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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93BCEC it is the complementary color #6C4313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93BCEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #93BCEC: #98BCE7, #A9CEFA, #BAE0FF, #CBF2FF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93BCEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #93BCEC: #93BCEC, #82AAD9, #7198C6, #6086B3 and #4F74A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

Complementary color

CMYK 0 / 38 / 82 / 58

HEX #6C4313

RGB 108 67 19

HSL 32.36, 0.7%, 0.25%

LAB 32.37, 13.42, 34.64

 

CMYK 34 / 19 / 0 / 9

HEX #98BCE7

RGB 152 188 231

HSL 212.66, 0.62%, 0.75%

LAB 75.08, -1.88, -25.33

 

CMYK 32 / 18 / 0 / 2

HEX #A9CEFA

RGB 169 206 250

HSL 212.59, 0.89%, 0.82%

LAB 81.55, -2.11, -25.55

 

CMYK 27 / 12 / 0 / 0

HEX #BAE0FF

RGB 186 224 255

HSL 206.96, 1%, 0.86%

LAB 87.47, -5.58, -19.12

 

CMYK 20 / 5 / 0 / 0

HEX #CBF2FF

RGB 203 242 255

HSL 195, 1%, 0.9%

LAB 93.2, -9.82, -10.44

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 40 / 22 / 0 / 15

HEX #82AAD9

RGB 130 170 217

HSL 212.41, 0.53%, 0.68%

LAB 68.39, -1.64, -28.07

 

CMYK 43 / 23 / 0 / 22

HEX #7198C6

RGB 113 152 198

HSL 212.47, 0.43%, 0.61%

LAB 61.69, -1.28, -27.93

 

CMYK 46 / 25 / 0 / 30

HEX #6086B3

RGB 96 134 179

HSL 212.53, 0.35%, 0.54%

LAB 54.86, -0.83, -27.81

 

CMYK 51 / 28 / 0 / 37

HEX #4F74A0

RGB 79 116 160

HSL 212.59, 0.34%, 0.47%

LAB 47.87, -0.29, -27.72

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 38 / 26 / 0 / 8

HEX #92ADEB

RGB 146 173 235

HSL 221.8, 0.69%, 0.75%

LAB 70.87, 5.78, -34.02

 

CMYK 38 / 33 / 0 / 8

HEX #929EEB

RGB 146 158 235

HSL 231.91, 0.69%, 0.75%

LAB 66.95, 14.25, -40.12

 

CMYK 37 / 38 / 0 / 8

HEX #9592EB

RGB 149 146 235

HSL 242.02, 0.69%, 0.75%

LAB 64.12, 21.94, -44.55

 

CMYK 30 / 38 / 0 / 8

HEX #A492EB

RGB 164 146 235

HSL 252.13, 0.69%, 0.75%

LAB 65.32, 26.01, -42.58

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 38 / 22 / 0 / 87

HEX #141920

RGB 20 25 32

HSL 215, 0.23%, 0.1%

LAB 8.55, -0.18, -5.64

 

CMYK 37 / 20 / 0 / 67

HEX #344253

RGB 52 66 83

HSL 212.9, 0.23%, 0.26%

LAB 27.44, -0.82, -12.03

 

CMYK 38 / 20 / 0 / 47

HEX #536B86

RGB 83 107 134

HSL 211.76, 0.24%, 0.43%

LAB 44.34, -1.63, -17.74

 

CMYK 38 / 21 / 0 / 27

HEX #7393B9

RGB 115 147 185

HSL 212.57, 0.33%, 0.59%

LAB 59.9, -1.51, -23.35

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 10 / 38 / 0 / 8

HEX #D492EB

RGB 212 146 235

HSL 284.49, 0.69%, 0.75%

LAB 69.86, 39.96, -35.15

 

CMYK 5 / 0 / 38 / 8

HEX #DFEB92

RGB 223 235 146

HSL 68.09, 0.69%, 0.75%

LAB 90.4, -17.38, 41.85

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 0 / 38 / 20 / 8

HEX #EB92BC

RGB 235 146 188

HSL 331.69, 0.69%, 0.75%

LAB 70.77, 39.13, -7.56

 

CMYK 20 / 0 / 38 / 8

HEX #BCEB92

RGB 188 235 146

HSL 91.69, 0.69%, 0.75%

LAB 88.06, -30.27, 38.36

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 10 / 38 / 0 / 8

HEX #D492EB

RGB 212 146 235

HSL 284.49, 0.69%, 0.75%

LAB 69.86, 39.96, -35.15

 

CMYK 0 / 17 / 38 / 8

HEX #EBC292

RGB 235 194 146

HSL 32.36, 0.69%, 0.75%

LAB 80.92, 8.15, 29.63

 

CMYK 28 / 0 / 38 / 8

HEX #AAEB92

RGB 170 235 146

HSL 103.82, 0.69%, 0.75%

LAB 87.02, -36.48, 36.8

 

CMYK 38 / 20 / 0 / 7

HEX #93BCEC

RGB 147 188 236

HSL 212.36, 0.7%, 0.75%

LAB 74.97, -1.95, -28.24

 

CMYK 0 / 38 / 1 / 8

HEX #EB92E8

RGB 235 146 232

HSL 302.02, 0.69%, 0.75%

LAB 72.26, 46.35, -29.59

 

CMYK 0 / 17 / 38 / 8

HEX #EBC292

RGB 235 194 146

HSL 32.36, 0.69%, 0.75%

LAB 80.92, 8.15, 29.63

 

CMYK 38 / 0 / 37 / 8

HEX #92EB95

RGB 146 235 149

HSL 122.02, 0.69%, 0.75%

LAB 85.86, -43.68, 33.55

 

Description

Color code: HEX #93BCEC | qconv.com Color code: HEX #93BCEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 188 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 188 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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