434CC shade: #9434CC, #CC9133 and #33CC91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9434CC shade: #9434CC, #CC334F, #6ECC33 and #33CCB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9434CC shade: #9434CC, #CC4533, #6ECC33 and #33BACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 75 / 0 / 20

HEX #9434CC

RGB 148 52 204

HSL 277.89, 0.6%, 0.5%

LAB 42.93, 63.5, -60.87

 

Complementary color

CMYK 47 / 0 / 75 / 20

HEX #6BCB33

RGB 107 203 51

HSL 97.89, 0.6%, 0.5%

LAB 73.6, -53.43, 62.62

 

CMYK 23 / 74 / 0 / 22

HEX #9934C7

RGB 153 52 199

HSL 281.22, 0.59%, 0.49%

LAB 43.29, 63.4, -57.36

 

CMYK 22 / 68 / 0 / 15

HEX #AA46DA

RGB 170 70 218

HSL 280.54, 0.67%, 0.56%

LAB 49.48, 63.48, -58.18

 

CMYK 21 / 63 / 0 / 7

HEX #BB58ED

RGB 187 88 237

HSL 279.87, 0.81%, 0.64%

LAB 55.74, 63.16, -58.72

 

CMYK 20 / 58 / 0 / 0

HEX #CC6AFF

RGB 204 106 255

HSL 279.46, 1%, 0.71%

LAB 61.97, 62.39, -58.63

 

CMYK 13 / 51 / 0 / 0

HEX #DD7CFF

RGB 221 124 255

HSL 284.43, 1%, 0.74%

LAB 67.28, 57.87, -50.07

 

CMYK 27 / 75 / 0 / 20

HEX #9434CC

RGB 148 52 204

HSL 277.89, 0.6%, 0.5%

LAB 42.93, 63.5, -60.87

 

CMYK 29 / 82 / 0 / 27

HEX #8322B9

RGB 131 34 185

HSL 278.54, 0.69%, 0.43%

LAB 36.88, 62.83, -59.7

 

CMYK 31 / 90 / 0 / 35

HEX #7210A6

RGB 114 16 166

HSL 279.2, 0.82%, 0.36%

LAB 31.12, 61.02, -57.86

 

CMYK 34 / 100 / 0 / 42

HEX #610093

RGB 97 0 147

HSL 279.59, 1%, 0.29%

LAB 25.71, 57.8, -55.22

 

CMYK 38 / 100 / 0 / 50

HEX #500080

RGB 80 0 128

HSL 277.5, 1%, 0.25%

LAB 21.07, 51.81, -51.03

 

CMYK 27 / 75 / 0 / 20

HEX #9433CC

RGB 148 51 204

HSL 278.04, 0.6%, 0.5%

LAB 42.8, 63.88, -61.08

 

CMYK 7 / 75 / 0 / 20

HEX #BD33CC

RGB 189 51 204

HSL 294.12, 0.6%, 0.5%

LAB 48.94, 71.75, -50.87

 

CMYK 0 / 75 / 13 / 20

HEX #CC33B2

RGB 204 51 178

HSL 310.2, 0.6%, 0.5%

LAB 50, 70.87, -33.93

 

CMYK 0 / 75 / 33 / 20

HEX #CC3389

RGB 204 51 137

HSL 326.27, 0.6%, 0.5%

LAB 48.27, 65.65, -12.2

 

CMYK 0 / 75 / 53 / 20

HEX #CC335F

RGB 204 51 95

HSL 342.75, 0.6%, 0.5%

LAB 47.02, 61.67, 11.61

 

CMYK 27 / 75 / 0 / 20

HEX #9433CC

RGB 148 51 204

HSL 278.04, 0.6%, 0.5%

LAB 42.8, 63.88, -61.08

 

CMYK 48 / 75 / 0 / 20

HEX #6A33CC

RGB 106 51 204

HSL 261.57, 0.6%, 0.5%

LAB 37.47, 56.82, -70.01

 

CMYK 68 / 75 / 0 / 20

HEX #4133CC

RGB 65 51 204

HSL 245.49, 0.6%, 0.5%

LAB 33.67, 51.6, -76.38

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 27 / 75 / 0 / 20

HEX #9433CC

RGB 148 51 204

HSL 278.04, 0.6%, 0.5%

LAB 42.8, 63.88, -61.08

 

CMYK 32 / 87 / 0 / 12

HEX #991EE1

RGB 153 30 225

HSL 277.85, 0.76%, 0.5%

LAB 42.97, 75.28, -72.84

 

CMYK 36 / 96 / 0 / 4

HEX #9E0AF5

RGB 158 10 245

HSL 277.79, 0.92%, 0.5%

LAB 44.35, 82.91, -81.89

 

CMYK 27 / 75 / 0 / 20

HEX #9433CC

RGB 148 51 204

HSL 278.04, 0.6%, 0.5%

LAB 42.8, 63.88, -61.08

 

CMYK 22 / 61 / 0 / 28

HEX #8E48B7

RGB 142 72 183

HSL 277.84, 0.44%, 0.5%

LAB 43.95, 48.68, -47.04

 

CMYK 16 / 44 / 0 / 36

HEX #895CA3

RGB 137 92 163

HSL 278.03, 0.28%, 0.5%

LAB 46.47, 31.83, -31.32

 

CMYK 8 / 20 / 0 / 44

HEX #83718E

RGB 131 113 142

HSL 277.24, 0.11%, 0.5%

LAB 50.2, 12.77, -13.22

 

CMYK 6 / 0 / 10 / 47

HEX #7E8679

RGB 126 134 121

HSL 96.92, 0.05%, 0.5%

LAB 54.93, -5.51, 5.99

 

CMYK 69 / 75 / 0 / 20

HEX #4033CC

RGB 64 51 204

HSL 245.1, 0.6%, 0.5%

LAB 33.6, 51.5, -76.5

 

CMYK 49 / 75 / 0 / 20

HEX #6933CC

RGB 105 51 204

HSL 261.18, 0.6%, 0.5%

LAB 37.35, 56.67, -70.19

 

CMYK 29 / 75 / 0 / 20

HEX #9133CC

RGB 145 51 204

HSL 276.86, 0.6%, 0.5%

LAB 42.38, 63.34, -61.78

 

CMYK 9 / 75 / 0 / 20

HEX #BA33CC

RGB 186 51 204

HSL 292.94, 0.6%, 0.5%

LAB 48.47, 71.15, -51.66

 

CMYK 0 / 75 / 11 / 20

HEX #CC33B5

RGB 204 51 181

HSL 309.02, 0.6%, 0.5%

LAB 50.15, 71.3, -35.46

 

CMYK 28 / 75 / 0 / 46

HEX #64228A

RGB 100 34 138

HSL 278.08, 0.6%, 0.34%

LAB 28.61, 46.97, -44.88

 

CMYK 27 / 75 / 0 / 33

HEX #7C2BAB

RGB 124 43 171

HSL 277.97, 0.6%, 0.42%

LAB 35.89, 55.39, -53.03

 

CMYK 27 / 75 / 0 / 20

HEX #9433CC

RGB 148 51 204

HSL 278.04, 0.6%, 0.5%

LAB 42.8, 63.88, -61.08

 

CMYK 22 / 60 / 0 / 17

HEX #A554D4

RGB 165 84 212

HSL 277.97, 0.6%, 0.58%

LAB 50.8, 54.66, -52.68

 

CMYK 18 / 47 / 0 / 13

HEX #B675DD

RGB 182 117 221

HSL 277.5, 0.6%, 0.66%

LAB 59.79, 43.93, -43.37

 

CMYK 27 / 75 / 0 / 20

HEX #9434CC

RGB 148 52 204

HSL 277.89, 0.6%, 0.5%

LAB 42.93, 63.5, -60.87

 

CMYK 0 / 75 / 61 / 20

HEX #CC334F

RGB 204 51 79

HSL 349.02, 0.6%, 0.5%

LAB 46.67, 60.56, 20.96

 

CMYK 75 / 0 / 59 / 20

HEX #33CC54

RGB 51 204 84

HSL 132.94, 0.6%, 0.5%

LAB 72.58, -63.35, 47.88

 

CMYK 27 / 75 / 0 / 20

HEX #9434CC

RGB 148 52 204

HSL 277.89, 0.6%, 0.5%

LAB 42.93, 63.5, -60.87

 

CMYK 0 / 29 / 75 / 20

HEX #CC9133

RGB 204 145 51

HSL 36.86, 0.6%, 0.5%

LAB 64.42, 13.84, 56

 

CMYK 75 / 0 / 29 / 20

HEX #33CC91

RGB 51 204 145

HSL 156.86, 0.6%, 0.5%

LAB 73.5, -52.82, 18.4

 

CMYK 27 / 75 / 0 / 20

HEX #9434CC

RGB 148 52 204

HSL 277.89, 0.6%, 0.5%

LAB 42.93, 63.5, -60.87

 

CMYK 0 / 75 / 61 / 20

HEX #CC334F

RGB 204 51 79

HSL 349.02, 0.6%, 0.5%

LAB 46.67, 60.56, 20.96

 

CMYK 46 / 0 / 75 / 20

HEX #6ECC33

RGB 110 204 51

HSL 96.86, 0.6%, 0.5%

LAB 74.02, -52.9, 63.08

 

CMYK 75 / 0 / 14 / 20

HEX #33CCB0

RGB 51 204 176

HSL 169.02, 0.6%, 0.5%

LAB 74.21, -45.4, 2.76

 

CMYK 27 / 75 / 0 / 20

HEX #9434CC

RGB 148 52 204

HSL 277.89, 0.6%, 0.5%

LAB 42.93, 63.5, -60.87

 

CMYK 0 / 66 / 75 / 20

HEX #CC4533

RGB 204 69 51

HSL 7.06, 0.6%, 0.5%

LAB 48.68, 52.43, 39.79

 

CMYK 46 / 0 / 75 / 20

HEX #6ECC33

RGB 110 204 51

HSL 96.86, 0.6%, 0.5%

LAB 74.02, -52.9, 63.08

 

CMYK 75 / 9 / 0 / 20

HEX #33BACC

RGB 51 186 204

HSL 187.06, 0.6%, 0.5%

LAB 69.6, -29.2, -19.35

 

Description

Color code: HEX #9434CC | qconv.com Color code: HEX #9434CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 52 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 52 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 75% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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