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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 58 / 0 / 17 it is the complementary color CMYK 24 / 0 / 74 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 58 / 0 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 58 / 0 / 17: CMYK 35 / 57 / 0 / 19, CMYK 33 / 53 / 0 / 11, CMYK 31 / 49 / 0 / 4, CMYK 27 / 44 / 0 / 0 and CMYK 21 / 37 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 58 / 0 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 58 / 0 / 17: CMYK 39 / 58 / 0 / 17, CMYK 42 / 63 / 0 / 24, CMYK 45 / 70 / 0 / 32, CMYK 50 / 77 / 0 / 39 and CMYK 55 / 88 / 0 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

Complementary color

CMYK 24 / 0 / 74 / 35

HEX #7EA62B

RGB 126 166 43

HSL 79.51, 0.59%, 0.41%

LAB 63.25, -31.47, 55.59

 

CMYK 35 / 57 / 0 / 19

HEX #8659CF

RGB 134 89 207

HSL 262.88, 0.55%, 0.58%

LAB 47.9, 43.48, -54.66

 

CMYK 33 / 53 / 0 / 11

HEX #976BE2

RGB 151 107 226

HSL 262.18, 0.67%, 0.65%

LAB 54.64, 42.42, -54.55

 

CMYK 31 / 49 / 0 / 4

HEX #A87DF5

RGB 168 125 245

HSL 261.5, 0.86%, 0.73%

LAB 61.29, 41.42, -54.42

 

CMYK 27 / 44 / 0 / 0

HEX #B98FFF

RGB 185 143 255

HSL 262.5, 1%, 0.78%

LAB 67.41, 38.31, -50.11

 

CMYK 21 / 37 / 0 / 0

HEX #CAA1FF

RGB 202 161 255

HSL 266.17, 1%, 0.82%

LAB 73.07, 33.13, -41.13

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 42 / 63 / 0 / 24

HEX #7047C1

RGB 112 71 193

HSL 260.16, 0.5%, 0.52%

LAB 40.9, 44.83, -57.98

 

CMYK 45 / 70 / 0 / 32

HEX #5F35AE

RGB 95 53 174

HSL 260.83, 0.53%, 0.45%

LAB 34.06, 45.97, -57.98

 

CMYK 50 / 77 / 0 / 39

HEX #4E239B

RGB 78 35 155

HSL 261.5, 0.63%, 0.37%

LAB 27.26, 46.85, -57.69

 

CMYK 55 / 88 / 0 / 47

HEX #3D1188

RGB 61 17 136

HSL 262.18, 0.78%, 0.3%

LAB 20.71, 46.94, -56.77

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 30 / 58 / 0 / 17

HEX #9458D4

RGB 148 88 212

HSL 269.03, 0.59%, 0.59%

LAB 49.53, 48.58, -54.82

 

CMYK 21 / 58 / 0 / 17

HEX #A858D4

RGB 168 88 212

HSL 278.71, 0.59%, 0.59%

LAB 51.9, 53.41, -50.89

 

CMYK 11 / 58 / 0 / 17

HEX #BD58D4

RGB 189 88 212

HSL 288.87, 0.59%, 0.59%

LAB 54.61, 58.62, -46.43

 

CMYK 1 / 58 / 0 / 17

HEX #D258D4

RGB 210 88 212

HSL 299.03, 0.59%, 0.59%

LAB 57.5, 63.9, -41.67

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 37 / 63 / 0 / 97

HEX #050308

RGB 5 3 8

HSL 264, 0.45%, 0.02%

LAB 1.04, 1.22, -1.71

 

CMYK 39 / 58 / 0 / 77

HEX #24193B

RGB 36 25 59

HSL 259.41, 0.4%, 0.16%

LAB 11.86, 14.74, -20.1

 

CMYK 39 / 58 / 0 / 57

HEX #432E6E

RGB 67 46 110

HSL 259.69, 0.41%, 0.31%

LAB 24.55, 25.45, -33.95

 

CMYK 39 / 58 / 0 / 37

HEX #6244A1

RGB 98 68 161

HSL 259.35, 0.41%, 0.45%

LAB 36.56, 34.55, -46.12

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 0 / 58 / 30 / 17

HEX #D45894

RGB 212 88 148

HSL 330.97, 0.59%, 0.59%

LAB 55.19, 54.86, -8.24

 

CMYK 53 / 0 / 58 / 17

HEX #63D458

RGB 99 212 88

HSL 114.68, 0.59%, 0.59%

LAB 76.34, -55.89, 50.75

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 0 / 40 / 58 / 17

HEX #D47F58

RGB 212 127 88

HSL 18.87, 0.59%, 0.59%

LAB 61.55, 29.17, 35.03

 

CMYK 58 / 0 / 40 / 17

HEX #58D47F

RGB 88 212 127

HSL 138.87, 0.59%, 0.59%

LAB 76.49, -53.03, 31.97

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 0 / 58 / 30 / 17

HEX #D45894

RGB 212 88 148

HSL 330.97, 0.59%, 0.59%

LAB 55.19, 54.86, -8.24

 

CMYK 18 / 0 / 58 / 17

HEX #ADD458

RGB 173 212 88

HSL 78.87, 0.59%, 0.59%

LAB 80, -31.32, 55.89

 

CMYK 58 / 0 / 28 / 17

HEX #58D498

RGB 88 212 152

HSL 150.97, 0.59%, 0.59%

LAB 76.94, -48.34, 19.57

 

CMYK 39 / 58 / 0 / 17

HEX #8159D4

RGB 129 89 212

HSL 259.51, 0.59%, 0.59%

LAB 47.71, 43.65, -57.86

 

CMYK 0 / 58 / 48 / 17

HEX #D4586F

RGB 212 88 111

HSL 348.87, 0.59%, 0.59%

LAB 54.16, 50.82, 12.13

 

CMYK 18 / 0 / 58 / 17

HEX #ADD458

RGB 173 212 88

HSL 78.87, 0.59%, 0.59%

LAB 80, -31.32, 55.89

 

CMYK 58 / 0 / 11 / 17

HEX #58D4BD

RGB 88 212 189

HSL 168.87, 0.59%, 0.59%

LAB 77.78, -39.95, 1.06

 

Description

Color code: CMYK 39 / 58 / 0 / 17 | qconv.com Color code: CMYK 39 / 58 / 0 / 17 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 89 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 89 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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