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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #938CA1 it is the complementary color #6C735E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #938CA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #938CA1 shade: #988C9C, #A99EAF, #BAB0C2, #CBC2D5 and #DCD4E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #938CA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #938CA1 shade: #938CA1, #827A8E, #71687B, #605668 and #4F4455

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #938CA1 shade: #938CA1, #998CA1, #9E8CA1, #A18C9E and #A18C98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #938CA1 shade: #938CA1, #8D8CA1 and #8C8CA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #938CA1 shade matches the following richer shades: #938CA1, #8D7BB2, #886AC3, #8259D4 and #7C48E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #938CA1 shade: #938CA1, #999D90, #9EAE7F, #A4BF6E and #AAD05D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #938CA1 shade: #8C90A1, #8D8CA1, #938CA1, #998CA1 and #9E8CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #938CA1 shade: #6A6278, #7E758E, #938CA1, #A8A3B3 and #BEB9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #938CA1 shade: #938CA1, #A18C96 and #8DA18C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #938CA1 shade: #938CA1, #A1938C and #8CA193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #938CA1 shade: #938CA1, #A18C96, #9AA18C and #8CA197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #938CA1 shade: #938CA1, #A18C8F, #9AA18C and #8CA19D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

Complementary color

CMYK 6 / 0 / 18 / 55

HEX #6C735E

RGB 108 115 94

HSL 80, 0.1%, 0.41%

LAB 47.31, -6.74, 10.74

 

CMYK 3 / 10 / 0 / 39

HEX #988C9C

RGB 152 140 156

HSL 285, 0.07%, 0.58%

LAB 59.74, 7.54, -6.85

 

CMYK 3 / 10 / 0 / 31

HEX #A99EAF

RGB 169 158 175

HSL 278.82, 0.1%, 0.65%

LAB 66.51, 7.22, -7.37

 

CMYK 4 / 9 / 0 / 24

HEX #BAB0C2

RGB 186 176 194

HSL 273.33, 0.13%, 0.73%

LAB 73.14, 6.93, -7.87

 

CMYK 5 / 9 / 0 / 16

HEX #CBC2D5

RGB 203 194 213

HSL 268.42, 0.18%, 0.8%

LAB 79.66, 6.66, -8.36

 

CMYK 5 / 9 / 0 / 9

HEX #DCD4E8

RGB 220 212 232

HSL 264, 0.3%, 0.87%

LAB 86.07, 6.41, -8.84

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 8 / 14 / 0 / 44

HEX #827A8E

RGB 130 122 142

HSL 264, 0.08%, 0.52%

LAB 52.53, 7.12, -9.73

 

CMYK 8 / 15 / 0 / 52

HEX #71687B

RGB 113 104 123

HSL 268.42, 0.08%, 0.45%

LAB 45.42, 7.48, -9.29

 

CMYK 8 / 17 / 0 / 59

HEX #605668

RGB 96 86 104

HSL 273.33, 0.09%, 0.37%

LAB 38.1, 7.88, -8.85

 

CMYK 7 / 20 / 0 / 67

HEX #4F4455

RGB 79 68 85

HSL 278.82, 0.11%, 0.3%

LAB 30.53, 8.35, -8.41

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 5 / 13 / 0 / 37

HEX #998CA1

RGB 153 140 161

HSL 277.14, 0.1%, 0.59%

LAB 59.98, 8.9, -9.34

 

CMYK 2 / 13 / 0 / 37

HEX #9E8CA1

RGB 158 140 161

HSL 291.43, 0.1%, 0.59%

LAB 60.43, 10.68, -8.62

 

CMYK 0 / 13 / 2 / 37

HEX #A18C9E

RGB 161 140 158

HSL 308.57, 0.1%, 0.59%

LAB 60.61, 11.17, -6.62

 

CMYK 0 / 13 / 6 / 37

HEX #A18C98

RGB 161 140 152

HSL 325.71, 0.1%, 0.59%

LAB 60.43, 10.03, -3.46

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 12 / 13 / 0 / 37

HEX #8D8CA1

RGB 141 140 161

HSL 242.86, 0.1%, 0.59%

LAB 58.97, 4.72, -10.96

 

CMYK 13 / 13 / 0 / 37

HEX #8C8CA1

RGB 140 140 161

HSL 240, 0.1%, 0.59%

LAB 58.89, 4.38, -11.09

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 21 / 31 / 0 / 30

HEX #8D7BB2

RGB 141 123 178

HSL 259.64, 0.26%, 0.59%

LAB 55.12, 18.47, -26.57

 

CMYK 30 / 46 / 0 / 24

HEX #886AC3

RGB 136 106 195

HSL 260.22, 0.43%, 0.59%

LAB 51.25, 31.17, -42.43

 

CMYK 39 / 58 / 0 / 17

HEX #8259D4

RGB 130 89 212

HSL 260, 0.59%, 0.59%

LAB 47.81, 43.87, -57.69

 

CMYK 46 / 69 / 0 / 10

HEX #7C48E5

RGB 124 72 229

HSL 259.87, 0.75%, 0.59%

LAB 45.05, 56.24, -71.87

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 3 / 0 / 8 / 38

HEX #999D90

RGB 153 157 144

HSL 78.46, 0.06%, 0.59%

LAB 64.08, -3.88, 6.29

 

CMYK 9 / 0 / 27 / 32

HEX #9EAE7F

RGB 158 174 127

HSL 80.43, 0.22%, 0.59%

LAB 68.8, -13.88, 22.33

 

CMYK 14 / 0 / 42 / 25

HEX #A4BF6E

RGB 164 191 110

HSL 80, 0.39%, 0.59%

LAB 73.73, -22.48, 37.79

 

CMYK 18 / 0 / 55 / 18

HEX #AAD05D

RGB 170 208 93

HSL 79.83, 0.55%, 0.59%

LAB 78.72, -30.16, 52.15

 

CMYK 13 / 11 / 0 / 37

HEX #8C90A1

RGB 140 144 161

HSL 228.57, 0.1%, 0.59%

LAB 59.97, 2.1, -9.46

 

CMYK 12 / 13 / 0 / 37

HEX #8D8CA1

RGB 141 140 161

HSL 242.86, 0.1%, 0.59%

LAB 58.97, 4.72, -10.96

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 5 / 13 / 0 / 37

HEX #998CA1

RGB 153 140 161

HSL 277.14, 0.1%, 0.59%

LAB 59.98, 8.9, -9.34

 

CMYK 2 / 13 / 0 / 37

HEX #9E8CA1

RGB 158 140 161

HSL 291.43, 0.1%, 0.59%

LAB 60.43, 10.68, -8.62

 

CMYK 12 / 18 / 0 / 53

HEX #6A6278

RGB 106 98 120

HSL 261.82, 0.1%, 0.43%

LAB 43, 7.87, -11.18

 

CMYK 11 / 18 / 0 / 44

HEX #7E758E

RGB 126 117 142

HSL 261.6, 0.1%, 0.51%

LAB 50.82, 8.64, -12.33

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 6 / 9 / 0 / 30

HEX #A8A3B3

RGB 168 163 179

HSL 258.75, 0.1%, 0.67%

LAB 67.85, 4.9, -7.61

 

CMYK 4 / 7 / 0 / 22

HEX #BEB9C6

RGB 190 185 198

HSL 263.08, 0.1%, 0.75%

LAB 75.9, 4.2, -5.93

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 0 / 9 / 13 / 37

HEX #A1938C

RGB 161 147 140

HSL 20, 0.1%, 0.59%

LAB 61.94, 3.95, 5.57

 

CMYK 13 / 0 / 9 / 37

HEX #8CA193

RGB 140 161 147

HSL 140, 0.1%, 0.59%

LAB 64.3, -10.19, 4.8

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 0 / 13 / 7 / 37

HEX #A18C96

RGB 161 140 150

HSL 331.43, 0.1%, 0.59%

LAB 60.37, 9.66, -2.4

 

CMYK 4 / 0 / 13 / 37

HEX #9AA18C

RGB 154 161 140

HSL 80, 0.1%, 0.59%

LAB 65.16, -6.39, 10.09

 

CMYK 13 / 0 / 6 / 37

HEX #8CA197

RGB 140 161 151

HSL 151.43, 0.1%, 0.59%

LAB 64.4, -9.39, 2.71

 

CMYK 9 / 13 / 0 / 37

HEX #938CA1

RGB 147 140 161

HSL 260, 0.1%, 0.59%

LAB 59.46, 6.8, -10.16

 

CMYK 0 / 13 / 11 / 37

HEX #A18C8F

RGB 161 140 143

HSL 351.43, 0.1%, 0.59%

LAB 60.17, 8.4, 1.3

 

CMYK 4 / 0 / 13 / 37

HEX #9AA18C

RGB 154 161 140

HSL 80, 0.1%, 0.59%

LAB 65.16, -6.39, 10.09

 

CMYK 13 / 0 / 2 / 37

HEX #8CA19D

RGB 140 161 157

HSL 168.57, 0.1%, 0.59%

LAB 64.56, -8.17, -0.41

 

Description

Color code: HEX #938CA1 | qconv.com Color code: HEX #938CA1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 140 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 140 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 13 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 13% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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