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Color name
HEX #938D12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #938D12 it is the complementary color #6C72ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #938D12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #938D12 shade: #988D0D, #A99F20, #BAB133, #CBC346 and #DCD559

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #938D12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #938D12 shade: #938D12, #827B00, #716900, #605700 and #4F4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #938D12 shade: #918B12, #916912, #914712, #912412 and #911212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #938D12 shade: #918B12, #759112, #539112, #309112 and #129116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #938D12 shade matches the following richer shades: #918B12 and #9E9705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #938D12 shade: #918B12, #847F1F, #77732C, #6A673A and #5C5B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #938D12 shade: #914712, #916912, #918B12, #769112 and #549112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #938D12 shade: #484509, #6D680D, #918B12, #B6AF16 and #DBD21B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #938D12 shade: #938D12, #129125 and #581291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #938D12 shade: #938D12, #12918B and #8B1291

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #938D12 shade: #938D12, #129125, #121891 and #91127E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #938D12 shade: #938D12, #12914B, #121891 and #911258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 88 / 42

HEX #938D12

RGB 147 141 18

HSL 57.21, 0.78%, 0.32%

LAB 57.36, -10.78, 58.31

 

Complementary color

CMYK 54 / 52 / 0 / 7

HEX #6C72ED

RGB 108 114 237

HSL 237.21, 0.78%, 0.68%

LAB 53.32, 31.87, -63.03

 

CMYK 0 / 7 / 91 / 40

HEX #988D0D

RGB 152 141 13

HSL 55.25, 0.84%, 0.32%

LAB 57.8, -8.6, 59.87

 

CMYK 0 / 6 / 81 / 34

HEX #A99F20

RGB 169 159 32

HSL 55.62, 0.68%, 0.39%

LAB 64.43, -10, 61.44

 

CMYK 0 / 5 / 73 / 27

HEX #BAB133

RGB 186 177 51

HSL 56, 0.57%, 0.46%

LAB 70.96, -11.15, 61.73

 

CMYK 0 / 4 / 66 / 20

HEX #CBC346

RGB 203 195 70

HSL 56.39, 0.56%, 0.54%

LAB 77.38, -12.09, 61.33

 

CMYK 0 / 3 / 60 / 14

HEX #DCD559

RGB 220 213 89

HSL 56.79, 0.65%, 0.61%

LAB 83.72, -12.88, 60.54

 

CMYK 0 / 4 / 88 / 42

HEX #938D12

RGB 147 141 18

HSL 57.21, 0.78%, 0.32%

LAB 57.36, -10.78, 58.31

 

CMYK 0 / 5 / 100 / 49

HEX #827B00

RGB 130 123 0

HSL 56.77, 1%, 0.25%

LAB 50.58, -9.27, 55.82

 

CMYK 0 / 7 / 100 / 56

HEX #716900

RGB 113 105 0

HSL 55.75, 1%, 0.22%

LAB 43.67, -7.35, 50.09

 

CMYK 0 / 9 / 100 / 62

HEX #605700

RGB 96 87 0

HSL 54.38, 1%, 0.19%

LAB 36.56, -5.34, 44.2

 

CMYK 0 / 13 / 100 / 69

HEX #4F4500

RGB 79 69 0

HSL 52.41, 1%, 0.15%

LAB 29.21, -3.2, 38.05

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 0 / 28 / 88 / 43

HEX #916912

RGB 145 105 18

HSL 41.1, 0.78%, 0.32%

LAB 47.19, 8.43, 49.88

 

CMYK 0 / 51 / 88 / 43

HEX #914712

RGB 145 71 18

HSL 25.04, 0.78%, 0.32%

LAB 38.85, 27.9, 42.94

 

CMYK 0 / 75 / 88 / 43

HEX #912412

RGB 145 36 18

HSL 8.5, 0.78%, 0.32%

LAB 32.54, 44.5, 37.6

 

CMYK 0 / 88 / 88 / 43

HEX #911212

RGB 145 18 18

HSL 0, 0.78%, 0.32%

LAB 30.63, 49.86, 35.97

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 19 / 0 / 88 / 43

HEX #759112

RGB 117 145 18

HSL 73.23, 0.78%, 0.32%

LAB 56.16, -26.22, 56.35

 

CMYK 43 / 0 / 88 / 43

HEX #539112

RGB 83 145 18

HSL 89.29, 0.78%, 0.32%

LAB 54.17, -39.64, 53.85

 

CMYK 67 / 0 / 88 / 43

HEX #309112

RGB 48 145 18

HSL 105.83, 0.78%, 0.32%

LAB 52.86, -49.87, 52.21

 

CMYK 88 / 0 / 85 / 43

HEX #129116

RGB 18 145 22

HSL 121.89, 0.78%, 0.32%

LAB 52.33, -54.46, 50.5

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 0 / 4 / 97 / 38

HEX #9E9705

RGB 158 151 5

HSL 57.25, 0.94%, 0.32%

LAB 61.14, -11.33, 63.9

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 0 / 3 / 63 / 53

HEX #77732C

RGB 119 115 44

HSL 56.8, 0.46%, 0.32%

LAB 47.45, -8.22, 38.78

 

CMYK 0 / 3 / 45 / 58

HEX #6A673A

RGB 106 103 58

HSL 56.25, 0.29%, 0.32%

LAB 42.87, -6.03, 25.74

 

CMYK 0 / 1 / 23 / 64

HEX #5C5B47

RGB 92 91 71

HSL 57.14, 0.13%, 0.32%

LAB 38.22, -3.38, 11.71

 

CMYK 0 / 51 / 88 / 43

HEX #914712

RGB 145 71 18

HSL 25.04, 0.78%, 0.32%

LAB 38.85, 27.9, 42.94

 

CMYK 0 / 28 / 88 / 43

HEX #916912

RGB 145 105 18

HSL 41.1, 0.78%, 0.32%

LAB 47.19, 8.43, 49.88

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 19 / 0 / 88 / 43

HEX #769112

RGB 118 145 18

HSL 72.76, 0.78%, 0.32%

LAB 56.23, -25.79, 56.43

 

CMYK 42 / 0 / 88 / 43

HEX #549112

RGB 84 145 18

HSL 88.82, 0.78%, 0.32%

LAB 54.22, -39.29, 53.91

 

CMYK 0 / 4 / 88 / 72

HEX #484509

RGB 72 69 9

HSL 57.14, 0.78%, 0.16%

LAB 28.52, -6.45, 33.6

 

CMYK 0 / 5 / 88 / 57

HEX #6D680D

RGB 109 104 13

HSL 56.88, 0.79%, 0.24%

LAB 43.03, -8.39, 46.28

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 0 / 4 / 88 / 29

HEX #B6AF16

RGB 182 175 22

HSL 57.38, 0.78%, 0.4%

LAB 69.94, -12.84, 68.92

 

CMYK 0 / 4 / 88 / 14

HEX #DBD21B

RGB 219 210 27

HSL 57.19, 0.78%, 0.48%

LAB 82.5, -14.45, 79.33

 

CMYK 0 / 4 / 88 / 42

HEX #938D12

RGB 147 141 18

HSL 57.21, 0.78%, 0.32%

LAB 57.36, -10.78, 58.31

 

CMYK 88 / 0 / 74 / 43

HEX #129125

RGB 18 145 37

HSL 128.98, 0.78%, 0.32%

LAB 52.41, -53.39, 45.65

 

CMYK 39 / 88 / 0 / 43

HEX #581291

RGB 88 18 145

HSL 273.07, 0.78%, 0.32%

LAB 25.42, 52.3, -54.51

 

CMYK 0 / 4 / 88 / 42

HEX #938D12

RGB 147 141 18

HSL 57.21, 0.78%, 0.32%

LAB 57.36, -10.78, 58.31

 

CMYK 88 / 0 / 4 / 43

HEX #12918B

RGB 18 145 139

HSL 177.17, 0.78%, 0.32%

LAB 54.28, -32.54, -5.89

 

CMYK 4 / 88 / 0 / 43

HEX #8B1291

RGB 139 18 145

HSL 297.17, 0.78%, 0.32%

LAB 33.91, 60.79, -40.34

 

CMYK 0 / 4 / 88 / 42

HEX #938D12

RGB 147 141 18

HSL 57.21, 0.78%, 0.32%

LAB 57.36, -10.78, 58.31

 

CMYK 88 / 0 / 74 / 43

HEX #129125

RGB 18 145 37

HSL 128.98, 0.78%, 0.32%

LAB 52.41, -53.39, 45.65

 

CMYK 88 / 83 / 0 / 43

HEX #121891

RGB 18 24 145

HSL 237.17, 0.78%, 0.32%

LAB 19.33, 43.26, -64.78

 

CMYK 0 / 88 / 13 / 43

HEX #91127E

RGB 145 18 126

HSL 308.98, 0.78%, 0.32%

LAB 33.9, 59.03, -28.51

 

CMYK 0 / 4 / 88 / 42

HEX #938D12

RGB 147 141 18

HSL 57.21, 0.78%, 0.32%

LAB 57.36, -10.78, 58.31

 

CMYK 88 / 0 / 48 / 43

HEX #12914B

RGB 18 145 75

HSL 146.93, 0.78%, 0.32%

LAB 52.83, -48.33, 28.21

 

CMYK 88 / 83 / 0 / 43

HEX #121891

RGB 18 24 145

HSL 237.17, 0.78%, 0.32%

LAB 19.33, 43.26, -64.78

 

CMYK 0 / 88 / 39 / 43

HEX #911258

RGB 145 18 88

HSL 326.93, 0.78%, 0.32%

LAB 32.16, 54.28, -6.88

 

Description

Color code: HEX #938D12 | qconv.com Color code: HEX #938D12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 141 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 141 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 88 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 88% 42% C M Y K

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Provide designers and agencies with accurate color values.

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