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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9427F3 it is the complementary color #6BD80C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9427F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9427F3: #9927EE, #AA39FF, #BB4BFF, #CC5DFF and #DD6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9427F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9427F3: #9427F3, #8315E0, #7203CD, #6100BA and #5000A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

Complementary color

CMYK 50 / 0 / 94 / 15

HEX #6BD80C

RGB 107 216 12

HSL 92.06, 0.89%, 0.45%

LAB 77.44, -59.75, 74.57

 

CMYK 36 / 84 / 0 / 7

HEX #9927EE

RGB 153 39 238

HSL 274.37, 0.85%, 0.54%

LAB 44.8, 75.69, -77.23

 

CMYK 33 / 78 / 0 / 0

HEX #AA39FF

RGB 170 57 255

HSL 274.24, 1%, 0.61%

LAB 50.33, 76.18, -77.63

 

CMYK 27 / 71 / 0 / 0

HEX #BB4BFF

RGB 187 75 255

HSL 277.33, 1%, 0.65%

LAB 54.88, 72.44, -70.13

 

CMYK 20 / 64 / 0 / 0

HEX #CC5DFF

RGB 204 93 255

HSL 281.11, 1%, 0.68%

LAB 59.79, 68.35, -62.12

 

CMYK 13 / 56 / 0 / 0

HEX #DD6FFF

RGB 221 111 255

HSL 285.83, 1%, 0.72%

LAB 64.93, 64.13, -53.79

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 42 / 91 / 0 / 12

HEX #8315E0

RGB 131 21 224

HSL 272.51, 0.83%, 0.48%

LAB 39.14, 74.26, -78.66

 

CMYK 44 / 99 / 0 / 20

HEX #7203CD

RGB 114 3 205

HSL 272.97, 0.97%, 0.41%

LAB 34.09, 71.19, -76.11

 

CMYK 48 / 100 / 0 / 27

HEX #6100BA

RGB 97 0 186

HSL 271.29, 1%, 0.36%

LAB 29.63, 66.07, -72.37

 

CMYK 52 / 100 / 0 / 35

HEX #5000A7

RGB 80 0 167

HSL 268.74, 1%, 0.33%

LAB 25.25, 60.47, -68.31

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 25 / 84 / 0 / 5

HEX #B526F2

RGB 181 38 242

HSL 282.06, 0.89%, 0.55%

LAB 49.03, 80.7, -72.4

 

CMYK 11 / 84 / 0 / 5

HEX #D726F2

RGB 215 38 242

HSL 292.06, 0.89%, 0.55%

LAB 54.29, 86.01, -63.65

 

CMYK 0 / 84 / 3 / 5

HEX #F226EB

RGB 242 38 235

HSL 302.06, 0.89%, 0.55%

LAB 58.28, 89.55, -53.08

 

CMYK 0 / 84 / 17 / 5

HEX #F226C9

RGB 242 38 201

HSL 312.06, 0.89%, 0.55%

LAB 56.57, 84.98, -36.51

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 38 / 85 / 0 / 85

HEX #180627

RGB 24 6 39

HSL 272.73, 0.73%, 0.09%

LAB 4.25, 14.76, -17.56

 

CMYK 39 / 84 / 0 / 65

HEX #370E5A

RGB 55 14 90

HSL 272.37, 0.73%, 0.2%

LAB 14.76, 34.99, -36.73

 

CMYK 39 / 84 / 0 / 45

HEX #56178D

RGB 86 23 141

HSL 272.03, 0.72%, 0.32%

LAB 25.3, 49.46, -52.23

 

CMYK 39 / 84 / 0 / 25

HEX #751FC0

RGB 117 31 192

HSL 272.05, 0.72%, 0.44%

LAB 35.14, 63.16, -66.75

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 0 / 84 / 62 / 5

HEX #F2265C

RGB 242 38 92

HSL 344.12, 0.89%, 0.55%

LAB 52.99, 74.95, 22.75

 

CMYK 84 / 0 / 73 / 5

HEX #26F241

RGB 38 242 65

HSL 127.94, 0.89%, 0.55%

LAB 84.12, -78.35, 67.87

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 0 / 39 / 84 / 5

HEX #F29326

RGB 242 147 38

HSL 32.06, 0.89%, 0.55%

LAB 69.39, 28.46, 66.97

 

CMYK 84 / 0 / 39 / 5

HEX #26F293

RGB 38 242 147

HSL 152.06, 0.89%, 0.55%

LAB 85.01, -67.63, 32.9

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 0 / 84 / 62 / 5

HEX #F2265C

RGB 242 38 92

HSL 344.12, 0.89%, 0.55%

LAB 52.99, 74.95, 22.75

 

CMYK 45 / 0 / 84 / 5

HEX #85F226

RGB 133 242 38

HSL 92.06, 0.89%, 0.55%

LAB 86.32, -60.88, 78.24

 

CMYK 84 / 0 / 23 / 5

HEX #26F2BB

RGB 38 242 187

HSL 163.82, 0.89%, 0.55%

LAB 85.76, -59.23, 13.45

 

CMYK 39 / 84 / 0 / 5

HEX #9427F3

RGB 148 39 243

HSL 272.06, 0.89%, 0.55%

LAB 44.54, 76.09, -80.49

 

CMYK 0 / 82 / 84 / 5

HEX #F22C26

RGB 242 44 38

HSL 1.76, 0.89%, 0.55%

LAB 52.75, 71.58, 52.86

 

CMYK 45 / 0 / 84 / 5

HEX #85F226

RGB 133 242 38

HSL 92.06, 0.89%, 0.55%

LAB 86.32, -60.88, 78.24

 

CMYK 84 / 3 / 0 / 5

HEX #26EBF2

RGB 38 235 242

HSL 182.06, 0.89%, 0.55%

LAB 85.12, -41.78, -16.32

 

Description

Color code: HEX #9427F3 | qconv.com Color code: HEX #9427F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 39 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 39 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 84 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 84% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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